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Vous avez sélectionné:
Take It Slow
intermédiaire
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
8 partitions trouvées
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1
Real Love
Real Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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The Beatles
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HELEN MARPLE-HORVAT
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Real Love
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.749229 By The Beatles. By John Lennon. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 13 page...
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String Quartet String Quartet - Level 3 - SKU: A0.749229 By The Beatles. By John Lennon. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 13 pages. Helen Marple-Horvat #5375007. Published by Helen Marple-Horvat (A0.749229). https://www.youtube.com/watch?v=S7pM0WPJtkAReal Love was written by John Lennon and recorded as demo tracks. After his death, the members of the Beatles brought out a version as a single in 1996 which quickly won a gold record and reached number 4 in the UK Charts, and number 11 in USA.Younger players may be more familiar with the Tom Odell cover of this lovely song, chosen as the John Lewis Christmas Advert Music in 2014.Although I arranged this for Capriccio Quartet who play professionally at weddings and other events, I am marketing it for the Intermediate category. The slow speed and easy key for strings make this an enjoyable song for younger players. As usual, most of my double stopping includes an open string, or a note that can be left out if it is easier. The opening cello melody can be dropped an octave without going below the low viola bass notes. Likewise the first violin can drop the octave at bars 24/25 and also at bars 36/37.Take as many bows as make you comfortable. My bowing is only a guide. Perhaps the octave leaps are difficult to slur effectively. I suggest just playing the higher or lower octave as gentle quavers.I hope you have fun playing this song. Send me any recordings, even if just a phone recording, as I particularly love to hear young people play my arrangements! I can be contacted on Facebook or on my Youtube Channel, Helen Marple-Horvat, Songwriter, Arranger and Composer where you will also find all my string quartet arrangements for Sheet Music Plus.Capriccio Quartet will be recording this soon. In the meantime I have only the computer version as a guide.
$20.00 ≈
18.49€
COVENTRY CAROL FOR STRING QUARTET
COVENTRY CAROL FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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HELEN MARPLE-HORVAT
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COVENTRY CAROL FOR STRING QUAR
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749216 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christian,Christma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749216 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Classical,Sacred. Score and parts. 17 pages. Helen Marple-Horvat #3886401. Published by Helen Marple-Horvat (A0.749216). https://www.youtube.com/watch?v=CvRBiRXV_5c&index=17&list=PLvlvfzn8EHuO941zg_1L4U6pyFnDK9dmj This is my third carol in a minor key! I love the harmonic possibilities, especially the false relations in all of them! Down the years I enjoyed singing this one in choral groups, and also sharing it with pupils in choirs. Included are various harmonisations of the wonderful tune, as well as some rhythmic surprises. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, Coventry Carol. They play it at a very fast speed, feeling it as one in a bar. Approx 140 bpm. However, I have also included a 30 second clip of some of the Sibelius Score at a much slower speed of 100 bpm. I think that the tempo is a matter of personal preference. The dissonance is more pronounced and beautiful at the slower speed, but the unexpected extra bars are more fun at a faster speed. At bar 68, the climactic section the cellist should be playing arco! There was a mistake in the score and I have now corrected it! This is a good key for strings, and the double stopping always includes an open string. Although advanced players can make use of higher positions, younger players can use open strings which will not detract from this ancient style! I hope you enjoy playing this arrangement. Let me hear any phone recordings by sending them to me on Facebook. I always love to hear them. In my catalogue you may also enjoy ‘Angel Gabriel’ and ‘O Come Emmanuel’ too as they are in similar style.
$20.00 ≈
18.49€
Kissing You
Kissing You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
Des'ree Weekes and Tim Attack
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HELEN MARPLE-HORVAT
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Kissing You
#
Helen Marple-Horvat
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749204 Composed by Des'ree Weekes and Tim Attack. Arranged by HELEN MARPLE-HORVAT. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749204 Composed by Des'ree Weekes and Tim Attack. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 14 pages. Helen Marple-Horvat #3548867. Published by Helen Marple-Horvat (A0.749204). https://www.youtube.com/watch?v=CfUzzRnPptQ ‘Kissing You’ was written for the 1996 film Romeo and Juliet by Des’ree Weekes and Tim Atack, with the gorgeous string arrangements by Craig Armstrong. It is a much loved song, very well received by the critics and public alike, and hugely popular at weddings. As well as this arrangement for string quartet, I also have an arrangement on Sheet Music Plus, for female singer and string quartet backing. The Quartet version can be found on my Skinny Black Dogs Youtube Channel, by typing in ‘Romeo and Juliet, Kissing You’. The parts are not difficult to play, and the key is easy for strings. As usual, the first violin has the hardest part in trying to sustain the slow melody with a good vibrato, but my bowing is just a guide, and less experienced players can easily change the bow more often. There is some double stopping, in order to get all the necessary notes into those beautiful chords which thickens the texture, but almost all of it has an open string as one of the notes. There is a tricky part for cello at Bar 28, but with a little help from a good teacher, I’m sure that it is not impossible. The cellist in my Youtube recording plays it very lightly, and it could also be done in thumb position, played an octave lower, or simplified. There is also a cello solo in fourth position at bar 14 including the high harmonic A. There needs to be room for some rubato in the song and the lead needs to be taken from whomever has the tune! Hope you enjoy playing this song! It was a lot of fun to arrange!
