Partitions Numériques de Piano 2012 Musical pour Orchestre de chambre

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Piano 2012 Musical
Non classifié 46

Piano & claviers
Piano seul 37
Piano Facile 23
Piano, Voix 10
Piano, Voix et Guitare 7
Piano Trio: piano, violon, violoncelle 2

1 Piano, 4 mains 1
Piano grosses notes 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 3 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 2
2 Guitares (duo) 1

Voix
Chorale 3 parties 6
Voix Tenor, Piano 2
Chorale SATB 2
Chorale TTBB 1
Voix duo, Piano 1

Vents
Saxophone Alto et Piano 6
Flûte traversière et Piano 5
Saxophone Tenor et Piano 3
Clarinette 3
Hautbois, Piano (duo) 3

Cor anglais, Piano 1
Clarinette Basse, Piano 1
Saxophone Soprano et Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Baryton, Piano 1
Hautbois, Flûte 1
Saxophone et Orgue 1
Clarinette, Violoncelle, Piano (trio) 1

+ 8 instrumentations

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Cuivres
Trompette, Piano 3
Trombone et Piano 3
Trompette 2
Euphonium, Piano (duo) 1
Cor anglais, Piano 1

Cor et Piano 1
Cor 1
Tuba 1

+ 3 instrumentations

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Cordes
Violon et Piano 10
Alto, Piano 4
Violoncelle, Piano 2
Violon, Alto (duo) 1
Contrebasse, Piano (duo) 1

Violoncelle, Contrebasse (duo) 1

+ 1 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 2
Orchestre de chambre 2

Ensemble Jazz 2
Orchestre à Cordes 1
Jazz combo 1

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Piano 2012 Musical

Orchestre de chambre

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2 partitions trouvées

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra

God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #God's Grandeur #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...(+)

Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First â€¦ THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.

$9.99 ≈ 9.15€

Joseph White: La Bella Cubana for chamber orchestra - Score Only

Joseph White: La Bella Cubana for chamber orchestra - Score Only #Orchestre de chambre #INTERMÉDIAIRE #Joseph White #Robert Debbaut #Joseph White: La Bella Cubana #ROBERT DEBBAUT #SheetMusicPlus

Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...(+)

Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatoryâ€™s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-SaÃ«ns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals.Â This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information.Â For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point. Â Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra.Â If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.

$9.99 ≈ 9.15€

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