Partitions Numériques de What Was It Like? pour Orchestre de chambre

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What Was It Like?
Non classifié 19

Piano & claviers
Piano seul 16
Piano, Voix et Guitare 3
Instruments en Do 3
Piano Facile 1

Guitares
Guitare 5
Guitare notes et tablatures 4
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 6
Voix Alto, Piano 5
Chorale 2 parties 2
Chorale 3 parties 1
Chorale TTBB 1

Voix duo, Piano 1
Voix Soprano, Piano 1
Chorale SSAA 1

+ 3 instrumentations

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Vents
Saxophone Soprano et Piano 2
Saxophone Alto et Piano 2
Flûte traversière et Piano 1
Quatuor de Saxophones: 4 saxophones 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

3 Saxophones (trio) 1

+ 1 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette, Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3
Alto, Piano 2
Violon, Alto (duo) 2
Trio à Cordes: violon, alto, violoncelle 1

Percussions & orchestre
Orchestre 5
Orchestre à Cordes 4
Orchestre d'harmonie 3
Orchestre de chambre 2

Ensemble Jazz 1

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What Was It Like?

Orchestre de chambre

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2 partitions trouvées

Variations on a Rossini Theme op.Posth

Variations on a Rossini Theme op.Posth #Orchestre de chambre #Classique #Frederik FranÃ§ois Chopin #James Strauss #Variations on a Rossini Theme #James Strauss #SheetMusicPlus

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...(+)

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non piÃ¹ mesta (No longer sad) from Rossiniâ€™s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composerâ€™s father who was a capable amateur flute player. In the end, the piece was probably dedicated to JÃ³zef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composerâ€™s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopinâ€™s hand. You certainly wonâ€™t hear Chopinâ€™s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, itâ€™s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

$29.99 ≈ 27.28€

Fantasy for Flute and Strings

Fantasy for Flute and Strings #Orchestre de chambre #AVANCÉ #Adrian Dee #Fantasy for Flute and Strings #Adrian Dee #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...(+)

Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; Iâ€™d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com

$39.95 ≈ 36.34€

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