Partitions Numériques de String by String, for solo viola, beginning level pour Orchestre de chambre

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String by String, for solo viola, beginning level
Non classifié 29

Piano & claviers

Guitares

Voix
Chorale Unison 3
Chorale 3 parties 1

Vents
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Flûte et Trio à cordes 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1

Cuivres

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 42
Quintette à cordes: 2 violons, alto, violoncelle, basse 21
Trio à Cordes: violon, alto, violoncelle 13
Violon 5
Alto seul 4

Alto (partie séparée) 4
Violon, Alto (duo) 3
Trio à cordes: 3 altos 3
Alto, Violoncelle (duo) 2
Quatuor à cordes : 4 altos 2
Violon et Piano 2
Alto, Piano 1
2 Altos (duo) 1
Contre Basse 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violoncelle (partie séparée) 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre à Cordes 8
Orchestre 6
Orchestre de chambre 3

Piano et Orchestre 1
Orchestre d'harmonie 1

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String by String, for solo viola, beginning level

Orchestre de chambre

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3 partitions trouvées

Stefano Maria Torchio: En Archè en o Logos - Viola part

Stefano Maria Torchio: En Archè en o Logos - Viola part #Orchestre de chambre #AVANCÉ #Christian contemporain #Musique Sacrée #Stefano Maria Torchio #Stefano Maria Torchio: En Arch #Stefano Torchio #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879...(+)

Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En ArchÃ¨ en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. LichtfuÃŸ and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.

$4.00 ≈ $5.45

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Orchestre de chambre #AVANCÉ #Classique #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCER #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...(+)

Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00 ≈ $24.54

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