Partitions Numériques de And When I Die pour Orchestre de chambre

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And When I Die
Non classifié 55

Piano & claviers
Piano seul 80
Piano, Voix 60
Piano, Voix et Guitare 5
Orgue, Piano (duo) 2
Instruments en Do 2

1 Piano, 4 mains 2
2 Pianos, 4 mains 1
Orgue 1

+ 3 instrumentations

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Guitares
Piano, Guitare (duo) 35
Guitare 12
Ligne De Mélodie, (Paroles) et Accords 9
Guitare notes et tablatures 3
2 Guitares (duo) 1

Basse electrique 1

+ 1 instrumentations

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Voix
Chorale SATB 26
Chorale SSAA 6
Chorale 3 parties 2
Voix duo, Piano 1
Chorale TTBB 1

Voix Tenor, Piano 1
Voix Soprano, Piano 1

+ 2 instrumentations

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Vents
Hautbois, Piano (duo) 59
Flûte traversière et Piano 54
Clarinette 47
Saxophone Tenor et Piano 37
Saxophone Alto et Piano 35

Clarinette et Piano 15
2 Saxophones (duo) 10
Flûte traversière 7
Hautbois (partie séparée) 5
Saxophone Alto 3
Saxophone (partie séparée) 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Ensemble de saxophones 2
Quatuor de Saxophones: 4 saxophones 2
Trio de Flûtes: 3 flûtes 1
Saxophone Baryton, Piano 1
Ensemble de Flûtes 1
Flûte et Quatuor à Cordes 1
3 Saxophones (trio) 1

+ 14 instrumentations

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Cuivres
Trombone et Piano 48
Trompette 40
Trompette, Piano 23
Trombone 10
Trompette (partie séparée) 5

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
2 Trombones (duo) 2
Tuba 1
Cor 1
Trompette, Trombone (duo) 1
Cor et Piano 1

+ 7 instrumentations

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Cordes
Violon et Piano 49
Alto, Piano 44
Violoncelle, Piano 38
Violoncelle (partie séparée) 5
Violon 5

Harpe 4
Quatuor à cordes: 2 violons, alto, violoncelle 4
Alto (partie séparée) 2
Harpe, Voix 2
Alto seul 2
Violon, Violoncelle (duo) 1
Violoncelle 1
Violon, Alto (duo) 1

+ 8 instrumentations

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Percussions & orchestre
Orchestre à Cordes 13
Orchestre 12
Orchestre d'harmonie 11
Ensemble Jazz 7
Orchestre de chambre 3

Ensemble de cuivres 2
Jazz combo 1
Fanfare 1

+ 3 instrumentations

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And When I Die

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Orchestre de chambre

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3 partitions trouvées

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #God's Grandeur #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...(+)

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First â€¦ THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.

$9.99 ≈ 9.22€

Lullabye (Goodnight, My Angel)

Lullabye (Goodnight, My Angel) #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Rock #Billy Joel #Gary D #Lullabye #DR GARY D BELSHAW #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR G...(+)

Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).

$14.99 ≈ 13.83€

La Fee Verte Bagpipe Concerto

La Fee Verte Bagpipe Concerto #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Christine Southworth #La Fee Verte Bagpipe Concerto #Airplane Ears Music #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...(+)

Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La FÃ©e Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com

$30.00 ≈ 27.69€

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