Partitions Numériques de L century pour Piano Quatuor: piano, violon, alto, violoncelle

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L century
Non classifié 566

Piano & claviers
Piano seul 656
Piano, Voix 280
Piano Facile 101
Orgue 55
2 Pianos, 4 mains 39

Piano, Voix et Guitare 33
Accompagnement Piano 22
Instruments en Do 21
1 Piano, 4 mains 16
Piano Trio: piano, violon, violoncelle 14
Accordéon 3
Clavecin 2
Piano Quatuor: piano, violon, alto, violoncelle 2

Orgue, Piano (duo) 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
2 Pianos, 8 mains 1

+ 12 instrumentations

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Guitares
Guitare 37
Guitare notes et tablatures 24
2 Guitares (duo) 7
Ligne De Mélodie, (Paroles) et Accords 3
4 Guitares (Quatuor) 2

Ukulele 2
Ensemble de Ukulélés 2
Orchestre à Plectres 1
Basse electrique 1
3 Guitares (trio) 1
Paroles et Accords 1

+ 6 instrumentations

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Voix
Chorale SATB 122
Chorale SSAA 29
Chorale 2 parties 23
Chorale TTBB 21
Chorale 3 parties 21

Voix duo 9
Voix seule 8
Voix Soprano, Piano 5
Voix haute 4
Voix duo, Piano 4
Voix moyenne, Piano 3
Chorale Unison 3
Voix, Guitare 2
Voix Tenor, Piano 1
Voix Mezzo-Soprano, Piano 1
Voix basse 1
Chorale 1

+ 12 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 75
Flûte traversière et Piano 54
Saxophone Alto et Piano 43
Clarinette 39
Clarinette et Piano 37

Flûte traversière 33
Ensemble de Clarinettes 31
Quatuor de Clarinettes: 4 clarinettes 30
Hautbois, Piano (duo) 28
Quatuor de Saxophones: 4 saxophones 28
Saxophone (partie séparée) 26
Ensemble de Flûtes 22
Saxophone Alto 20
Flûte, Hautbois, Clarinette, Basson 19
Quatuor de Flûtes : 4 flûtes 19
Saxophone Soprano et Piano 18
Flûte et Guitare 16
Saxophone Tenor et Piano 15
Saxophone 15
Ensemble de saxophones 15
Saxophone Baryton, Piano 12
Quintette de Saxophone: 5 saxophones 11
2 Saxophones (duo) 9
2 Flûtes traversières (duo) 9
Clarinette, Guitare (duo) 8
Quintette de Clarinettes: 5 clarinettes 7
3 Clarinettes (trio) 7
Cor anglais, Guitare (duo) 6
Saxophone Tenor 5
Saxophone Soprano 5
Flûte à Bec 5
Saxophone et Piano 5
Hautbois (partie séparée) 5
2 Clarinettes (duo) 4
3 Saxophones (trio) 4
Clarinette Basse, Piano 4
2 Hautbois (duo) 4
Flûte, Clarinette (duo) 4
Hautbois 4
Clarinette (partie séparée) 3
Flûte, Hautbois, Clarinette (trio) 3
Cor anglais, Piano 3
Saxophone et Guitare 3
2 Flûtes traversières, Piano 2
Quintette de Flûte : 5 flûtes 2
Flûte, Violoncelle 2
Saxophone Baryton 2
Trio de Flûtes: 3 flûtes 2
Clarinette, Basson (duo) 2
Flûte, Hautbois, Basson 2
Hautbois, Flûte 2
Ensemble De Flûte à bec 1
Flûte et Trio à cordes 1
Flûte traversière, Orgue (duo) 1
Clarinette, Harpe (duo) 1
Flûte à bec Soprano, Piano 1
2 Clarinettes, Piano 1
Hautbois, Guitare (duo) 1
Flûte à bec Alto 1
Clarinette, Violoncelle (duo) 1
Flûte, Clarinette, Piano (trio) 1
Hautbois, Clarinette (duo) 1
3 Hautbois 1
Flûte, Clarinette et Basson 1
Cor anglais et Harpe (duo) 1
Quatuor de Flûtes à bec 1
Flûte, Saxophone (duo) 1
Saxophone et Orgue 1
5 Flûtes à bec 1

+ 64 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 71
Trompette, Piano 36
Trompette 28
Trombone et Piano 23
Quatuor de Cuivres : 2 trompettes, trombone, tuba 21

Trombone 20
Cor et Piano 17
Quatuor de Cuivres 13
Cor 10
Trompette (partie séparée) 9
Quatuor de cuivres: 4 cors 8
Tuba et Piano 8
Tuba 7
Euphonium, Piano (duo) 6
Cor anglais, Guitare (duo) 6
Quatuor de cuivres: 4 trombones 5
2 Cors (duo) 4
Ensemble de Trombones 4
2 Trompettes (duo) 3
Ensemble de Cors 3
Cor anglais, Piano 3
Euphonium 3
2 Trombones (duo) 2
Ensemble de Trompettes 2
Euphonium, Tuba (duo) 1
Trombone basse 1
2 Trompettes, Clavier (piano ou orgue) 1
Tuba et Orgue 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Cor anglais et Harpe (duo) 1
2 Euphoniums (duo) 1

+ 26 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 92
Violon 64
Violon et Piano 64
Violoncelle, Piano 43
Alto, Piano 30

Violoncelle (partie séparée) 23
Harpe 18
Alto seul 15
Violoncelle 11
2 Violoncelles (duo) 8
Violon, Violoncelle (duo) 8
2 Violons (duo) 6
Trio à Cordes: 3 violoncelles 6
Contre Basse 6
Violon, Guitare (duo) 5
Trio à Cordes: violon, alto, violoncelle 5
4 Violoncelles 5
Trio à cordes: 3 violins 4
Alto, Guitare (duo) 4
Violon, Alto (duo) 3
Contrebasse, Piano (duo) 3
Violoncelle , Guitare (duo) 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
2 Harpes (duo) 2
Alto (partie séparée) 2
Ensemble de Violons 1
Harpe, Flûte (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Piano Trio: Violon, Alto, Piano 1
Harpe et Piano 1
Ensemble d'Altos 1
Ensemble de Violoncelles 1
Alto, Violoncelle (duo) 1
Trio à cordes: 3 altos 1
Violoncelle, Contrebasse (duo) 1
Harpe, Violoncelle (duo) 1
Violon, Basse continue 1

+ 32 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 170
Orchestre 65
Orchestre à Cordes 34
Orchestre de chambre 23
Ensemble de cuivres 16

Fanfare 13
Ensemble Jazz 7
Batterie 7
Marimba 6
Ensemble de Percussions 4
Jazz combo 4
Quintette à Vent 4
Percussion (partie séparée) 3
Vibraphone 3
Cloches 2
Marimba, Piano (duo) 1
Caisse Claire 1
Xylophone 1

+ 13 instrumentations

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L century

Piano Quatuor: piano, violon, alto, violoncelle

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2 partitions trouvées

Fauré: Élégie Op. 24 for Piano Quartet

Fauré: Élégie Op. 24 for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...(+)

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs AprÃ¨s un rÃªve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except, of course, in England. Legacy: Historians often describe FaurÃ©'s music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by FaurÃ©'s death, jazz and atonal music had mainly come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.

$42.95 ≈ 39.81€

Jingle Bells for Piano Quartet

Jingle Bells for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE #Noël #James Pierpont #James M #Jingle Bells for Piano Quartet #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...(+)

Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â Â

$39.95 ≈ 37.03€

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