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Vous avez sélectionné:
Hey Man Take Me With You
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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1
COVENTRY CAROL FOR STRING QUARTET
COVENTRY CAROL FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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HELEN MARPLE-HORVAT
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COVENTRY CAROL FOR STRING QUAR
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749216 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christian,Christma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.749216 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Classical,Sacred. Score and parts. 17 pages. Helen Marple-Horvat #3886401. Published by Helen Marple-Horvat (A0.749216). https://www.youtube.com/watch?v=CvRBiRXV_5c&index=17&list=PLvlvfzn8EHuO941zg_1L4U6pyFnDK9dmj This is my third carol in a minor key! I love the harmonic possibilities, especially the false relations in all of them! Down the years I enjoyed singing this one in choral groups, and also sharing it with pupils in choirs. Included are various harmonisations of the wonderful tune, as well as some rhythmic surprises. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, Coventry Carol. They play it at a very fast speed, feeling it as one in a bar. Approx 140 bpm. However, I have also included a 30 second clip of some of the Sibelius Score at a much slower speed of 100 bpm. I think that the tempo is a matter of personal preference. The dissonance is more pronounced and beautiful at the slower speed, but the unexpected extra bars are more fun at a faster speed. At bar 68, the climactic section the cellist should be playing arco! There was a mistake in the score and I have now corrected it! This is a good key for strings, and the double stopping always includes an open string. Although advanced players can make use of higher positions, younger players can use open strings which will not detract from this ancient style! I hope you enjoy playing this arrangement. Let me hear any phone recordings by sending them to me on Facebook. I always love to hear them. In my catalogue you may also enjoy ‘Angel Gabriel’ and ‘O Come Emmanuel’ too as they are in similar style.
$20.00 ≈
18.42€
Morango ... almost a tango, full score
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99 ≈
9.20€
Merry Xmas Everybody
Merry Xmas Everybody
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...
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String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00 ≈
13.81€
THE CROWN - FOR STRING QUARTET
THE CROWN - FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Zimmer, Gregson-Williams, Ba
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. ...
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.
I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.
As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!
The long ?piano? sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.
I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.
There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ?breath? at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven?t marked it as such, and I couldn?t write a ?simile? on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.
Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
$20.00 ≈
18.42€
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