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Vous avez sélectionné:
The Time Machine
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
You Got The Love
You Got The Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Candi Staton, Florence And Th
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Susie Winkworth winkmusic
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You Got The Love
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winkmusic.co.uk
#
SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Candi Staton, Florence And The Machine. Arranged by Susie Winkworth winkmusic.co.uk. Score, Se...
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String Quartet - Advanced Intermediate - Digital Download By Candi Staton, Florence And The Machine. Arranged by Susie Winkworth winkmusic.co.uk. Score, Set of Parts. 15 pages. Published by winkmusic.co.uk
One of the greatest Dance singles of all time, in an arrangement for string quartet. Unleash your first violinist's inner Candi Staton vocal diva!
Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$16.00 ≈
£12.14
The Time Machine
The Time Machine
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film/TV
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Ost
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Adrian Wagner
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The Time Machine
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Adrian Wagner
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595666 By Ost (original Soundtrack). By Klaus Badelt. Arranged by Adrian Wagner. ...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595666 By Ost (original Soundtrack). By Klaus Badelt. Arranged by Adrian Wagner. Film/TV. Score and parts. 22 pages. Adrian Wagner #4274717. Published by Adrian Wagner (A0.595666). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$22.95 ≈
£17.41
The Time Machine
The Time Machine
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Film/TV
#
Ost
#
Adrian Wagner
#
The Time Machine
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Adrian Wagner
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595671 By Ost (original Soundtrack). By Klaus Badelt. Arranged by Adrian Wagner. ...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.595671 By Ost (original Soundtrack). By Klaus Badelt. Arranged by Adrian Wagner. Film/TV. Score and parts. 18 pages. Adrian Wagner #4275677. Published by Adrian Wagner (A0.595671). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$22.95 ≈
£17.41
Reconciliation
Reconciliation
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Liam Morrissey
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Reconciliation
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Liam Morrissey
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1031806 Composed by Liam Morrissey. 20th Century,Contemporary. Score and parts. 2 pages. Liam Morrissey #3572227...
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String Quartet String Quartet - SKU: A0.1031806 Composed by Liam Morrissey. 20th Century,Contemporary. Score and parts. 2 pages. Liam Morrissey #3572227. Published by Liam Morrissey (A0.1031806). Between gigs on winter terraces , walks on frozen streets , chamber music rehearsals , and the recognition of the good and the bad in man and machine , my quartet was born . It came at a time of reconciliation , of a dawning acceptance of the beauty , the necessity of exploration of advancing technology in music . Before then I had trouble with the synthetic nature of contemporary music ; it seemed to me a symbol of the degradation of the importance that we give to nature in society . However , as I listened more and more to electronic music , as I rehearsed Philip Glass with my friends , I came to accept that there is a coexistence as natural and wonderful as a cup of tea . Yes , it still worries me , the level to which we have come to depend on technological advantage , and I feel we have a long way to go before we reach equilibrium .In the meantime , I wrote this piece and prepared it with completely synthetic effects in the hope of reaching that balance , at least from an aesthetic perspective . It starts somewhat coldy , a siren , a train motor , a deep respiration and a sigh . It twists , it turns , and by the end humanity and its steel and plastic progeny are one .
$10.00 ≈
£7.59
Supercollider
Supercollider
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00 ≈
£26.56
I Wonder As I Wander
I Wonder As I Wander
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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John Jacob Niles
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Joel Jacklich (ASCAP)
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Wilbur Watkin Lewis
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I Wonder As I Wander
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312368 Composed by John Jacob Niles. Arranged by Joel Jacklich (ASCAP). Chamber,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312368 Composed by John Jacob Niles. Arranged by Joel Jacklich (ASCAP). Chamber,Christmas,Folk,Holiday,Traditional. 11 pages. Joel Jacklich #901221. Published by Joel Jacklich (A0.1312368). I Wonder as I Wander by John Jacob Niles is here arranged by Joel Jacklich (ASCAP) for voice and string quartet.à Wonder as I Wander nis a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.[1][2][3][4][5]While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police.[1][5] In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins. ... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.[2]The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material—and a magnificent idea.[2][5] (In various accounts of this story, Niles hears between one and three lines of the song.[2][4][5][6]) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas.[2][3][5] His composition was completed on October 4, 1933.[2] Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina.[2][6] It was originally published in Songs of the Hill Folk in 1934.[4][6]References1. Bradley, Ian. The Penguin Book of Carols. Penguin (1999), p148. ISBN 0-14-027526-6.2. Pen, Ron. I Wonder as I Wander. A Kentucky Christmas (George Ella Lyon, editor). University Press of Kentucky (2003), p200–201. ISBN 0-8131-2279-1.3. Studwell, William E. The Christmas Carol Reader. Haworth Press (1995), p111. ISBN 1-56024-974-9.4. Emmons, Shirlee & Wilbur Watkin Lewis. Researching the Song: A Lexicon. Oxford University Press (2006), p242. ISBN 0-19-515202-6.5. Niles, John Jacob. I Wonder as I Wander. Archived 2006-03-25 at the Wayback Machine John-Jacob-Niles.com.6. Stulken, Marilyn K. With One Voice: Reference Companion. Augsburg Fortress (2000), p25. ISBN 0-8066-3843-5.Program Notes from Wikipedia.
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Take A Chance On Me
Take A Chance On Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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ABBA
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Des McNutty
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Take A Chance On Me
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Des Press
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.977359 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Des McNutty. Contemporary. Score and parts. 17...
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String Quartet String Quartet - SKU: A0.977359 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Des McNutty. Contemporary. Score and parts. 17 pages. Des Press #6480019. Published by Des Press (A0.977359). Abba released Take a Chance on Me - from ABBA: The Album - in January 1978 and it became one of their biggest hits. Influences from this track can be heard in the charts through the following decade and beyond. Needless to say, it remains popular today. As usual with ABBA tracks, the sound production is a work of art in itself: Myriad small details are woven into the tapestry of this high-energy song, such as an audacious one-note string arrangement, a baritone saxophone, state-of-the-art (at the time) synthesized effects and sophisticated multi-voice overdubbing which includes a less-than-perfect layer that may not be obvious but adds to the character and makes listeners more comfortable singing along, The guitar has awesome sustain, sounding almost Hawaiian, with some very slick licks in-between. This arrangement for string quartet cannot boast such complexity in four parts but tips its hat at what details can be squeezed into an idiomatic transcription. As usual in this series from Des Press, the all-important bass-line is used, giving the cellist a chance to shine as a throbbing groove-machine. This arrangement is in the same tonality as the original recording, so you could even play along for fun. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!
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How Big, How Blue, How Beautiful
How Big, How Blue, How Beautiful
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Florence + the Machine
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Jeff Tincher
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How Big, How Blue, How Beautif
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1279362 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1279362 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870847. Published by Jeff Tincher (A0.1279362). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
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Quartet #1
Quartet #1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Jeff Tincher
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Quartet #1
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584653 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pag...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584653 Composed by Jeff Tincher. 20th Century,Contemporary. Score and parts. 19 pages. Jeff Tincher #6017667. Published by Jeff Tincher (A0.584653). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Duration = 4:00. Hear the full version of composition on Jeff Tincher's For String Quartet CD. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
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