Partitions Numériques de Grand March pour Orchestre de chambre

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Grand March
Non classifié 103

Piano & claviers
Piano seul 363
Piano Facile 25
Orgue 10
1 Piano, 4 mains 7
Accordéon 5

2 Pianos, 4 mains 4
Instruments en Do 3
Piano Trio: piano, violon, violoncelle 3
Piano, Voix et Guitare 2
Accompagnement Piano 2
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano, Voix 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Orgue, Trompette (duo) 1
Ensemble d'Accordéons 1

+ 10 instrumentations

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Guitares
Guitare 13
Guitare notes et tablatures 9
Basse électrique (partie séparée) 3
Partitions De Groupes 2
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale 3 parties 4
Chorale SATB 4
Chorale 2 parties 1

Vents
Saxophone (partie séparée) 18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
Clarinette 14
Clarinette (partie séparée) 13
Saxophone Alto et Piano 10

Flûte traversière et Piano 8
Flûte traversière 8
Quatuor de Saxophones: 4 saxophones 7
Clarinette et Piano 6
Hautbois, Piano (duo) 6
Flute (partie séparée) 6
Saxophone Tenor et Piano 6
Quintette de Saxophone: 5 saxophones 5
Quintette de Clarinettes: 5 clarinettes 5
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto 4
Hautbois 4
Flûte, Clarinette (duo) 4
Hautbois, Clarinette (duo) 4
Saxophone Soprano et Piano 4
Ensemble de Clarinettes 3
Hautbois (partie séparée) 3
Flûte à bec Soprano, Piano 2
2 Flûtes traversières (duo) 2
Clarinette Basse, Piano 2
Quintette de Flûte : 5 flûtes 2
Saxophone Soprano 2
Quatuor de Flûtes : 4 flûtes 2
Saxophone Tenor 2
Saxophone Baryton 2
Quatuor de Clarinettes: 4 clarinettes 2
Flûte à Bec, Piano 1
Saxophone Baryton, Piano 1
Flûte à bec Tenor 1
Clarinette Basse 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Clarinette, Basson (duo) 1
Quatuor de Flûtes à bec 1
Ensemble de Flûtes 1
Flûte, Hautbois (duo) 1
Ensemble de saxophones 1

+ 36 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Trompette (partie séparée) 13
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trombone (partie séparée) 9
Trompette, Piano 7

Cor (partie séparée) 7
Cor 5
Trompette 5
Tuba (partie séparée) 5
Trombone et Piano 4
Trombone 4
Ensemble de Trompettes 3
Tuba 3
Trompette, Trombone (duo) 2
Trompette, Cor (duo) 2
Euphonium 2
Quatuor de cuivres: 4 trombones 2
Quatuor de Cuivres 2
Tuba ou Euphonium ou Saxhorn 2
Cor, Violoncelle (duo) 1
Quatuor de cuivres: 4 trompettes 1
Tuba et Piano 1
Quatuor de cuivres: 4 cors 1
Ensemble de Trombones 1
Cor et Basson (duo) 1
4 Tubas 1

+ 21 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violon et Piano 8
Alto, Piano 8
Violoncelle, Piano 8
Alto seul 6

Violon 6
Violon, Violoncelle (duo) 6
Violoncelle (partie séparée) 6
Violon, Alto (duo) 5
Contre Basse 3
Violon (partie séparée) 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violoncelle 2
Contrebasse (partie séparée) 2
Harpe 2
Alto, Violoncelle (duo) 1
Ensemble de Violoncelles 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 158
Fanfare 41
Orchestre à Cordes 13
Batterie (partie séparée) 12
Orchestre 11

Ensemble de cuivres 7
Percussion (partie séparée) 5
Percussion 4
Cloches 3
Orchestre de chambre 2

Timbales 2
Caisse Claire 2
Timbales (partie séparée) 1
Marimba 1
Ensemble Jazz 1

+ 10 instrumentations

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Grand March

Orchestre de chambre

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2 partitions trouvées

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #God's Grandeur #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...(+)

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First â€¦ THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.

$9.99 ≈ 9.23€

Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score

Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score #Orchestre de chambre #AVANCÉ #Contemporain #Thierry PÃ©licant #Thierry Pélicant: Conce #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...(+)

Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry PÃ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpÃ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrÃ© Messager Orchestre and has also directed the Orchestre Philharmonique de lâ€™Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PÃ©licant reconstructed the Messe solennelle of L.V.A BoÃ¯eldieu and Te Deum of 1792 by Philidor and premiÃ¨red and recorded the Suite Parnassienne, Massenetâ€™s last work. At the same time, he has also served the music of our time in premiÃ¨ring or recording the works of Dazzi, Marchand, Braconnier, BÃ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme Ã§a, Ribouldingue, Ã‰lise et le fantÃ´me) ; With the poet Luis Porquet, he wrote the song cycle Ombre lÃ©gÃ¨re (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâ€™Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GÃ lvez-Vallejo, childrenâ€™s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorÃ©e, (quintet for oboe and strings), Sextuor dâ€™Ã©tÃ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..

$29.95 ≈ 27.67€

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