Partitions Numériques de Two pour Quatuor à cordes: 2 violons, alto, violoncelle

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Quatuor à cordes: 2 violons, alto, violoncelle

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Two Episodes from Dark Forest

Two Episodes from Dark Forest #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Larry Tuttle #Two Episodes from Dark Forest #Personal Sun Music #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1025958 Composed by Larry Tuttle. 20th Century,Contemporary. Score and parts. 45 pages. Personal Sun M...(+)

$14.99

Concerto for two bandolins in G major

Concerto for two bandolins in G major #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Antonio Vivaldi #Harmonistas #Concerto for two bandolins in #Harmonistas #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1240394 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Harmonistas. Baroque. 8...(+)

$5.99

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score â€“ two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part â€“ two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark Oâ€™Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. Mark O'Connor Musik International #6201717. Published by Mark O'Connor Musik International (A0.861785). String Quartet No. 2 Bluegrass (viola â€“ two vlns, vla, cel) MO170DViola Part (score and parts available)Music by Mark Oâ€™Connor31 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170DCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Jacques Leguerney #II. Intermezzo #Jacques Leguerney: String Quar #Musik Fabrik Music Publishing #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor Ã cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist ThÃ©rÃ¨se Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor Ã cordes (inÃ©dit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor Ã cordes en rÃ© mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor Ã cordes en rÃ© mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??AcadÃ©mie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of FaurÃ©, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor Ã cordes en rÃ© mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

$38.95

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (score - two vlns, vla, cel)
String Quartet No. 2 "Bluegrass" (score - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Bluegrass #Mark O'Connor #String Quartet No. 2 "Bluegras #Mark O'Connor Musik International #SheetMusicPlus

String Quartet - Advanced - Composed by Mark O'Connor. Contemporary Classical, Post- Modern, Folk, Bluegrass. Score. 86 pages. Published by Mark...(+)

String Quartet - Advanced - Composed by Mark O'Connor. Contemporary Classical, Post- Modern, Folk, Bluegrass. Score. 86 pages. Published by Mark O'Connor Musik International
String Quartet No. 2 ?Bluegrass? (Score ? two vlns, vla, cel) MO170A

Score (parts available)

Music by Mark O?Connor

82 pages - 37:20 minutes in length

$22.50

Death On Two Legs
Death On Two Legs #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Queen #Dirk Radloff #Death On Two Legs #Dirk Radloff #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1459110 By Queen. By Freddie Mercury. Arranged by Dirk Radloff. Classical,Rock. 21 pages. Dirk Radloff...(+)

String Quartet String Quartet - Level 5 - SKU: A0.1459110 By Queen. By Freddie Mercury. Arranged by Dirk Radloff. Classical,Rock. 21 pages. Dirk Radloff #1038080. Published by Dirk Radloff (A0.1459110). This is the famous opener of the A night at the opera-album by QUEEN, it might be the angriest song ever. My arrangement is written for a professional, experienced ensemble. I always try to bring up the strengths of the string quartet instrumentation and I am not afraid to alter the original as an arranger, because every instrumentation is calling for a different approach. Second a string quartet can not copy the power of a full Rock-band, so you have to substitute that power with rafinesse.

$19.99

Jacques Leguerney: Premier Quatuor à Cordes (First String Quartet) for two violins, viola and cella
Jacques Leguerney: Premier Quatuor à Cordes (First String Quartet) for two violins, viola and cella #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Jacques Leguerney #Jacques Leguerney: Premier Qua #Musik Fabrik Music Publishing #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musi...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musik Fabrik Music Publishing #3627075. Published by Musik Fabrik Music Publishing (A0.534551). French composer Jacques Leguerney (1906-1997) has been recognized for his outstanding oeuvre of songs for voice and piano, mostly composed upon poems of the French poets of the Pleiade. After his death, the Leguerney Estate decided to allow the publication of his instrumental chamber music. These works, many of which were written in his early years, are valuable contributions to the French chamber music repertoire, representing the 20 century from its early yearsthrough World War II. This sonata was composed during October and November of 1925. This edition is based upon one autograph manuscript of the full score, as well as a manuscript copy of the revised first movement which contains nuances marked probably by Leguerney. There is no indication that it was premiered, although the ms copy of the first movement would seem to indicate that that movement at the least received a reading. We have added rehearsal numbers, and corrected a few notational mistakes in the manuscript.

