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Vous avez sélectionné:
Be Like That
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Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
18 partitions trouvées
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1
It Must Be Love
It Must Be Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Rock
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Madness
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James Widden
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It Must Be Love
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James Widden
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.805272 By Madness. By Labi Siffre. Arranged by James Widden. Pop,Rock. Score and pa...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.805272 By Madness. By Labi Siffre. Arranged by James Widden. Pop,Rock. Score and parts. 10 pages. James Widden #412306. Published by James Widden (A0.805272). The Labi Siffre classic, in the hugely popular version by the British ska band Madness. Also available for string trio! All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.
$15.99 ≈
14.76€
3.4/20/34 Angstrom - Full Set
3.4/20/34 Angstrom - Full Set
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
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Nick Raspa
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3.4/20/34 Angstrom - Full Set
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NJR Music
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.754150 Composed by Nick Raspa. 20th Century. Score and parts. 46 pages. NJR Music #2069333. Published ...
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String Quartet String Quartet - Level 5 - SKU: A0.754150 Composed by Nick Raspa. 20th Century. Score and parts. 46 pages. NJR Music #2069333. Published by NJR Music (A0.754150). The title of this piece is the spacial configuration of the DNA molecule. The physical representation of the molecule, in this work, is from that of the outside observer. The DNA molecule, as we know, is represented as a curved ladder. The rungs of the ladder contain all the vital information necessary for us to be individuals. The rungs are held in place by vertical structures much like that of the standard ladder. This ladder is often depicted as swiveling and, as such, the rungs of the ladder are quite visible at times and disappear at other times. The outsider observer will see those rungs for a period of time and, as the ladder swivels, the rungs disappear and all that is visible, to the observer, are the vertical structures. The physical representation of the swiveling DNA molecule is represented musically with the quartet moving back and forth between a monophonic and polyphonic. There are also variations in tempo which relate to the movement between the monophonic and polyphonic states (a speeding up during the approach to viewing only the vertical braces). The philosophical perspective relates to the fact that this molecule is common to all of humanity at the same time that it separates each and every one of us. It is ironic that something that keeps all of us separate, at the same time unifies us. There is no doubt that we are all unified, yet intrinsically different. Being cut from the same (high grade) cloth, we are all the same, and yet, we may have different colors and patterns. The piece ends with an oscillation between two pitches ultimately resolving to one pitch.
$65.00 ≈
59.99€
Six Frames for String Quartet - Score Only
Six Frames for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Igor Korneitchouk
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Six Frames for String Quartet
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Studio at the Post
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1144426 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 19 pages. Studio at the Post...
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String Quartet String Quartet - Level 5 - SKU: A0.1144426 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 19 pages. Studio at the Post #744751. Published by Studio at the Post (A0.1144426). Score only (see A744757 for Parts) Duration: 9-10 minutes, 16 pp. Duration: Description: (According to the composer) Six Frames for String Quartet was written when I was 23 years old. It represents my first best attempt to push out into that world of experimental musical techniques that fascinated me. In 1980 it was selected as part of the Young Audiences Program and performed throughout the Cleveland area elementary and high schools. The piece is intended to be like “sonic photographs†each of a different subject. But all I remember was that the opening musical gesture was of a car crash from a dream, though in fact, aside from fender benders, I don’t recall having been in such sonically graphic accidents.
$5.02 ≈
4.63€
Six Frames for String Quartet (Parts only)
Six Frames for String Quartet (Parts only)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Igor Korneitchouk
#
Six Frames for String Quartet
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Studio at the Post
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1144430 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 16 pages. Studio at the Post...
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String Quartet String Quartet - Level 5 - SKU: A0.1144430 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 16 pages. Studio at the Post #744757. Published by Studio at the Post (A0.1144430). Parts only (see A744751 for Score) Duration: 9-10 minutes, 16 pp. Duration: Description: (According to the composer) Six Frames for String Quartet was written when I was 23 years old. It represents my first best attempt to push out into that world of experimental musical techniques that fascinated me. In 1980 it was selected as part of the Young Audiences Program and performed throughout the Cleveland area elementary and high schools. The piece is intended to be like “sonic photographs†each of a different subject. But all I remember was that the opening musical gesture was of a car crash from a dream, though in fact, aside from fender benders, I don’t recall having been in such sonically graphic accidents.
