Partitions Numériques de Thomas Tally pour Quatuor à cordes: 2 violons, alto, violoncelle

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Thomas Tally
Non classifié 11

Piano & claviers
2 Pianos, 4 mains 21
Piano, Voix 1
Piano seul 1

Guitares
Ukulele 1

Voix
Chorale 3 parties 2
Chorale SATB 1

Vents
Flûte traversière et Piano 2
Saxophone Tenor et Piano 1
Saxophone Soprano et Piano 1
Cor anglais, Piano 1
Quatuor de Saxophones: 4 saxophones 1

Clarinette et Piano 1
Hautbois, Piano (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1
Saxophone Alto et Piano 1
Clarinette 1
Ensemble de Flûtes 1

+ 6 instrumentations

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Cuivres
Euphonium, Piano (duo) 2
Cor anglais, Piano 1
Cor et Piano 1
Trombone et Piano 1
Trompette 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 2

Violon (partie séparée) 2
Violoncelle (partie séparée) 1
Contrebasse (partie séparée) 1
Trio à Cordes: violon, alto, violoncelle 1

Alto, Piano 1
Violon et Piano 1
Violoncelle, Piano 1

+ 3 instrumentations

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Percussions & orchestre
Orchestre à Cordes 3
Ensemble de cuivres 1
Orchestre 1

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Thomas Tally

Quatuor à cordes: 2 violons, alto, violoncelle

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2 partitions trouvées

Finale From Three Pieces For String Quartet

Finale From Three Pieces For String Quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Thomas R #Finale From Three Pieces For S #Thomas R. Schadl #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. Thomas R. Schadl #3053991. Published by Thomas R. Schadl (A0.912485). The Finale From Three Pieces For String Quartet, like the Moderato and Adagio versions, consists of B G# A C theme, the motive that unifies the three pieces. In addition, the middle section includes D E flat C B motive that signifies the signature of Dmitri Shostakovich, and B flat A C B that represents BACH. Both motives are treated contrapuntally. This work is suitable for recital, as well as educational use that stresses on contrapuntal treatment of motives and the resolution of ambiguous tonality to the key of E Major. .

$9.95 ≈ ¥70.81

SQ15 ... Hommage à DSCH (2021) for string quartet

SQ15 ... Hommage à DSCH (2021) for string quartet #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Contemporain #Thomas Oboe Lee #SQ15 ... Hommage à DSCH #Thomas Oboe Lee #SheetMusicPlus

String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...(+)

String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D â€¦ for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part â€¦ The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCHâ€™s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesnâ€™t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCHâ€™s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCHâ€™s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.

$9.99 ≈ ¥71.10

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