Partitions Numériques de TEC Music pour Quatuor à cordes: 2 violons, alto, violoncelle

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Quatuor à cordes: 2 violons, alto, violoncelle

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17 partitions trouvées

Into You

Into You #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Rock #Ariana Grande #Monica Re Martin #Into You #Monica Re Martin #SheetMusicPlus

By Ariana Grande. By Alexander Kronlund, Ilya, Max Martin, Savan Kotecha, and Ariana Grande. Arranged by Monica Re Martin. Contemporary, Film/TV, Pop,...(+)

$14.99 ≈ ¥108.25

Movement for String Quartet

Movement for String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Paul Dessau #Movement for String Quartet #Schott Music - Digital #SheetMusicPlus

String quartet - advanced - SKU: S9.Q22733 Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Sc...(+)

$16.99 ≈ ¥122.69

Nocturne Opus 37 No. 2

Nocturne Opus 37 No. 2 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Frederic Chopin #Stephen Levintow #Nocturne Opus 37 No. 2 #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1333721 Composed by Frederic Chopin (1810-1849). Arranged by Stephen Levintow. 19th Century,Romantic P...(+)

$4.00 ≈ ¥28.89

Four Pieces from "Peer Gynt"

Four Pieces from "Peer Gynt" #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Edvard Grieg #Stephen Levintow #Four Pieces from "Peer Gy #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1333792 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Peri...(+)

$8.00 ≈ ¥57.77

Die Mozartisten

Die Mozartisten #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Opera #Classique #Joseph Lanner #Stephen Levintow #Die Mozartisten #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Century,Chamber,Oper...(+)

$10.00 ≈ ¥72.21

Invitation to the Dance

Invitation to the Dance #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Carl Maria von Weber #Stephen Levintow #Invitation to the Dance #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1333886 Composed by Carl Maria von Weber (1786-1826). Arranged by Stephen Levintow. 19th Century,Roman...(+)

$6.00 ≈ ¥43.33

Spring (La Primavera)

Spring (La Primavera) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Antonio Vivaldi #Stephen Levintow #Spring #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1333703 Composed by Antonio Vivaldi (1675-1741). Arranged by Stephen Levintow. Baroque,Wedding. 33 pag...(+)

$6.00 ≈ ¥43.33

Seven Excerpts from "Carmen"

Seven Excerpts from "Carmen" #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Opera #Classique #Georges Bizet #Stephen Levintow #Seven Excerpts from "Carm #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1333786 Composed by Georges Bizet (1838-1875). Arranged by Stephen Levintow. 19th Century,Opera,Romant...(+)

$12.00 ≈ ¥86.66

String Quartet No. 2: Child's Play

String Quartet No. 2: Child's Play #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Robert M #String Quartet No. 2: Child's #Robert M. Greenberg #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...(+)

$36.00 ≈ ¥259.97

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score â€“ two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ ¥108.32

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ ¥108.32

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ ¥108.32

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00 ≈ ¥108.32

Never Too Much
Never Too Much #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Luther Vandross #Zack Reaves #Never Too Much #Zack Reaves #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1357759 By Luther Vandross. By Luther Vandross. Arranged by Zack Reaves. Disco,R & ...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1357759 By Luther Vandross. By Luther Vandross. Arranged by Zack Reaves. Disco,R & B,Soul. 19 pages. Zack Reaves #942261. Published by Zack Reaves (A0.1357759). A groovy and rhythmic string quartet arrangement of Never Too Much by Luther Vandross. Optional chop technique in the cello part. This arrangement is for advanced players.Â Zack Reaves' arrangements have been performed by groups such as the Altius, Orchid, & Edgewood String Quartets, Range Ensemble, WholeSoul, Rogue Lemon Collective and Youth Orchestra Los Angeles. They have also been featured on Classic FM, Spotify's Pop Goes Classical curated playlist, as well as Candlelight Concerts by Fever.If you end up having a recording posted to social media, please feel free to tag my accounts.Instagram: @zrcelloFacebook: @ZackReavesMusicwww.ZackReaves.com.

$12.99 ≈ ¥93.81

String Quartet - William and Mary
String Quartet - William and Mary #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mike Strand, ASCAPâ€ƒ
< #Mike Strand #String Quartet - William and M #Michael M. Strand #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAPâ€ƒI wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, Aâ€™, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.

$7.00 ≈ ¥50.55

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