Partitions Numériques de Born To Die pour Orchestre de chambre

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Born To Die
Non classifié 13

Piano & claviers
Piano seul 22
Orgue 4
Piano, Voix 3
2 Pianos, 4 mains 2
Piano Trio: piano, violon, violoncelle 1

1 Piano, 4 mains 1

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 1

Voix
Chorale SSAATTBB 1
Chorale TTBB 1

Vents
Saxophone et Orgue 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone (partie séparée) 1
Ensemble de Clarinettes 1
Quatuor de Saxophones: 4 saxophones 1

Hautbois (partie séparée) 1
Flûte traversière et Piano 1
Saxophone Alto et Piano 1
Quintette de Saxophone: 5 saxophones 1
Saxophone Alto 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte traversière, Orgue (duo) 1

+ 7 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette 2
Trombone et Piano 2
Euphonium, Piano (duo) 1
Ensemble de Trompettes 1

Cordes
Violoncelle, Piano 3
Violon 2
Violon et Piano 2

Percussions & orchestre
Orchestre 8
Orchestre d'harmonie 3
Orchestre de chambre 2

Orchestre à Cordes 2
Ensemble de cuivres 1

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Born To Die

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2 partitions trouvées

Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score

Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score #Orchestre de chambre #AVANCÉ #Contemporain #Thierry PÃ©licant #Thierry Pélicant: Conce #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...(+)

Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry PÃ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpÃ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrÃ© Messager Orchestre and has also directed the Orchestre Philharmonique de lâ€™Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PÃ©licant reconstructed the Messe solennelle of L.V.A BoÃ¯eldieu and Te Deum of 1792 by Philidor and premiÃ¨red and recorded the Suite Parnassienne, Massenetâ€™s last work. At the same time, he has also served the music of our time in premiÃ¨ring or recording the works of Dazzi, Marchand, Braconnier, BÃ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme Ã§a, Ribouldingue, Ã‰lise et le fantÃ´me) ; With the poet Luis Porquet, he wrote the song cycle Ombre lÃ©gÃ¨re (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâ€™Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GÃ lvez-Vallejo, childrenâ€™s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorÃ©e, (quintet for oboe and strings), Sextuor dâ€™Ã©tÃ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..

$29.95 ≈ 27.70€

Concerto for 3 Violins in F Major, RV 551

Concerto for 3 Violins in F Major, RV 551 #Orchestre de chambre #AVANCÉ #Classique #Antonio Vivaldi #Arte Nova Music Lab #Concerto for 3 Violins in F Ma #Arte Nova Music Lab #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and pa...(+)

Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anËˆtÉ”Ënjo ËˆluËtÊƒo viËˆvaldi]; 4 March 1678 â€“ 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della PietÃ , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi

$30.00 ≈ 27.74€

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