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Vous avez sélectionné:
Slow Hands
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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1
Slow Hands
Slow Hands
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Quatuor à cordes: 2 violons, alto, violoncelle
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Pop musique
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Pop musique
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Niall Horan
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Lorento Golofeev
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Slow Hands
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SheetMusicPlus
By Niall Horan. By Alexander Izquierdo, John Henry Ryan, Julian Bunetta, Ruth-Anne Cunningham, Tobias Jesso Jr., and Niall Horan. Arranged by Lorento ...
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By Niall Horan. By Alexander Izquierdo, John Henry Ryan, Julian Bunetta, Ruth-Anne Cunningham, Tobias Jesso Jr., and Niall Horan. Arranged by Lorento Golofeev. Pop. Score and parts. 8 pages. Lorento Golofeev #6050055. Published by Lorento Golofeev
$12.99 ≈
11.68€
Abendlied (Evening Song)
Abendlied (Evening Song)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Robert Schumann
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Stephen Levintow
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Abendlied
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1333890 Composed by Robert Schumann (1810-1856). Arranged by Stephen Levintow. 19th Century,Chamber,Ro...
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String Quartet String Quartet - Level 3 - SKU: A0.1333890 Composed by Robert Schumann (1810-1856). Arranged by Stephen Levintow. 19th Century,Chamber,Romantic Period. 6 pages. Cypress Publishing #920169. Published by Cypress Publishing (A0.1333890). This soulful, contemplative piece, originally for piano three hands (the treble player having only a right hand melody) was quickly adapted for violin and piano, and played in that form at Schumann's funeral by Joseph Joachim and Johannes Brahms. This quartet version actually allows the harmonies to sustain better at slow tempo than in the piano original.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$3.00 ≈
2.70€
HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate
HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Felix Bartholdy Mendelssohn
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Dennis Ruello
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HARK! THE HERALD ANGELS SING -
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Chicory Music
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.734335 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. Score and p...
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String Quartet String Quartet - SKU: A0.734335 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. Score and parts. 11 pages. Chicory Music #2946001. Published by Chicory Music (A0.734335). HARK! THE HERALD ANGELS SING - String Orchestra / String Quartet - Intermediate Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the string friendly key of G concert, can be preformed as a quartet with or without the optional acoustic bass and drum set parts. It may be performed as a string orchestra with all the string parts plus or minus the drum set part. Your performers and audience will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds.
$11.99 ≈
10.78€
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
32.37€
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