Partitions Numériques de Traditional tunes pour Hautbois, Violoncelle

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Traditional tunes
Non classifié 522

Piano & claviers
Piano, Voix 210
Piano seul 138
Piano Facile 62
Orgue 25
Accompagnement Piano 18

Accordéon 14
2 Pianos, 4 mains 12
Instruments en Do 12
Piano, Voix et Guitare 8
1 Piano, 4 mains 4
Piano Trio: piano, violon, violoncelle 4
Piano Quatuor: piano, violon, alto, violoncelle 2
Clavecin 1
Orgue, Trompette (duo) 1

+ 9 instrumentations

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Guitares
Guitare notes et tablatures 42
Guitare 25
Ukulele 15
Mandoline 15
Basse electrique 12

Banjo 10
Dulcimer 7
Ligne De Mélodie, (Paroles) et Accords 5
2 Guitares (duo) 1
Guitare, Violon, Violoncelle (trio) 1
4 Guitares (Quatuor) 1

+ 6 instrumentations

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Voix
Chorale 3 parties 81
Chorale SATB 57
Chorale 2 parties 33
Chorale Unison 6
Voix duo 4

Chorale TTBB 3
Voix seule 2
Chorale SSAA 2
Voix Tenor 1
Voix duo, Piano 1
Voix Soprano, Piano 1

+ 6 instrumentations

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Vents
Hautbois, Piano (duo) 31
Flûte traversière et Piano 31
Saxophone Alto et Piano 29
Clarinette et Piano 28
Saxophone Tenor et Piano 26

Saxophone Soprano et Piano 22
Saxophone Baryton, Piano 22
Quatuor de Saxophones: 4 saxophones 22
Flûte, Hautbois, Clarinette, Basson 20
Flûte traversière 17
2 Flûtes traversières (duo) 14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
2 Clarinettes (duo) 11
Quatuor de Clarinettes: 4 clarinettes 10
Flûte, Clarinette (duo) 9
2 Saxophones (duo) 9
Flûte à bec Soprano 7
Quatuor de Flûtes : 4 flûtes 7
Quintette de Clarinettes: 5 clarinettes 6
Clarinette 6
Saxophone, Clarinette (duo) 5
Flûte à Bec 5
Harmonica 4
2 Flûte à bec (duo) 4
Trio de Flûtes: 3 flûtes 4
Ensemble de Clarinettes 4
Saxophone (partie séparée) 3
Ensemble de Flûtes 3
Clarinette, Trompette (duo) 3
Clarinette, Violon (duo) 3
Flûte, Violon 3
Flûte irlandaise 2
Clarinette, Guitare (duo) 2
Cornemuse 2
Clarinette (partie séparée) 2
2 Hautbois (duo) 2
Flûte, Alto (duo) 2
Quintette de Saxophone: 5 saxophones 2
Flûte, Hautbois, Clarinette (trio) 2
Hautbois (partie séparée) 2
Saxophone Alto 2
Clarinette et Alto 2
Clarinette, Violoncelle (duo) 2
Flûte, Trompette (duo) 2
Hautbois, Clarinette (duo) 2
Flûte, Saxophone (duo) 2
3 Saxophones (trio) 2
Hautbois, Basson (duo) 2
Flûte et Guitare 1
Hautbois 1
Flûte, Hautbois, Basson 1
3 Clarinettes (trio) 1
Flûte à bec Soprano, Piano 1
Hautbois, Harpe 1
Clarinette, Basson (duo) 1
Flûte de Pan 1
Hautbois, Flûte 1
Flute, harpe et violon 1
Cor anglais, Piano 1
Clarinette, Harpe (duo) 1
Flûte, Clarinette et Basson 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Hautbois, Violoncelle 1

Ensemble de saxophones 1
Quatuor de Flûtes à bec 1
5 Flûtes à bec 1
Flûte, Alto et Piano 1

+ 62 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 39
Trombone et Piano 29
Cor et Piano 26
Trompette, Piano 21
Tuba et Piano 15

