Partitions Numériques de Momento pour Orchestre de chambre

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Momento
Non classifié 40

Piano & claviers
Piano seul 55
Piano, Voix 7
Piano, Voix et Guitare 6
Piano Trio: piano, violon, violoncelle 3
Orgue 2

Piano Facile 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Instruments en Do 1

+ 3 instrumentations

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Guitares
Guitare 7
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 4

Voix
Chorale SATB 8
Voix Soprano, Piano 3
Voix Tenor, Piano 2
Chorale 3 parties 1

Vents
Clarinette 5
Hautbois, Piano (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette et Piano 2
2 Clarinettes (duo) 2

Flûte, Hautbois, Clarinette, Basson 1
Saxophone Tenor et Piano 1
Saxophone Soprano et Piano 1
Saxophone Baryton, Piano 1
Quatuor de Saxophones: 4 saxophones 1
Saxophone Alto et Piano 1
Flûte traversière et Piano 1
Cor anglais, Piano 1

+ 8 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Trompette 1
Cor et Piano 1
Trombone et Piano 1
Tuba et Piano 1

Quatuor de cuivres: 4 trombones 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor anglais, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Alto, Piano 2
Violon, Guitare (duo) 2
Violon 2
Harpe, Flûte (duo) 1

Violon et Piano 1
2 Violons (duo) 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre 7
Orchestre d'harmonie 6
Orchestre à Cordes 3
Orchestre de chambre 3

Batterie 1

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Momento

Orchestre de chambre

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3 partitions trouvées

2 Momentos

2 Momentos #Orchestre de chambre #Contemporain #Sergio Roberto de Oliveira #2 Momentos #Sergio Roberto de Oliveira #SheetMusicPlus

Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio R...(+)

Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in MÃ©xico, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers PrelÃºdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto RadamÃ©s Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.

$28.80 ≈ £22.70

Feira De Mangaio

Feira De Mangaio #Orchestre de chambre #FACILE #Maria Da Gloria Gadelha and Se #Matheus Felix #Feira De Mangaio #Matheus Felix #SheetMusicPlus

Chamber Orchestra - Level 2 - SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Felix. Chamber,Mult...(+)

Chamber Orchestra - Level 2 - SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Felix. Chamber,Multicultural,World. 6 pages. Matheus Felix #949615. Published by Matheus Felix (A0.1365297). Arranjo de Feira de Mangaio para Cordas, Flauta, Clarinete e PercussÃ£o:Este vibrante arranjo da tradicional mÃºsica nordestina Feira de Mangaio transporta os ouvintes para um cenÃ¡rio pitoresco, repleto de cores e energia pulsante. As cordas introduzem a peÃ§a com uma atmosfera calorosa, evocando as raÃzes culturais da canÃ§Ã£o. A melodia Ã© entÃ£o enriquecida pela flauta, que danÃ§a com vivacidade, trazendo um toque lÃºdico e animado. O clarinete acrescenta uma camada expressiva, transmitindo a riqueza das nuances melÃ³dicas e adicionando um elemento de nostalgia Ã composiÃ§Ã£o. A percussÃ£o, vital e pulsante, fornece o ritmo envolvente caracterÃstico da mÃºsica regional brasileira, dando vida Ã feira imaginÃ¡ria que a canÃ§Ã£o celebra. A interaÃ§Ã£o entre os instrumentos cria uma sinergia encantadora, capturando a essÃªncia festiva da Feira de Mangaio. As transiÃ§Ãµes fluidas entre as seÃ§Ãµes e os momentos de destaque individual contribuem para a dinÃ¢mica envolvente da interpretaÃ§Ã£o. A cada nota, este arranjo convida o pÃºblico a mergulhar na riqueza cultural e musical do Nordeste brasileiro, exalando a alegria contagiante de uma feira em pleno vigor.

$49.99 ≈ £39.41

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #God's Grandeur #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...(+)

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First â€¦ THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.

$9.99 ≈ £7.88

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