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Vous avez sélectionné:
All By Myself
intermédiaire
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
5 partitions trouvées
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1
All By Myself
All By Myself
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Comédie Musicale
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Irving Berlin
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Alex Tinlin
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All By Myself
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Alex Tinlin
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1244589 Composed by Irving Berlin. Arranged by Alex Tinlin. 20th Century,Broadway,J...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1244589 Composed by Irving Berlin. Arranged by Alex Tinlin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. 7 pages. Alex Tinlin #839542. Published by Alex Tinlin (A0.1244589). My arrangement for String Quartet of All by Myself, a popular song written by Irving Berlin, published in 1921.
$13.99
Prelude and Allegro, "Urbanalia"
Prelude and Allegro, "Urbanalia"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Joshua A
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Prelude and Allegro, "Urb
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Joshua A Idio
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,Wo...
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String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Eine Kleine Nachtmusik III. Menuetto
Eine Kleine Nachtmusik III. Menuetto
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Willem Aarts
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Eine Kleine Nachtmusik III. Me
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Willem Aarts
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1206132 Composed by Wolfgang Amadeus Mozart. Arranged by Willem Aarts. Classical,Me...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1206132 Composed by Wolfgang Amadeus Mozart. Arranged by Willem Aarts. Classical,Medieval. 8 pages. Willem Aarts #802589. Published by Willem Aarts (A0.1206132). This transcription of the third part of Eine Kleine Nachtmusik is short, uplifting, and demanding for every player. I've always been fan of minuets, so I had to make this arrangement. Probably making more of this in the future!My name is Willem Aarts, and I have been arranging music since 2016. I play trombone and French horn myself, but I also love to transcribe existing music to several ensembles, from individual parts to full orchestra's and everything inbetween. It is always a challenge to add my own touch, but I try my very best with every arrangement I make!You can contact me:Website: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts
$14.99
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