Partitions Numériques de I Am Come pour Violoncelle

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I Am Come
Non classifié 145

Piano & claviers
Piano seul 92
Piano, Voix 27
Piano, Voix et Guitare 23
Orgue 21
Piano Facile 20

Instruments en Do 15
1 Piano, 4 mains 6
Accompagnement Piano 2
Piano Trio: piano, violon, violoncelle 1
Clavecin 1

+ 5 instrumentations

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Guitares
Guitare 6
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 5
Basse electrique 3
Basse électrique (partie séparée) 1

2 Guitares (duo) 1

+ 1 instrumentations

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Voix
Chorale SATB 75
Chorale 3 parties 13
Chorale 2 parties 8
Chorale TTBB 5
Voix Alto, Piano 2

Voix duo, Piano 2
Voix seule 2
Chorale Unison 1
Voix Tenor, Piano 1
Voix duo 1
Voix Soprano, Piano 1

+ 6 instrumentations

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Vents
Flûte, Hautbois, Clarinette, Basson 12
Quatuor de Clarinettes: 4 clarinettes 6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Clarinette, Guitare (duo) 4
Flûte traversière et Piano 4

Flûte traversière 3
2 Saxophones (duo) 3
Saxophone (partie séparée) 3
Flûte et Guitare 3
2 Clarinettes (duo) 2
Flûte, Clarinette (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Clarinette 2
2 Flûtes traversières (duo) 2
Clarinette (partie séparée) 1
Cor anglais, Piano 1
Flûte à bec Soprano 1
Hautbois, Piano (duo) 1
Saxophone Alto 1
Saxophone et Guitare 1
Cor anglais, Guitare (duo) 1
2 Flûtes traversières, Piano 1
Clarinette et Piano 1
Saxophone Alto et Piano 1
Flute (partie séparée) 1

+ 20 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 36
Ensemble de Trompettes 33
Trombone 5
Quatuor de cuivres: 4 trompettes 2
Tuba 2

Cor (partie séparée) 2
Trompette, Violoncelle et Piano 2
2 Trombones (duo) 2
Trompette (partie séparée) 2
3 Trompettes (trio) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trombone et Piano 1
Cor anglais, Piano 1
Cor 1
2 Trompettes (duo) 1
Cor anglais, Guitare (duo) 1
Tuba (partie séparée) 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1

+ 13 instrumentations

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Cordes
Violon et Piano 9
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violon, Violoncelle (duo) 5
Violon 4
2 Altos (duo) 4

Harpe, Voix 4
2 Violoncelles (duo) 3
Harpe 3
Violoncelle 3

Alto, Piano 2
Violon, Alto (duo) 2
Violoncelle, Orchestre 1
Piano Trio: Violon, Alto, Piano 1
Contre Basse 1
Alto, Violoncelle (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle, Piano 1
Alto seul 1
2 Violons (duo) 1

+ 14 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 10
Ensemble de cuivres 9
Orchestre 8
Cloches 6
Fanfare 5

Ensemble Jazz 5
Orchestre à Cordes 5
Batterie (partie séparée) 3
Percussion (partie séparée) 1
Vibraphone 1
Orchestre de chambre 1
Marimba 1
Piano et Orchestre 1

+ 8 instrumentations

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I Am Come

Violoncelle

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3 partitions trouvées

Here I Am To Worship (light Of The World)

Here I Am To Worship (light Of The World) #Violoncelle #INTERMÉDIAIRE #Musique Sacrée #Tim Hughes #Sarah Cellobat Chaffee #Here I Am To Worship #Sarah Cellobat Chaffee #SheetMusicPlus

Cello Solo - Level 3 - SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. Individual part. ...(+)

Cello Solo - Level 3 - SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. Individual part. 1 pages. Sarah Cellobat Chaffee #6442643. Published by Sarah Cellobat Chaffee (A0.526308). Here I Am To Worship was written by Tim Hughes in 1999, with lyrics describing the humility of Jesus Christ as he came down from HeavenÂ and sacrificed Himself for us. The song has since become a ubiquitously popular worship anthem, and was #1 on the Christian Copyright Licensing charts for two years in a row -- so you can't go wrong having this one in your gig books! I originally wrote this arrangement for solo cello to play for a funeral, but it will also be perfect for church services or any other occasion you need some soul-stirring worship music. Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah â€œCellobatâ€ Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their â€œDeuces Are Wildâ€ residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perricoâ€™s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, MÃ¶tley CrÃ¼e, Celine Dion, Halsey, Michael BublÃ©, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

$7.99 ≈ ¥56.92

Telemensch (The isolated one) for Cello Solo (mp3)

Telemensch (The isolated one) for Cello Solo (mp3) #Violoncelle #MÃ¡dy-SzabÃ³ Eszter #Telemensch #David Warin Solomons #SheetMusicPlus

Cello - SKU: A0.1103919 By MÃ¡dy-SzabÃ³ Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David War...(+)

Cello - SKU: A0.1103919 By MÃ¡dy-SzabÃ³ Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe GlÃ¼ck - (Happiness) Das glÃ¼cke kÃ¶mmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thÃ¼re kehren; ich habe gnug fÃ¼r mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mÃ¤ngel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by MÃ¡dy-SzabÃ³ Eszter of Budapest Scoring Cellos.

$5.50 ≈ ¥39.18

PERFIL DEL ÁNIMA, Op. 86, for solo cello

PERFIL DEL ÁNIMA, Op. 86, for solo cello #Violoncelle #INTERMÉDIAIRE/AVANCÉ #CÃ‰SAR CANO #PERFIL DEL ÁNIMA, Op. 8 #POLYHYMNIA Ediciones musicales #SheetMusicPlus

Cello Solo - Level 4 - SKU: A0.1029293 Composed by CÃ‰SAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #479903...(+)

Cello Solo - Level 4 - SKU: A0.1029293 Composed by CÃ‰SAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del Ã¡nima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of DvoÅ™Ã¡kâ€™s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the celloâ€™s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to RafaÅ‚ Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.

$4.99 ≈ ¥35.55

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