Partitions Numériques de Ira A Others pour Quatuor à cordes: 2 violons, alto, violoncelle

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Ira A Others
Non classifié 42

Piano & claviers
Piano seul 13
Piano Facile 6
Piano, Voix et Guitare 5
Piano, Voix 4
Instruments en Do 3

Orgue 1
Accompagnement Piano 1

+ 2 instrumentations

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Guitares
Guitare 1
Basse electrique 1

Voix
Chorale SATB 13
Chorale TTBB 6
Chorale SSAA 2
Chorale 3 parties 1
Voix Soprano, Piano 1

Chorale 2 parties 1

+ 1 instrumentations

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Vents
3 Saxophones (trio) 10
Flûte traversière 6
Saxophone Alto 5
Quatuor de Clarinettes: 4 clarinettes 5
Flûte, Hautbois, Clarinette (trio) 4

Quintette de Saxophone: 5 saxophones 4
Hautbois, Clarinette, Basson (trio d'anches) 4
Saxophone Tenor 3
Clarinette et Piano 3
3 Clarinettes (trio) 2
Flûte traversière et Piano 2
Saxophone Alto et Piano 2
Saxophone Tenor et Piano 2
Hautbois 2
Saxophone Soprano 2
Saxophone Soprano et Piano 2
Clarinette 2
Saxophone Baryton, Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone Baryton 2
Flûte, Clarinette et Basson 2
Hautbois, Piano (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Quatuor de Flûtes : 4 flûtes 2
Saxophone (partie séparée) 1
2 Clarinettes (duo) 1
Hautbois (partie séparée) 1
2 Flûtes traversières (duo) 1
Flûte et Guitare 1
Flûte, Hautbois, Clarinette, Basson 1

+ 25 instrumentations

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Cuivres
Trombone et Piano 3
Trombone 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette 3
Cor et Piano 2

Quatuor de cuivres: 4 trombones 2
Tuba et Piano 2
Trompette, Piano 2
Tuba 2
Cor 2
Ensemble de Trombones 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Tubas (duo) 1
3 Trombones (trio) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

+ 10 instrumentations

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Cordes
Violon et Piano 8
Violon 7
Alto seul 6
Trio à Cordes: violon, alto, violoncelle 6
Violoncelle 5

Alto, Piano 4
Violoncelle, Piano 3
Contre Basse 2
Contrebasse, Piano (duo) 2
Quatuor à cordes: 2 violons, alto, violoncelle 2

Harpe 1
Violon (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1
2 Violons (duo) 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 14
Orchestre à Cordes 13
Ensemble de cuivres 2
Quintette de Cuivres: autres combinaisons 1
Orchestre 1

Ensemble de Percussions 1

+ 1 instrumentations

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Ira A Others

Quatuor à cordes: 2 violons, alto, violoncelle

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2 partitions trouvées

Gaúcho - Corta Jaca (Brazilian Music)

Gaúcho - Corta Jaca (Brazilian Music) #Quatuor à cordes: 2 violons, alto, violoncelle #Chiquinha Gonzaga #Renato Esteves #Gaúcho - Corta Jaca #Renato Esteves #SheetMusicPlus

String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...(+)

String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ã“ abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Ã‰den Lavradio, in August 1895. Actor Machado Careca (JosÃ© Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circlesâ€¦ But it was at the PalÃ¡cio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de TeffÃ©, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: â€œThe lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretÃª and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!â€ Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, EudÃ³xia de Barros, Guio de Morais, Itamar AssierÃ©, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, RadamÃ©s Gnatalli, RosÃ¡ria Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fÃ¡), bassoon. Edinha Diniz, 2011.

$20.00 ≈ 17.98€

Wellerman

Wellerman #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Nathan Evans #Joel Jacklich (A #Wellerman #Joel Jacklich #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arrang...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.

$12.99 ≈ 11.68€

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