$25.95

String Quartet No. 3 "Old-Time" (score - two vlns, vla, cel)
String Quartet No. 3 "Old-Time" (score - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Mark O'Connor #String Quartet No. 3 "Old-Time #Mark O'Connor Musik International #SheetMusicPlus

Composed by Mark O'Connor. Contemporary Classical, Post- Modern, Folk, Old-time. Score. 72 pages. Published by Mark O'Connor Musik International...(+)

Composed by Mark O'Connor. Contemporary Classical, Post- Modern, Folk, Old-time. Score. 72 pages. Published by Mark O'Connor Musik International

$22.50

Rhapsody on a Sugar Plum
Rhapsody on a Sugar Plum #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #David Moser McKay and Peter Il #David Moser McKay #Rhapsody on a Sugar Plum #Two Davids Music #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1315716 Composed by David Moser McKay and Peter Ilyich Tchaikovsky. Arranged by Dav...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1315716 Composed by David Moser McKay and Peter Ilyich Tchaikovsky. Arranged by David Moser McKay. Chamber,Christian,Christmas,Holiday,Pop. 10 pages. Two Davids Music #904463. Published by Two Davids Music (A0.1315716). Rhapsody on a Sugar Plum is a playful variation on a theme of Tchaikovskyâ€™s Dance of the Sugar Plum Fairy mashed up with God Rest Ye Merry Gentlemen.Â (Note: The String Quartet Score is 8.5 X 11 Landscape Mode, individual parts are normal 8.5 X 11 Portrait Mode)Thank you for purchasing this arrangement! Feel free to drop me a line if you have any questions or comments at david@twodavidsmusic.com

$17.99

The Chain
The Chain #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Fleetwood Mac #Greg Woodward #The Chain #Greg Woodward #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1186404 By Fleetwood Mac. By Christine Mcvie, John McVie, Lindsey Buckingham, Mick ...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1186404 By Fleetwood Mac. By Christine Mcvie, John McVie, Lindsey Buckingham, Mick Fleetwood, and Stevie Nicks. Arranged by Greg Woodward. Blues,Country,Pop,Rock. Score and parts. 17 pages. Greg Woodward #786065. Published by Greg Woodward (A0.1186404). This arrangement of The Chain, by Fleetwood Mac, for string quartet, creates a bluesy, country feel with the heavy stomp of the original. The chorus is especially full with a heavy pulse and plenty of interplay between the parts.

$35.00

String Quartet - William and Mary
String Quartet - William and Mary #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mike Strand, ASCAPâ€ƒ
< #Mike Strand #String Quartet - William and M #Michael M. Strand #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAPâ€ƒI wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, Aâ€™, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.

$7.00

Mister Sandman
Mister Sandman #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #The Chordettes #Marc Donatelle #Mister Sandman #Marc Donatelle #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1405050 By The Chordettes. By Pat Ballard. Arranged by Marc Donatelle. 19th Century...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1405050 By The Chordettes. By Pat Ballard. Arranged by Marc Donatelle. 19th Century,20th Century,Classical,Pop,Rock. 22 pages. Marc Donatelle #987871. Published by Marc Donatelle (A0.1405050). The Sandmen is a mashup of two different versions of the Sandman- Brahms meets the Chordettes!Brahms begins the piece with his SandmÃ¤nnchen, followed after solo clapping in the cello part, by the Chordettes Mister Sandman.The Brahms then returnsÂ in the viola over the Chordettes, finishing with a Count Basie bon-bon.The MP3 clip is from the transition between the two tunes.

$15.00

String Quartet No. 1 - Prelude and Metamorphosis (score and parts)
String Quartet No. 1 - Prelude and Metamorphosis (score and parts) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Alan Bullard #String Quartet No. 1 - Prelude #Colne Edition / BullardMusic #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1162641 Composed by Alan Bullard. 20th Century,Classical. Score and parts. 36 pages. Colne Edition / B...(+)

String Quartet String Quartet - Level 5 - SKU: A0.1162641 Composed by Alan Bullard. 20th Century,Classical. Score and parts. 36 pages. Colne Edition / BullardMusic #763017. Published by Colne Edition / BullardMusic (A0.1162641). Alan Bullard's String Quartet No. 1 (Prelude and Metamorphosis), scored for two violins, viola, and cello, offers two ways of looking at the same musical shape: the Prelude presents it in a brisk and lively manner, and the reflective Metamorphosis transforms it into a lyrical and expressive slow movement.Designed for experienced players, this quartet has been performed by several string quartets, and this download contains the score and the individual parts in one file.For further details, please visit www.colneedition.co.uk.

