Partitions Numériques de They Can pour Piano (partie séparée)

Jazz Ensemble - SKU: AX.00-PC-0017276_K Piano Accompaniment. Composed by George Gershwin and Ira Gershwin. Arranged by Dave Wolpe. Jazz; Masterwo...(+)

Jazz Ensemble - SKU: AX.00-PC-0017276_K Piano Accompaniment. Composed by George Gershwin and Ira Gershwin. Arranged by Dave Wolpe. Jazz; Masterwork Arrangement; Standard. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017276_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017276_K). UPC: 654979086888.A Gershwin classic for solo vocalist arranged by Dave Wolpe, this chart is written in two keys, B-flat and E-flat, to allow flexibility. The parts are reversible---just flip the page. Wolpe knows how to make your vocalist sound fantastic and how to keep the band happy with some wonderful Sinatra-style ensemble writing. Vocal range low key (B-flat): B-flat below middle C to third line B-flat, high key (E-flat): first line E-flat to fourth space E-flat. A winner. (3:04).

$3.00 ≈ 2.76€

On That Cross - Piano part only

On That Cross - Piano part only #Piano (partie séparée) #INTERMÉDIAIRE #Stuart Brown #On That Cross - Piano part onl #Stuart Brown Music #SheetMusicPlus

Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...(+)

Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it â€“ not unreasonably â€“ as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

$1.99 ≈ 1.83€

Again and Again: Piano Accompaniment

Again and Again: Piano Accompaniment #Piano (partie séparée) #Methodes #Benny Carter #Again and Again: Piano Accompa #Alfred Music - Digital Sheet Music #SheetMusicPlus

Jazz Ensemble - SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet...(+)

Jazz Ensemble - SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_K). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

$3.00 ≈ 2.76€

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com