Partitions Numériques de I Want You Back pour Harpe

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I Want You Back
Non classifié 97

Piano & claviers
Piano seul 100
Piano, Voix et Guitare 39
Piano Facile 23
Piano, Voix 14
1 Piano, 4 mains 5

Instruments en Do 3
Accompagnement Piano 3
Piano grosses notes 2
Piano (partie séparée) 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 5 instrumentations

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Guitares
Basse electrique 27
Guitare notes et tablatures 19
Guitare 9
Paroles et Accords 7
Ukulele 6

Ligne De Mélodie, (Paroles) et Accords 6
2 Guitares (duo) 2
Guitare (partie séparée) 1
Banjo 1
Basse électrique (partie séparée) 1
Mandoline 1

+ 6 instrumentations

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Voix
Chorale 3 parties 165
Chorale SATB 27
Chorale TTBB 17
Chorale 2 parties 9
Chorale SSAA 7

Voix seule 4
Chorale Unison 3

+ 2 instrumentations

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Vents
Saxophone 36
Flûte traversière 15
Clarinette 14
Saxophone (partie séparée) 13
Quatuor de Saxophones: 4 saxophones 9

Saxophone Alto 8
Saxophone Tenor 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5
Quatuor de Clarinettes: 4 clarinettes 4
Saxophone Tenor et Piano 4
Hautbois, Piano (duo) 4
Saxophone Soprano 4
Hautbois (partie séparée) 3
Saxophone Alto et Piano 3
Flûte traversière et Piano 3
Quintette de Saxophone: 5 saxophones 3
Saxophone Soprano et Piano 3
Ensemble de Clarinettes 2
Clarinette et Piano 2
Ensemble de saxophones 2
Flûte, Hautbois, Clarinette, Basson 2
Ensemble de Flûtes 2
Flûte à bec Soprano 1
Flûte et Guitare 1
Clarinette (partie séparée) 1
Flûte, Clarinette (duo) 1
Saxophone Baryton, Piano 1
Flute (partie séparée) 1
Flûte, Violon 1
2 Clarinettes (duo) 1
3 Saxophones (trio) 1
Quatuor de Flûtes à bec 1

+ 27 instrumentations

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Cuivres
Trompette 17
Trombone 14
Trompette (partie séparée) 8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trombone (partie séparée) 6

Cor 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Cor (partie séparée) 2
Trombone et Piano 2
Ensemble de Trompettes 2
Trompette, Trombone (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Tuba (partie séparée) 1
Quatuor de cuivres: 4 cors 1
Trompette, Piano 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 27
Violon, Violoncelle (duo) 17
Trio à Cordes: violon, alto, violoncelle 14
Violon 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 11

Violon et Piano 7
Violoncelle 7
Alto seul 5
Alto, Piano 4
Harpe 3

2 Violons (duo) 2
Contrebasse (partie séparée) 2
Violoncelle, Piano 1
Alto, Violoncelle (duo) 1
Violon, Alto (duo) 1
Contre Basse 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1

+ 12 instrumentations

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Percussions & orchestre
Ensemble Jazz 29
Batterie 10
Orchestre d'harmonie 8
Orchestre 6
Batterie (partie séparée) 4

Orchestre à Cordes 3
Fanfare 2
Jazz combo 2
Percussion (partie séparée) 1
Cloches 1
Ensemble de Percussions 1
Quintette à Vent 1
Orchestre de chambre 1
Percussion 1

+ 9 instrumentations

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I Want You Back

Harpe

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3 partitions trouvées

The Volcano`s Lake

The Volcano`s Lake #Harpe #FACILE #Luis Anjos Teixeira #The Volcano`s Lake #Luis Anjos Teixeira #SheetMusicPlus

Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....(+)

Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira â€žNow comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams â€žTime and Matter were a byproduct of â€žMusic itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it â€žThe Volcano`s Lake, because the â€žLake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

$6.79 ≈ 6.12€

Passacaglia For Harp

Passacaglia For Harp #Harpe #AVANCÉ #Classique #Johann Sebastian Bach #Luis Anjos Teixeira #Passacaglia For Harp #Luis Anjos Teixeira #SheetMusicPlus

Harp - Level 5 - SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages...(+)

Harp - Level 5 - SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this â€žSpanish strumming between â€žBars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. Once learned you will also be playing much better. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira

$7.55 ≈ 6.80€

Old French Song

Old French Song #Harpe #FACILE #Classique #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderst�ck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99 ≈ 4.49€

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