$20.00

Greek Songs
Greek Songs #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Christian Jost #Greek Songs #Schott Music - Digital #SheetMusicPlus

Voice and string quartet - advanced - SKU: S9.Q6387 On two poems by Kiki Dimoula. Composed by Christian Jost. This edition: score and parts. Down...(+)

Voice and string quartet - advanced - SKU: S9.Q6387 On two poems by Kiki Dimoula. Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q6387. Published by Schott Music - Digital (S9.Q6387). Greek.Jost has set to music 'Melancholy' and 'Afternoon', two tender poems by Kiki Dimoula, the most important contemporary Greek lyricist. Combining the human voice with the sound of a string quartet, he treats the mezzo-soprano like an expressive musical instrument which is not just accompanied by the string quartet. Although each of the songs has its own sound image, a connecting passage, a fluid transition of the string quartet, is like a great arc over the entire work. Differentiated dynamics follow the text context; sound and character capture the atmosphere of a summer afternoon in Greece. In our edition, the music is preceded by the Greek original texts including translation; in the score, Latin letters are written underneath the original text.

$29.99

String Quartet
String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Chaya Czernowin #String Quartet #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - SKU: S9.Q6234 Composed by Chaya Czernowin. This edition: score and parts. Downloadable, Score and parts. Duration 14 minute...(+)

String quartet - difficult - SKU: S9.Q6234 Composed by Chaya Czernowin. This edition: score and parts. Downloadable, Score and parts. Duration 14 minutes. Schott Music - Digital #Q6234. Published by Schott Music - Digital (S9.Q6234). In this work, the quartet becomes a single composite instrument. This instrument cannot play individual sounds but rather composite gestures, of which the initial impulse linked to the production of a sound is an integral element. In a journey to Thailand, I visited Wat Arun, â€œthe Temple of Dawn.â€ First from a distance, it appeared as a majestic looming tower possessing a monolithic form. It was then of extreme surprise to proceed closer only to discover that the tower was actually comprised from thousands of small shards of ceramic plates. From the closer perspectival proximity, these small shards created intricate filigreed patterns. The play between the presence of the templeâ€™s totality and its fractured parts helped to provide both the material and formal conceptions for this quartet. The piece is built from three movements with two â€œsonic windowsâ€ between them. In the first movement, the composite sounds are introduced and form phrases interjections, and a part of a song; the second movement is similar to an improvisation using these composite sounds; the last movement is a speech composed of the fragments from the first two movements. The piece is dedicated to the Arditti String Quartet. â€“ Chaya Czernowin & Steven Kazuo Takasugi.

$54.99

String quartet no. 4
String quartet no. 4 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Krzysztof Penderecki #String quartet no. 4 #Schott Music - Digital #SheetMusicPlus

2 violins, viola and cello - difficult - SKU: S9.Q583244 Edited and completed by Claus-Dieter Ludwig. Composed by Krzysztof Penderecki. Downloada...(+)

2 violins, viola and cello - difficult - SKU: S9.Q583244 Edited and completed by Claus-Dieter Ludwig. Composed by Krzysztof Penderecki. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q583244. Published by Schott Music - Digital (S9.Q583244). The composition of Krzysztof Pendereckiâ??s four string quartets is marked by an idiosyncratic interruption: the first two experimental, improvisatory quartets were composed in swift succession in the 1960s. The third and fourth quartets followed substantially later, but were also written in relatively quick succession in the years 2008 and 2016. The quartet cycle as a whole is exemplary of the composerâ??s two extensive creative phases, thus displaying a stylistic change that is in a class of its own in the history of music. The very short unnumbered quartet Der unterbrochene Gedanke [The Broken Thought], written 1988 in the middle of the â??quartet breakâ??, appears as an only too apt commentary.

$48.99

Please Please Please
Please Please Please #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Sabrina Carpenter #Alison Gillies #Please Please Please #quartetpad.com #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1476305 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. A...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1476305 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. Arranged by Alison Gillies. Contemporary,Disco,Pop,Wedding. 15 pages. Quartetpad.com #1053819. Published by quartetpad.com (A0.1476305). Please Please Please by Sabrina Carpenter arranged for string quartet by Alison Gillies.The follow-up single to Espresso, which allowed Carpenter to become the first female artist to hold the top two positions of the UK Top 40 chart for four weeks in a row. It was also her first chart-topper in the US.This arrangement is in the same key and has all the same rhythmic virtuosity of the original single!See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok

$16.99

Sketch No. 1 for String Quartet
Sketch No. 1 for String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Patrick Prejean #Sketch No. 1 for String Quarte #Patrick Prejean #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1457255 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. 26 pages....(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1457255 Composed by Patrick Prejean. 21st Century,Classical,Contemporary. 26 pages. Patrick Prejean #1036304. Published by Patrick Prejean (A0.1457255). Originally this was a homework assignment. There are two overarching parts in this piece, the first being a 4 measure melody that is spread throughout, and the 2nd being 7/8 that alternates between 3+2+2 and 2+2+3.

$20.00

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