$5.02 ≈
4.63€
String Quartet No. 2: Child's Play
String Quartet No. 2: Child's Play
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
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Robert M
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String Quartet No. 2: Child's
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
$36.00 ≈
33.23€
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
33.23€
Wrecking Ball
Wrecking Ball
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan ...
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String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99 ≈
16.60€
String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score – two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark O’Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.84€
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola – two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.84€
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark O’Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.84€
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part – two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.84€
Adagio From Three Pieces For String Quartet
Adagio From Three Pieces For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thomas R
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Adagio From Three Pieces For S
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Thomas R. Schadl
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.912484 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 6 pages. T...
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String Quartet String Quartet - Level 5 - SKU: A0.912484 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 6 pages. Thomas R. Schadl #3053987. Published by Thomas R. Schadl (A0.912484). Adagio From Three Pieces For String Quartet, like the Moderato From Three Pieces For String Quartet is based on B G# A C melodic configuration, the motive that unifies the three pieces. The piece is fugal in idiom, and may be performed for recitals, and may be used for studying contrapuntal forms. .
$7.95 ≈
7.34€
White Sand Beaches
White Sand Beaches
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Lawrence H
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White Sand Beaches
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Lawrence H Underwood
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SheetMusicPlus
Double Bass,String Quartet - Level 5 - SKU: A0.968227 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Double Bass,String Quartet - Level 5 - SKU: A0.968227 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 14 pages. Lawrence H Underwood #6255307. Published by Lawrence H Underwood (A0.968227). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$5.99 ≈
5.53€
Allegro from the Suite #2 in B Minor for String Quartet
Allegro from the Suite #2 in B Minor for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dave Prudon
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Allegro from the Suite #2 in B
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Prudon String Ensembles
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1170727 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Easter,Praise & ...
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String Quartet String Quartet - Level 5 - SKU: A0.1170727 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Christmas,Easter,Praise & Worship,Wedding. Score and parts. 27 pages. Prudon String Ensembles #771074. Published by Prudon String Ensembles (A0.1170727). The overtures to the Bach Orchestral suites are always fun for chamber orchestras to play. And now, String Quartets can enjoy that pleasure with this arrangement. Sometimes page turns can be an issue in pieces like this but they are all fixed in this arrangement. Nothing left to do but have a blast playing this wonderful music!Perfect for use at a wedding reception; a church service Prelude or Postlude; or just for fun.To see a huge selection of very nice string arrangements, visit: Prudon String Ensembles Sheet Music.
$10.99 ≈
10.14€
The Four Seasons (Summer)
The Four Seasons (Summer)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Antonio Vivaldi
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Steven J Huber
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The Four Seasons
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Borgia Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1292191 Composed by Antonio Vivaldi. Arranged by Steven J Huber. Baroque,Chamber,Cl...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1292191 Composed by Antonio Vivaldi. Arranged by Steven J Huber. Baroque,Chamber,Classical. 61 pages. Borgia Music #882779. Published by Borgia Music (A0.1292191). Have you ever had an arrangement of the Four Seasons that was a mess? Was the solo part nothing like the original? Well this arrangement of Summer has the solo part completely intact in the 1st violin, and all the sonnets are included in the score! The basso continuo part usually played by the harpsichord has been modified to be covered in the inner strings as well. All movements of Summer are included!
$25.00 ≈
23.07€
String Quartet No. 1 in D minor
String Quartet No. 1 in D minor
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Steve Shade
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2/4 time, D minor
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String Quartet No. 1 in D mino
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Steve Shade
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.834363 Composed by Steve Shade. 20th Century,Concert,Contemporary,Romantic Period,Standards. Score and...
