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Vous avez sélectionné:
Sudden Light
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
6 partitions trouvées
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In Christ Alone
In Christ Alone
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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The Newsboys
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Ben Clapton
#
In Christ Alone
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Ben Clapton
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.842481 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Ben Clapton. Christian,Praise &...
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String Quartet String Quartet - Level 4 - SKU: A0.842481 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Ben Clapton. Christian,Praise & Worship,Religious,Sacred. 14 pages. Ben Clapton #4810117. Published by Ben Clapton (A0.842481). In Christ Alone is a popular modern Christian hymn, written by Keith Getty and Stuart Townend. Composed in 2001, the lyrics of this song are credal in nature, speaking about the life, death and resurrection of Christ.This arrangement is an adaptable arrangement suitable for many uses. The first, repeated section contains a basic hymn tune arrangement that is easy and able to be played by all players. If accompanying singing, then you can just repeat this section for the four verses.Following this, the arrangement explores the text musically. A short shift into the tonic minor expands the words There in the ground His body lay, Light of the world by darkness slain before a sudden shift back to the tonic major with the words Bursting forth in glorious day. The accompaniment becomes a triplet ostinato which helps bring out the victory theme in the latter part of this verse, invoking a feel of a snare drum in a marching band.The music then starts preparing for a final verse, taking a small melodic motif and passing it around the quartet as it modulates up a tone to E major. The last half of this verse is repeated, with the second violin accompanying part mirroring the melody an octave lower to provide a base for the soaring melody of the first violin high on the E string.This arrangement would be suitable for church accompaniment (first section repeated), or for special performance. The first violin part is quite advanced, ranging to G#6 (sixth position), however the remainder of the parts would be playable by intermediate players.
$12.99 ≈
12.13€
"Walzer" from Serenade Op. 48 for String Quartet
"Walzer" from Serenade Op. 48 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
#
P
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Diego Marani
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"Walzer" from Serena
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Diego Marani
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.754674 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.754674 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 15 pages. Diego Marani #362475. Published by Diego Marani (A0.754674). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. The second movement is a gracious waltz that updates the requisite dance movement (which in Mozart's time would have been a stately minuet) to a more contemporary dance form. In any case, the waltz is almost deceptively complex. The harmonic shifts are numerous and often sudden and always deftly crafted. The texture is somewhat of a departure from the previous movement in that there is a discernible lightness of touch in the waltz. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$12.99 ≈
12.13€
String Quartet no. II
String Quartet no. II
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Martin Watt
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String Quartet no. II
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Martin Watt
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Mar...
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String Quartet String Quartet - SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Martin Watt (A0.1027526). The String Quartet no II comprises four movements: 1. Preludio, Passacaglia, Minuetto and Trio and Rondo. The first movement is fast and furious and cast in a modified sonata form - announcing two contrasting themes with a transitional section in between. The development section fulfills the role of various transformations and fragmental modifications of segmented thematic material, adding instabitily to the movement. The recapitulation is truncated, rather referential to the exposition and presented in reversed order. The second movement is a plaintive passacaglia, with a recurring eight-bar melody - in this case not traditional in nature as the bassline mostly carried the melody throughout, but nw distributed between all the string instuments. The theme is heard fourteen times. The use of textural contrast and canonic procedures add to the contrapuntal nature of the movement. The Minuetto and Tro movement is strikingly neo-tonal, and but sudden shifts of scalar centricities in the Minuetto add to suspension and elements of surprise. The Trio is more lyrical in character and fluttering fragments create dialogue between the members of the quartet. The last movement is cast in a modified Rondo form. The refrain parts are continuously presented in different textural and harmonic content. The alternating first episode draws material from the first movement and the second from the third movement, resulting in a cyclic structure of the work as a whole. The musical language is loosely based within extended tonality, with modal intersections and dissonant colours, making consonant sonoroties slightly ambiguous and unpredictable.2016 Chamber Music Contest Entry.
$9.99 ≈
9.33€
Joy
Joy
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Christian contemporain
#
For King & Country
#
Jeff Tincher
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Joy
#
Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1357022 By For King & Country. By Ben Glover, Blake Kanicka, Joel Smallbone, Luke S...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1357022 By For King & Country. By Ben Glover, Blake Kanicka, Joel Smallbone, Luke Smallbone, Matt Hales, Seth Mosley, and Tedd Tjornhom. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. 18 pages. Jeff Tincher #941649. Published by Jeff Tincher (A0.1357022). It's a dark stage...For King & Country has just finished their concert. Or have they? All of a sudden you hear the lead marimba notes and lights flash...and you know they are back for their encore. This is a great song that is still a part of their concert. Duration = 3:54. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
12.13€
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
18.67€
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