Partitions Numériques de A Thousand Years pour Orchestre de chambre

Tout le site ▾

Mon compte
(connectez-vous)

€

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

A Thousand Years
Non classifié 386

Piano & claviers
Piano seul 227
Piano Facile 110
Piano, Voix 53
Piano, Voix et Guitare 42
Instruments en Do 14

Piano Trio: piano, violon, violoncelle 13
1 Piano, 4 mains 12
Piano Quatuor: piano, 2 violons, violoncelle 5
Piano grosses notes 5
Piano (partie séparée) 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2
2 Pianos, 4 mains 1
Clavier 1
Orgue 1

+ 10 instrumentations

Retracter

Guitares
Guitare notes et tablatures 28
Guitare 20
Basse electrique 14
Ligne De Mélodie, (Paroles) et Accords 13
Ukulele 4

Paroles et Accords 3
Ensemble de guitares 2
Guitare Pedal Steel 2
Guitare (partie séparée) 1
2 Guitares (duo) 1
Piano, Guitare (duo) 1

+ 6 instrumentations

Retracter

Voix
Chorale SATB 41
Chorale 3 parties 10
Chorale SSAA 10
Voix seule 6
Chorale 2 parties 5

Chorale 3
Chorale TTBB 3

+ 2 instrumentations

Retracter

Vents
Flûte traversière 49
Saxophone Alto 37
Saxophone (partie séparée) 37
Clarinette 35
Flûte traversière et Piano 29

Hautbois (partie séparée) 24
2 Saxophones (duo) 22
2 Clarinettes (duo) 21
Flûte, Clarinette (duo) 17
2 Flûtes traversières (duo) 16
Clarinette et Piano 16
Quatuor de Saxophones: 4 saxophones 15
Hautbois, Piano (duo) 13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 13
Flûte, Hautbois, Clarinette, Basson 12
Saxophone Soprano et Piano 12
Saxophone Alto et Piano 12
Saxophone Tenor et Piano 11
2 Hautbois (duo) 10
Saxophone, Clarinette (duo) 9
3 Saxophones (trio) 9
Saxophone Tenor 9
Flûte, Violon 9
Quintette de Saxophone: 5 saxophones 8
Hautbois, Basson (duo) 8
Flûte, Hautbois (duo) 8
Clarinette, Violon (duo) 7
Clarinette (partie séparée) 6
Quatuor de Clarinettes: 4 clarinettes 6
Saxophone Soprano 6
Hautbois, Clarinette (duo) 6
Saxophone Baryton, Piano 6
3 Clarinettes (trio) 5
Flûte, Trompette (duo) 5
Saxophone, Violon (duo) 4
Trio de Flûtes: 3 flûtes 4
Hautbois, Flûte 4
Hautbois, violon (duo) 4
Quatuor de Flûtes à bec 4
Clarinette, Trompette (duo) 3
Hautbois 2
Flûte, Alto (duo) 2
Flûte, Violoncelle 2
Flûte, Saxophone (duo) 2
Cor anglais, Piano 2
Quatuor de Flûtes : 4 flûtes 2
Clarinette, Violoncelle (duo) 2
Flûte, Hautbois, Clarinette (trio) 2
2 Flûte à bec (duo) 1
Flûte, Violon, Violoncelle et Piano 1
Flûte, Violon et Violoncelle 1
Clarinette Basse, Piano 1
Flûte, Clarinette, Violon (trio) 1
Flûte, Violoncelle, Piano (trio) 1
Ensemble de Clarinettes 1
2 Clarinettes, Basson 1
Flûte à Bec 1
Flûte, Harpe et Violoncelle 1
Hautbois, Violoncelle 1
Flute (partie séparée) 1
3 Hautbois 1
Clarinette, Harpe (duo) 1
Flûte, Hautbois, Violon 1
Flûte, Hautbois, Basson 1
Clarinette et Alto 1
Clarinette, Basson (duo) 1
Flûte et Guitare 1
Flûte, Clarinette et Basson 1
Clarinette, Violoncelle, Piano (trio) 1
Flute, harpe et violon 1
Flûte, Trombone (duo) 1
Ensemble De Flûte à bec 1
Flûte et Trio à cordes 1
Saxophone 1
Hautbois, Clarinette, Basson (trio d'anches) 1

