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Vous avez sélectionné:
101 Strings
Violoncelle (partie séparée)
Partitions à imprimer
5 partitions trouvées
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1
Redeemer, Savior, Friend - Cello
Redeemer, Savior, Friend - Cello
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Violoncelle (partie séparée)
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John Purifoy
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Inspirational
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Redeemer, Savior, Friend - Cel
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By John Purifoy. Strings. Christian; Inspirational. EPak. 2 pages. Duration 3:55. Published by Hal Leonard - Digital Sheet Music ...
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By John Purifoy. Strings. Christian; Inspirational. EPak. 2 pages. Duration 3:55. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.45€
Can't Take My Eyes Off Of You
Can't Take My Eyes Off Of You
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Violoncelle (partie séparée)
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INTERMÉDIAIRE
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Frankie Valli
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Sarah Cellobat Chaffee
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Can't Take My Eyes Off Of You
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.526242 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sarah Cellobat Chaffee. Jazz,Pop,Standards,Wedding. Ind...
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Cello Solo - Level 3 - SKU: A0.526242 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sarah Cellobat Chaffee. Jazz,Pop,Standards,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #6101111. Published by Sarah Cellobat Chaffee (A0.526242). Originally released in May 1967, Can't Take My Eyes Off Of You was recorded as a single by Frankie Valli of the Four Seasons that ended up being among his biggest hits. Reaching number 2 on the Billboard charts after its release, the song became an instant classic and is now among the most widely requested wedding songs. This arrangement for solo cello was originally written for a wedding, but it will also be perfect for receptions, proposals, pop concerts, solo & ensemble contests, cocktail parties, and any other occasion you need to get your audience singing along! No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. There's nothing too tricky in this chart -- it goes up to 4th position and has a few syncopated rhythms and a key change in the middle. Rated intermediate, this chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
7.37€
The Middle
The Middle
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.526244 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Ch...
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Cello Solo - Level 4 - SKU: A0.526244 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. Individual part. 3 pages. Sarah Cellobat Chaffee #6101121. Published by Sarah Cellobat Chaffee (A0.526244). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo cello maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding reception, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. This chart will be sightreadable for professionals and learnable for advanced-intermediate students -- the trickiest part is the fun guitar solo in the middle!Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.37€
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violoncello
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violoncello
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Violoncelle (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1018897 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6056131. Pub...
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Cello Solo - Level 5 - SKU: A0.1018897 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6056131. Published by Benjamin Sajo (A0.1018897). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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