$20.00 ≈
18.49€
"Pezzo in forma di Sonatina" from Serenade Op. 48 for String Quartet
"Pezzo in forma di Sonatina" from Serenade Op. 48 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.745312 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.745312 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 23 pages. Diego Marani #353325. Published by Diego Marani (A0.745312). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for string quartet (Violin I, Violin II, Viola, Cello) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99 ≈
13.86€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.10€
Angels From The Realms Of Glory (String Quartet)
Angels From The Realms Of Glory (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Mark Bisson
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Angels From The Realms Of Glor
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Mark Bisson
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.900887 Composed by Traditional. Arranged by Mark Bisson. Christmas,Film/TV,Romantic Period. Score and ...
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String Quartet String Quartet - Level 3 - SKU: A0.900887 Composed by Traditional. Arranged by Mark Bisson. Christmas,Film/TV,Romantic Period. Score and parts. 6 pages. Mark Bisson #3628443. Published by Mark Bisson (A0.900887). This is a modern take on an old Christmas favourite, It has a slower tempo and a more atmospheric, reflective and poignant quality than more conventional treatments. It was based on similar piano arrangements of the same music entitled Ambient Carols. In both cases the music was originally conceived as incidental or soundtrack music. It lasts around 2.5 minutes. Suitable as part of a programme for more experienced High School students or as music played in the background of a Christmas event.
$3.99 ≈
3.69€
O Come All Ye Faithful (Adeste Fidelis)
O Come All Ye Faithful (Adeste Fidelis)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Francis Wade
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Mark Bisson
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O Come All Ye Faithful
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Mark Bisson
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.900885 Composed by John Francis Wade. Arranged by Mark Bisson. Christmas,Contemporary,Film/TV. Score a...
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String Quartet String Quartet - Level 3 - SKU: A0.900885 Composed by John Francis Wade. Arranged by Mark Bisson. Christmas,Contemporary,Film/TV. Score and parts. 8 pages. Mark Bisson #3627247. Published by Mark Bisson (A0.900885). This is a modern take on an old Christmas favourite, also known as Adeste Fidelis. It has a slower tempo and a more atmospheric and poignant quality than more conventional treatments. It was based on similar piano arrangements of the same music entitled Ambient Carols. In both cases the music was originally conceived as incidental or soundtrack music. It lasts around 2.5 minutes. Suitable as part of a programme for more experienced High School students or as music played in the background of a Christmas event.
$4.99 ≈
4.61€
THREE ANCIENT CAROLS FOR STRING QUARTET
THREE ANCIENT CAROLS FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Carols
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HELEN MARPLE-HORVAT
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THREE ANCIENT CAROLS FOR STRIN
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749221 Composed by Traditional Carols. Arranged by HELEN MARPLE-HORVAT. Christian,C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749221 Composed by Traditional Carols. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Classical,Praise & Worship,Sacred. Score and parts. 42 pages. Helen Marple-Horvat #4854417. Published by Helen Marple-Horvat (A0.749221). The Angel Gabriel, Coventry Carol, O Come Emmanuelhttps://www.youtube.com/watch?v=BCM1oh2jWA0 I have always enjoyed singing carols in minor keys, and when it comes to arranging, love the harmonic possibilities, especially for false relations. I have arranged three so far, and if you buy them as a bundle, the third one is discounted. You can watch the Youtube of The Angel Gabriel here, but you can also find the others by typing Helen Marple-Horvat, Songwriter, Arranger and Composer into Youtube, or research them on the Sheet Music Plus Site. In my arrangement of ‘Angel Gabriel’ I have included various harmonisations of the wonderful tune, and a short contrapuntal development section in the middle to add some interest. In both ‘Coventry Carol’ and ‘O Come Emmanuel’ there are a few surprises in the counting so watch out! It isn’t always obvious, but with a few rehearsals, will give you a fresh takes on these very old carols. Capriccio Quartet are professionals, and play in higher positions with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, I don’t want younger players to feel daunted! All three carols are in good keys for strings, with the double stopping always including an open string. They can also use open strings freely without detracting from this ancient style, or try one note per bow, dropping the first violin down an octave. The recording of Coventry Carol is at a very fast pace which shows off the rhythmic drive of the arrangement. I also love it much slower so that the intense dissonance can be brought out.There are two short excerpts from Coventry Carol and O Come Emmanuel, but full recordings are available to view on the single titles on the Sheet Music Plus Catalogue Index under my name.
$45.00 ≈
41.60€
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