+ 70 instrumentations

Retracter

Cuivres
Trompette 40
Trombone 35
Cor 22
Tuba 18
Trompette, Piano 16

Cor et Piano 13
Trombone et Piano 12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
2 Trombones (duo) 9
Trompette, Saxophone (duo) 8
2 Cors (duo) 8
2 Trompettes (duo) 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Tuba et Piano 6
Trompette (partie séparée) 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Euphonium, Piano (duo) 4
Trompette, Basson (duo) 4
Trompette, violon (duo) 4
Trompette, Trombone (duo) 3
Euphonium 2
Quatuor de Cuivres 2
Cor anglais, Piano 2
Cor, Tuba (duo) 1
Tuba (partie séparée) 1
Cor (partie séparée) 1
Cor, Violoncelle (duo) 1
Trombone (partie séparée) 1
2 Tubas (duo) 1
4 Tubas 1
Trompette, Cor (duo) 1
Quatuor de cuivres: 4 cors 1

+ 27 instrumentations

Retracter

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 147
Violon 78
Violoncelle (partie séparée) 37
Violon et Piano 35
Violon, Violoncelle (duo) 33

Violoncelle, Piano 28
2 Violons (duo) 27
Harpe 26
Alto seul 25
Alto, Piano 21
Trio à Cordes: violon, alto, violoncelle 20
2 Violoncelles (duo) 19
Contre Basse 14
Violon, Alto (duo) 13
Trio à Cordes: 2 violons, violoncelle 12
2 Altos (duo) 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Alto, Violoncelle (duo) 10
Alto (partie séparée) 10
Violoncelle 10
Contrebasse, Piano (duo) 10
Trio à cordes 7
Violon (partie séparée) 6
4 Violoncelles 5
Contrebasse (partie séparée) 4
Trio à Cordes: 3 violoncelles 4
Violon, Guitare (duo) 3
Harpe, Voix 2
Harpe et Piano 2
Harpe, Violon, Violoncelle 2
Alto et Basson 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Harpe, Violon (duo) 1
Alto et Harpe 1
Violon, Basson (duo) 1
Trio à cordes: 3 violins 1
2 Harpes (duo) 1
Harpe, Flûte (duo) 1

+ 33 instrumentations

Retracter

Percussions & orchestre
Orchestre d'harmonie 33
Orchestre 11
Orchestre à Cordes 5
Percussion (partie séparée) 5
Orchestre de chambre 2

Batterie 2
Ensemble de cuivres 1
Batterie (partie séparée) 1
Timbales (partie séparée) 1
Marimba 1

+ 5 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

Artistes :
• 10 Years

PARTITIONS GRATUITES
185 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

A Thousand Years

Orchestre de chambre

Partitions à imprimer

2 partitions trouvées

A Thousand Years

A Thousand Years #Orchestre de chambre #INTERMÉDIAIRE #Pop musique #Christina Perri #Christian J #A Thousand Years #Christian James Jesse #SheetMusicPlus

By Christina Perri. By David Hodges and Christina Perri. Arranged by Christian J. Jesse. Pop. Score and parts. 16 pages. Christian James Jesse #650611...(+)

By Christina Perri. By David Hodges and Christina Perri. Arranged by Christian J. Jesse. Pop. Score and parts. 16 pages. Christian James Jesse #6506111. Published by Christian James Jesse

$12.99 ≈ 12.00€

Requiem

Requiem #Orchestre de chambre #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es war...(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).

$55.99 ≈ 51.73€

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com