Partitions Numériques de The Night We Met pour Piano Quatuor: piano, violon, alto, violoncelle

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The Night We Met
Non classifié 36

Piano & claviers
Piano seul 43
Piano Facile 11
Piano, Voix 9
Piano, Voix et Guitare 7
Instruments en Do 4

Accompagnement Piano 3
Piano Quatuor: piano, violon, alto, violoncelle 2

Orgue 1
Piano Trio: piano, violon, violoncelle 1

+ 4 instrumentations

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Guitares
Guitare 3
Guitare notes et tablatures 2
Paroles et Accords 2
Ukulele 2
Piano, Guitare (duo) 1

Voix
Chorale SATB 15
Chorale 3 parties 6
Chorale SSAA 2
Chorale TTBB 2
Chorale 2 parties 1

Voix Soprano, Piano 1

+ 1 instrumentations

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Vents
Clarinette et Piano 7
Flûte traversière et Piano 5
Saxophone Alto et Piano 5
Hautbois, Piano (duo) 4
Saxophone Soprano et Piano 3

2 Flûtes traversières (duo) 3
Clarinette (partie séparée) 3
Saxophone Tenor et Piano 3
Hautbois (partie séparée) 2
Flûte traversière 2
Saxophone Baryton, Piano 1
Flute (partie séparée) 1
Ensemble de Flûtes 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte à bec Soprano, Piano 1
Saxophone Alto 1
Instruments en Mib 1
Trio de Flûtes: 3 flûtes 1
Flûte à bec Tenor 1
Clarinette Basse, Piano 1
3 Saxophones (trio) 1
Flûte, Clarinette (duo) 1
Quintette de Saxophone: 5 saxophones 1
Ensemble de Clarinettes 1
Flûte, Clarinette et Basson 1
Flûte à bec Soprano 1
3 Clarinettes (trio) 1
Clarinette 1

+ 23 instrumentations

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Cuivres
Cor et Piano 4
Trombone et Piano 3
Trombone (partie séparée) 2
2 Trompettes (duo) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Trompette, Piano 2
Trompette 2
Tuba (partie séparée) 1
Bass Clef Instruments 1
Cor 1
Trompette (partie séparée) 1
Cor (partie séparée) 1
2 Tubas (duo) 1
Tuba et Piano 1
Instruments en Sib 1

+ 10 instrumentations

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Cordes
Harpe 5
Alto, Piano 4
Violoncelle, Piano 3
Violon (partie séparée) 3
Violon et Piano 3

Violon 2
2 Violons (duo) 2
Contrebasse, Piano (duo) 1
Contrebasse (partie séparée) 1
Harpe, Voix 1
Alto (partie séparée) 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
Alto seul 1
Violoncelle 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 37
Orchestre 10
Ensemble de cuivres 2
Percussion (partie séparée) 1
Xylophone, Piano 1

Orchestre de chambre 1
Marimba 1

+ 2 instrumentations

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The Night We Met

Piano Quatuor: piano, violon, alto, violoncelle

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2 partitions trouvées

O Come All Ye Faithful for Piano Quartet

O Come All Ye Faithful for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Pia #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...(+)

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

$24.95 ≈ 22.61€

Nocturne for Clarinet, Violin, Cello & Piano

Nocturne for Clarinet, Violin, Cello & Piano #Piano Quatuor: piano, violon, alto, violoncelle #AVANCÉ #Eugene Astapov #Nocturne for Clarinet, Violin, #EAMUSIC #SheetMusicPlus

Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...(+)

Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as â€œnoctilucenceâ€ and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we donâ€™t get many summer days, that is why this occurrenceÂ is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopinâ€™s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries.Â The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano.Â Duration is approximately 9 minutes.

$20.00 ≈ 18.12€

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