Partitions Numériques de set pour Hautbois (partie séparée)

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set
Non classifié 1 272

Piano & claviers
Piano seul 446
Piano, Voix 87
Orgue 22
1 Piano, 4 mains 16
Piano Trio: piano, violon, violoncelle 16

Piano, Voix et Guitare 12
2 Pianos, 4 mains 11
Instruments en Do 9
Clavecin 6
Piano Quintette: piano, 2 violons, alto, violoncelle 4
Piano Quatuor: piano, violon, alto, violoncelle 4
Orgue, Trompette (duo) 3
Accordéon, Corde(s) 2
Accompagnement Piano 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Accordéon 1
Orgue et Orchestre 1
Accordéon et Orchestre 1
Ensemble de Pianos 1
2 Pianos, 8 mains 1

+ 15 instrumentations

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Guitares
Guitare 78
Guitare notes et tablatures 73
2 Guitares (duo) 16
Basse electrique 13
Ukulele 4

Ligne De Mélodie, (Paroles) et Accords 2
Ensemble de guitares 2
3 Guitares (trio) 1
Mandoline, Piano (duo) 1
4 Guitares (Quatuor) 1
Mandoline 1
Orchestre à Plectres 1
Bouzouki 1

+ 8 instrumentations

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Voix
Chorale SATB 275
Chorale TTBB 43
Chorale SSAA 24
Chorale 3 parties 20
Voix Soprano, Piano 19

Chorale SSAATTBB 9
Voix moyenne, Piano 4
Chorale 2 parties 4
Chorale Unison 3
Voix Tenor, Piano 2
Voix haute 2
Voix Baryton, Piano 2
Voix seule 2
Voix basse 2
Chorale SSATTB 2
Voix duo 2
Chorale SSATB 2
Voix Alto, Piano 1
Soli, choeur mixte et accompagnement 1
Chorale 1
Voix Soprano 1
Voix Mezzo-Soprano, Piano 1
Voix basse, Piano 1
Voix duo, Piano 1

+ 19 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 113
Quatuor de Clarinettes: 4 clarinettes 62
Ensemble de Clarinettes 55
Quatuor de Saxophones: 4 saxophones 46
Ensemble de Flûtes 33

Flûte, Hautbois, Clarinette, Basson 33
Flûte traversière et Piano 28
Quintette de Clarinettes: 5 clarinettes 26
3 Clarinettes (trio) 22
Quatuor de Flûtes : 4 flûtes 22
Quintette de Saxophone: 5 saxophones 20
Clarinette 19
Ensemble de saxophones 17
Flûte traversière 17
Saxophone 14
Clarinette et Piano 14
3 Saxophones (trio) 13
Flûte à Bec 13
2 Flûtes traversières (duo) 12
Saxophone Alto et Piano 11
2 Saxophones (duo) 11
Hautbois, Piano (duo) 10
Saxophone Tenor et Piano 10
Flûte, Clarinette et Basson 10
2 Clarinettes (duo) 10
Trio de Flûtes: 3 flûtes 7
Saxophone Soprano et Piano 6
Quintette de Clarinette: Clarinette, Quatuor à Cordes 5
Hautbois, Clarinette, Basson (trio d'anches) 5
Flûte et Guitare 5
5 Flûtes à bec 4
Quatuor de Flûtes à bec 4
Flûte, Clarinette (duo) 3
Hautbois (partie séparée) 3

Quintette de Flûte : 5 flûtes 3
Hautbois 3
Cor anglais, Piano 2
Clarinette, Violoncelle (duo) 2
Flûte, Violoncelle, Guitare 2
Saxophone (partie séparée) 2
Flûte, Violon 2
Flûte, Clarinette, Piano (trio) 2
Clarinette, Violoncelle, Piano (trio) 2
3 Hautbois 2
Saxophone Alto 2
Ensemble à vent 1
Clarinette, Violon (duo) 1
Clarinette Basse, Piano 1
Flûte, Alto et Violoncelle 1
Hautbois, Basson (duo) 1
Flûte, Hautbois, Piano (trio) 1
2 Hautbois (duo) 1
Flûte et Quatuor à Cordes 1
Cornemuse 1
Saxophone et Orgue 1
2 Clarinettes, Piano 1
Flûte à bec Alto 1
Saxophone Baryton, Piano 1
Flûte, Alto et Piano 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone Tenor 1
Flûte, Clarinette, Cor, Basson (Quartet) 1
Flûte, Hautbois, Clarinette (trio) 1
3 Flûtes à bec (trio) 1
Flûte traversière, Orchestre 1
Clarinette, Guitare (duo) 1

