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Vous avez sélectionné:
Opus WoO 8
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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Brahms: Fugue, WoO 8, for String Quartet
Brahms: Fugue, WoO 8, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Stri
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95 ≈
¥233.82
Traumerei from "Album For The Young" for String Quartet
Traumerei from "Album For The Young" for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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R
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Diego Marani
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Traumerei from "Album For
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.527664 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.527664 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 8 pages. Diego Marani #3069073. Published by Diego Marani (A0.527664). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello.
$9.99 ≈
¥70.89
Pq2 ... (2014) for piano and string quartet, viola part
Pq2 ... (2014) for piano and string quartet, viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99 ≈
¥70.89
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