Partitions Numériques de Musical Coda pour Orchestre de chambre

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Musical Coda
Non classifié 35

Piano & claviers
Piano seul 45
Piano Facile 8
Piano, Voix 6
Piano, Voix et Guitare 5
Instruments en Do 3

1 Piano, 4 mains 2
Orgue 2

+ 2 instrumentations

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Guitares
Ukulele 8
Guitare notes et tablatures 3
Guitare 3
2 Guitares (duo) 2
Basse electrique 1

Voix
Chorale SATB 13
Chorale 2 parties 7
Chorale 3 parties 2
Voix duo, Piano 1

Vents
2 Saxophones (duo) 5
Saxophone Alto et Piano 4
Flûte, Hautbois, Clarinette, Basson 4
Saxophone, Clarinette (duo) 3
2 Clarinettes (duo) 3

Flûte, Clarinette (duo) 3
Saxophone Soprano et Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Clarinette, Violon (duo) 2
Clarinette, Trompette (duo) 2
2 Flûtes traversières (duo) 2
Clarinette et Alto 1
Flûte, Violon 1
Ensemble de saxophones 1
Flûte à bec Alto, Piano 1
Saxophone Tenor et Piano 1
Hautbois, Clarinette (duo) 1
Flûte, Saxophone (duo) 1
2 Hautbois (duo) 1
Clarinette 1
Quatuor de Saxophones: 4 saxophones 1
Flûte, Trompette (duo) 1
Hautbois, Flûte 1
Trio de Flûtes: 3 flûtes 1
Hautbois, Basson (duo) 1
Saxophone Alto 1
Flûte, Hautbois, Clarinette (trio) 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Trompette, Trombone (duo) 3
Trompette, Cor (duo) 2
Tuba et Piano 2

Trompette, Saxophone (duo) 2
2 Euphoniums et 2 Tubas 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trombone et Piano 1
2 Trombones (duo) 1

+ 5 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 20
Violon, Violoncelle (duo) 6
Violon, Alto (duo) 5
Violon et Piano 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2

2 Violons (duo) 1
2 Altos (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
2 Violoncelles (duo) 1
Violoncelle, Piano 1
Alto, Piano 1

+ 6 instrumentations

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Percussions & orchestre
Orchestre à Cordes 8
Orchestre d'harmonie 4
Orchestre 4
Ensemble de cuivres 4
Cloches 2

Orchestre de chambre 2

Ensemble de Percussions 2

+ 2 instrumentations

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Musical Coda

Orchestre de chambre

Partitions à imprimer

2 partitions trouvées

Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score

Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Carson Cooman #Symphony No. 2, "Litanies #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....(+)

Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.

$16.95 ≈ 15.62€

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006) #Orchestre de chambre #AVANCÉ #Carson Cooman #Carson Cooman: Shining Space: #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...(+)

Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually â€œexpandedoutwardâ€ â€“ moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the workâ€™s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively â€“ changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked â€œSlow, suspended.â€ Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening â€“ but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive â€“ consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices â€“ representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda â€“ with a sense ofunfettered joy.ï»¿

$38.95 ≈ 35.91€

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