Partitions Numériques de A Summer Day pour Hautbois (partie séparée)

Oboe Solo - Level 3 - SKU: A0.965647 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Folk,Holiday,Opera,Patriotic. Individual part...(+)

Oboe Solo - Level 3 - SKU: A0.965647 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Folk,Holiday,Opera,Patriotic. Individual part. 2 pages. Music-Scores.com #571375. Published by Music-Scores.com (A0.965647). The Last Rose of Summer, a romantic ballad for Solo Oboe, with 2nd and 3rd verses being improvisational in nature. The original poem by Thomas Moore was set to the music of an old Irish ballad, The Groves of Blarney, which dates back to the 18th century, and the opera, Martha by Von Flottov, features this song. Duration about 2 mins, 45 seconds. Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.

$5.95 ≈ 5.45€

The Cry of Beltane (for solo oboe)

The Cry of Beltane (for solo oboe) #Hautbois (partie séparée) #INTERMÉDIAIRE/AVANCÉ #Contemporain #Joseph Hollings #The Cry of Beltane #Joseph Hollings Publishing #SheetMusicPlus

Oboe Solo - Level 4 - SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #66833...(+)

Oboe Solo - Level 4 - SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #6683341. Published by Joseph Hollings Publishing (A0.927664). Duration: approx 4:00The Cry of Beltane for solo oboe was written for and premiered by an advanced, young oboe student, Leo Sherwood, and first performed in May 2017 as part of the Cleveland Composers Guildâ€™s Creativity: Learning through Experience program. The piece was the program opener and is ideally suited to open a recital.Beltane is the anglicized name of the Celtic festival held on May Day, a pagan festival signifying the beginning of summer. The piece is intended to evoke a ritualistic, call to summer; a crying out and calling forth of sun and growth. The piece should sound aggressive and the oboe should aim to make the most of its harder-edged timbre, rather than its lyrical qualities. While the notation is precise, the piece should sound as if the performer had improvised it. The bigger the contrast in dynamics the better.Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.com Follow on TikTok @TikTokComposerFollow on Instagram @josephhollings

$4.99 ≈ 4.57€

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