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String Quartet String Quartet - Level 5 - SKU: A0.834363 Composed by Steve Shade. 20th Century,Concert,Contemporary,Romantic Period,Standards. Score and parts. 107 pages. Steve Shade #4823545. Published by Steve Shade (A0.834363). String Quartet No. 1 in D minor is a full-scale piece in four movements. This is an advanced piece that would be suitable for those looking for neo-Classical/-Romantic style music. Pertinent information regarding each movement:I: 2/4 time, D minor. Ternary form with coda (ABA-CODA.) 145 measures. Slow and expressive movement. Intensity is risen in the coda before settling down. II: 2/4 time, Bb minor in section A, B major in section B. Ternary form (ABA'- CODA.) 148 measures. Energetic and aggressive movement contrasted by a slower lyrical section. An agitated retransition to the A' section sets the tone for a quick, climactic ending.III: 6/8 time, F major in A section, Bb minor in B section. Ternary form with coda (ABA-CODA.) 74 measures. Slow, tranquil movement filled with plenty of expressive moments. An accelerando builds in intensity to an attacca subito, paving the way for the finale.IV: 6/8 time, D minor. A more homophonic movement with ostinato-like themes. Features a lyrical section in Eb minor. Ternary form with coda (ABA-CODA.) An accelerando builds to the Piu Allegro coda, a dramatic and tense moment contrasted by heroic, powerful chord progressions. The final statement of the D minor chord in the last measure is preceded by a dramatic Eb appoggiatura. Contains 107 pages, which includes:Cover and Contents pageFull ensemble scoreFully edited parts for Violin I, Violin II, Viola, and Cello.
$29.95 ≈
27.64€
Don't Start Now - Pop String Quartet
Don't Start Now - Pop String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Rock
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Dua Lipa, Dallas String Quar
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Kyle Pudenz
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Don't Start Now - Pop String Q
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ViolinVagabond Music
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SheetMusicPlus
String Quartet - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 28 pages. Published by ViolinVagabond ...
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String Quartet - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 28 pages. Published by ViolinVagabond Music
This eclectic rendition of Dua Lipa's "Don't Start Now," was performed by Dallas String Quartet in their latest music video, and is now available for your gig book as well!!
"If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.
Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.
**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. You can purchase the full band version at https://www.sheetmusicplus.com/title/21687885 **
Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!
Performance time - approximately 3:00, longer if you want to vamp the outro
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$19.99 ≈
18.45€
AT LAST FOR STRING QUARTET
AT LAST FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Etta James
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Helen Marple-Horvat
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AT LAST FOR STRING QUARTET
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Helen Marple- Horvat
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SheetMusicPlus
String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat...
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String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=fA0-Tg4tul8andfeature=youtu.be
?At Last? was composed by Mack Gordon and Harry Warren for the musical ?Sun Valley Serenade? in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.
If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs-Capriccio Quartet-At Last.
This version of the song is for a professional/advanced quartet, as the opening is tricky for the first violin. However, most of the double stopping includes open strings for at least one of the notes. I have spread the melody across each member of the quartet so that everyone has their place in the sun! As a cellist myself, I know that my part can sometimes be a bit dull, so the cellist gets a lot of the tune! In the solos I have sometimes tried to approximate the feel of jazz by precisely notating the rhythms, but realistically I think it is better for each player to listen to different versions of the song and to play it,to some extent, by ear in order to feel the syncopation. It needs to have a ?rubato? melody, but with the accompaniment as a rock solid 12/8 beat, albeit with an emphasis on the ?off beat? which I have notated with an accent. I also recommend grace notes and glissandi to enhance the bluesy mood.I think Capriccio Quartet does this beautifully!
As well as this version for Quartet, I also have another arrangement of the song in the same key for String Quartet and Female Singer. You can find it uploaded to Sheet Music Press, and is recorded by Capriccio Quartet with my daughter singing.The accompanying parts are almost identical, but each player has more double stopping in the Quartet version. It is in the same key. Have fun and post me any recordings. I can be found on Facebook very easily.
$20.00 ≈
18.46€
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