+ 61 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 177
Ensemble de Trombones 38
Quatuor de cuivres: 4 trombones 27
Quatuor de Cuivres : 2 trompettes, trombone, tuba 24
Trompette 16

Trombone et Piano 15
Quatuor de cuivres: 4 cors 15
Tuba et Piano 11
Ensemble de Trompettes 11
2 Cors (duo) 9
Cor et Piano 9
Quatuor de Cuivres 9
Trompette, Piano 7
2 Trompettes, Clavier (piano ou orgue) 7
Euphonium, Piano (duo) 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Trombone 7
Trombone basse 6
Cor 5
Tuba 5
2 Trombones (duo) 4
2 Euphoniums et 2 Tubas 3
Trombone et orchestre 3
3 Trombones (trio) 3
Quatuor de cuivres: 4 trompettes 3
Trompette, Trombone (duo) 3
Trompette (partie séparée) 2
Cor anglais, Piano 2
4 Tubas 2
Euphonium 2
Trompette, Trombone, Piano 2
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Trombone basse et Piano 1
3 Trompettes (trio) 1
Trombone, Tuba (duo) 1
Cor et Harpe 1
2 Euphoniums (duo) 1
Trio de Cuivres 1
Ensemble de Tubas 1
Euphonium, Tuba (duo) 1
Trombone (partie séparée) 1

+ 36 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 255
Violon et Piano 43
Violon 30
Trio à Cordes: violon, alto, violoncelle 27
Violoncelle, Piano 22

Harpe 15
Trio à Cordes: 2 violons, violoncelle 14
Violoncelle 14
Violon, Violoncelle (duo) 13
2 Violons (duo) 12
4 Violoncelles 11
Alto, Piano 9
Violon, Alto (duo) 9
Alto seul 8
Harpe, Flûte (duo) 7
Violon (partie séparée) 7
2 Violoncelles (duo) 6
Harpe, Violon (duo) 6
Violoncelle, Contrebasse (duo) 5
Quatuor à cordes: 4 violons 5
Trio à cordes: 3 violins 4
Ensemble de Violoncelles 3
Violon, Guitare (duo) 3
Alto et Harpe 3
Contrebasse, Piano (duo) 3
Trio à cordes 3
Trio à Cordes: 3 violoncelles 2
Ensemble d'Altos 2
Alto (partie séparée) 2
Harpe, Violoncelle (duo) 2
Contre Basse 2
2 Altos (duo) 2
Alto, Violoncelle (duo) 2
Violoncelle, Orchestre 1
4 Contrebasses 1
Violon, Clarinette, Piano (trio) 1
Violoncelle (partie séparée) 1
Piano Trio: Violon, Alto, Piano 1
Ensemble de Violons 1
4 Harpes 1

+ 35 instrumentations

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Percussions & orchestre
Orchestre 223
Orchestre d'harmonie 161
Ensemble Jazz 107
Jazz combo 91
Batterie 68

Ensemble de cuivres 49
Orchestre de chambre 48
Orchestre à Cordes 46
Cloches 19
Big band 9
Ensemble de Percussions 9
Fanfare 6
Quintette à Vent 3
Piano et Orchestre 3
Orchestre, Violon 1
Orchestre Symphonique 1
Quatuor à Vent : 4 instruments à vents 1
Percussion (partie séparée) 1

+ 13 instrumentations

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Hautbois (partie séparée)

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3 partitions trouvées

Promenade V

Promenade V #Hautbois (partie séparée) #AVANCÉ #Robert A #Promenade V #Robert A. Howard #SheetMusicPlus

Oboe Solo - Level 5 - SKU: A0.998842 Composed by Robert A. Howard. Contemporary,Standards. Individual part. 3 pages. Robert A. Howard #6183569. Publishe...(+)

Oboe Solo - Level 5 - SKU: A0.998842 Composed by Robert A. Howard. Contemporary,Standards. Individual part. 3 pages. Robert A. Howard #6183569. Published by Robert A. Howard (A0.998842). Promenade V is the fifth and last in a series of pieces based on the set of five large steel sculptures by Anthony Caro (1996). Caro's Promenade constructions are on permanent display in Yorkshire Sculpture Park. Promenade V is flexibly scored for any solo treble clef instrument, though it was originally conceived with solo oboe in mind. The piece explores irregular rhythms and highly chromatic pitch material, having derived more general musical shapes from the contours of the aforementioned sculptures. Promenade IIa and Promenade IVa by the same composer are also available via Sheet Music Plus. The piece is technically quite demanding and therefore is best suited to higher-grade students and advanced players.

$2.99

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1 #Hautbois (partie séparée) #AVANCÉ #Contemporain #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...(+)

Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2 #Hautbois (partie séparée) #AVANCÉ #Contemporain #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...(+)

Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

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