Quatuor de Cuivres 15
Trompette 8
Quatuor de Cuivres : 2 trompettes, trombone, tuba 7
Trompette, Saxophone (duo) 4
Trompette (partie séparée) 4
2 Trombones (duo) 4
2 Euphoniums et 2 Tubas 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Cor 3
2 Trompettes (duo) 2
Cor (partie séparée) 2
Trombone (partie séparée) 2
Trombone 2
Cor et Harpe 2
Trompette, Trombone (duo) 2
3 Trompettes (trio) 1
Trio de Cuivres 1
Tuba 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trombones 1
Cor anglais, Piano 1
Trombone, Tuba (duo) 1
2 Cors (duo) 1
Ensemble de Trompettes 1
Euphonium, Piano (duo) 1
Quatuor de cuivres: 4 cors 1

+ 26 instrumentations

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Cordes
Violon et Piano 174
Quatuor à cordes: 2 violons, alto, violoncelle 79
Violon 74
Harpe 54
Alto, Piano 36

Violoncelle, Piano 35
Contrebasse, Piano (duo) 22
Violoncelle 21
2 Violons (duo) 12
Alto seul 12
2 Harpes (duo) 12
Trio à cordes 10
Violon, Violoncelle (duo) 10
Violon, Alto (duo) 9
2 Violoncelles (duo) 9
Trio à Cordes: violon, alto, violoncelle 8
Violon (partie séparée) 7
Trio à Cordes: 2 violons, violoncelle 6
Harpe, Flûte (duo) 5
2 Altos (duo) 4
Contre Basse 3
Alto (partie séparée) 3
Contrebasse (partie séparée) 3
Alto et Basson 2
4 Violoncelles 2
Harpe, Violoncelle (duo) 2
Harpe, Violon (duo) 2
Violoncelle , Guitare (duo) 1
Violon, Guitare (duo) 1
Trio à cordes: 3 violins 1
Trio à Cordes: 3 violoncelles 1
Trio à Cordes: 2 violons, alto 1
Violoncelle (partie séparée) 1
Alto, Violoncelle (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Harpe, Voix 1
Piano Trio: Violon, Alto, Piano 1

+ 32 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 140
Orchestre à Cordes 59
Orchestre 34
Ensemble de cuivres 20
Cloches 13

Jazz combo 9
Orchestre de chambre 6
Ensemble Jazz 3
Ensemble de Percussions 2
Percussion (partie séparée) 2
Percussion 1
Marimba 1
Fanfare 1

+ 8 instrumentations

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Traditional tunes

Hautbois, Violoncelle

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Josquin: 22 Duets for Oboe & Cello

Josquin: 22 Duets for Oboe & Cello #Hautbois, Violoncelle #FACILE #Josquin des Prez #James M #Josquin: 22 Duets for Oboe &am #jmsgu3 #SheetMusicPlus

Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Rena...(+)

Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678282. Published by jmsgu3 (A0.1074014). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular â€œcircular canonâ€ and the more complex â€œstrict canon.â€ He was also an early adopter of the â€œinverted canonâ€ form, in which the same melody is repeated but in an inverted form. Josquinâ€™s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents:Â I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata VirgineÂ III. Duo from the HÃ¶r Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux FerrarieÂ VIII. Agnus Dei II from Missa La sol fa re miÂ IX. Benedictus from Missa L'homme armÃ© super voces musicalesX. Benedictus from Missa L'homme armÃ© Sexti ToniÂ XI. Pleni sunt coeli from Missa Malheur me batÂ XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patrisÂ XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange linguaÂ XVI. Benedictus from Missa Pange linguaÂ XVII. Agnus Dei II from Missa Pange linguaÂ XVIII. Pleni sunt from Missa sine nomineÂ XIX. Domine non secundum peccata nostraÂ XX. Ave verum and Cuius latusÂ XXI. In principio erat verbum from Motet Verbum caro factus estÂ XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

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