Partitions Numériques de Through The Years pour Quintette de Clarinettes: 5 clarinettes

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Through The Years
Non classifié 113

Piano & claviers
Piano, Voix 60
Piano seul 46
Instruments en Do 5
Piano, Voix et Guitare 4
Accordéon 3

Orgue 1
Piano Trio: piano, violon, violoncelle 1

+ 2 instrumentations

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Guitares
Guitare 10
Ligne De Mélodie, (Paroles) et Accords 2
Mandoline 1
Ukulele 1
Banjo 1

Paroles et Accords 1

+ 1 instrumentations

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Voix
Chorale SATB 17
Voix Alto, Piano 5
Chorale 3 parties 3
Chorale SSAA 3
Chorale TTBB 2

Voix basse 1
Chorale 2 parties 1

+ 2 instrumentations

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Vents
Flûte, Hautbois, Clarinette, Basson 12
Saxophone (partie séparée) 4
Quatuor de Saxophones: 4 saxophones 4
Clarinette (partie séparée) 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4

Flûte traversière 3
Quatuor de Flûtes : 4 flûtes 3
Clarinette et Piano 3
Clarinette 2
Flûte traversière et Piano 2
Saxophone Alto 2
Quintette de Clarinettes: 5 clarinettes 2

Saxophone Soprano et Piano 2
Hautbois, Piano (duo) 1
Saxophone Alto et Piano 1
Saxophone Tenor et Piano 1
Saxophone Tenor 1
Flute (partie séparée) 1
Saxophone Baryton, Piano 1
Flûte à bec Soprano 1

+ 15 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 40
Ensemble de Trompettes 33
Trombone (partie séparée) 7
Trompette (partie séparée) 5
Cor (partie séparée) 4

Trompette 3
Tuba 2
Trompette, Piano 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trompette, Trombone (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Cor 1
Quatuor de cuivres: 4 trombones 1
Quatuor de cuivres: 4 trompettes 1
Trombone 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violon 4
Alto, Piano 4
4 Violoncelles 3
Violoncelle, Piano 3

Violoncelle 2
Alto seul 2
Violon, Violoncelle (duo) 2
Piano Trio: Violon, Alto, Piano 2
Violon (partie séparée) 2
Contre Basse 2
Violon et Piano 2
Trio à Cordes: 2 violons, alto 2
Quatuor à cordes : 4 altos 1
Violon, Alto (duo) 1
2 Violoncelles (duo) 1
Trio à cordes: 3 violins 1
Harpe 1
Quatuor à cordes: 4 violons 1
Trio à Cordes: violon, alto, violoncelle 1

+ 15 instrumentations

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Percussions & orchestre
Orchestre à Cordes 31
Ensemble Jazz 17
Orchestre d'harmonie 17
Orchestre 9
Ensemble de cuivres 9

Percussion (partie séparée) 3
Orchestre de chambre 3

+ 2 instrumentations

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Through The Years

intermédiaire

Quintette de Clarinettes: 5 clarinettes

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2 partitions trouvées

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Quintette de Clarinettes: 5 clarinettes #INTERMÉDIAIRE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamar�a released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamar�a released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamar�a, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamar�a's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamar�a at friend Donald Byrd's urging. Santamar�a started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamar�a later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamar�a recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamar�a included the track on his album Watermelon Man (1962). Santamar�a's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benz�l� Pygmies (1966), by Simha Arom and Genevi�ve Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99

Air from 'Rinaldo' (arr. for Clarinet Ensemble 5-Part))

Air from 'Rinaldo' (arr. for Clarinet Ensemble 5-Part)) #Quintette de Clarinettes: 5 clarinettes #INTERMÉDIAIRE #George Frideric Handel #Andrew Lamb #Air from 'Rinaldo' #Andrew Lamb #SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325953 By George Frideric Handel. By George Frideric Handel. Arran...(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325953 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Baroque,Opera. 25 pages. Andrew Lamb #914149. Published by Andrew Lamb (A0.1325953). Presenting Air from Rinaldo by George Frideric Handel, thoughtfully arranged for a 5-part Clarinet Ensemble! ðŸŽ¼ðŸŽµ Instrumentation: 3 Clarinets in Bb 1 Alto Clarinet in Eb 1 Bass Clarinet in Bb ðŸŽ¶ Substitute parts included for added flexibility: Eb Clarinet Second Alto Clarinet Second Bass Clarinet ðŸŽ¼ Level of Difficulty: Medium-EasyðŸŽ¯ Potential Uses: ðŸŽ¤ This arrangement, crafted for Clarinet Ensemble, is versatile and ideal for: Concerts Recitals Educational settings. ðŸ“œ About Air from Rinaldo: Air from Rinaldo captures the essence of Handel's opera composed in 1711, the first Italian language opera for the London stage. This Clarinet Ensemble arrangement brings forth the beauty of Handel's composition, portraying the love, war, and redemption set during the First Crusade. The iconic soprano aria, Lascia ch'io pianga, is a cherished favorite, making this arrangement a delightful addition to your ensemble's repertoire.ðŸŽ¼ Handel's Operatic Triumph: George Frideric Handel swiftly composed Rinaldo, marking a significant moment in operatic history. After dominating the English opera scene for decades, Rinaldo's success endured through numerous revivals. Following a hiatus of over 200 years, the opera regained prominence, captivating audiences worldwide with modernized productions, including a successful run at New York's Metropolitan Opera in 1984.â Why Choose This Arrangement: This Clarinet Ensemble arrangement offers flexibility with substitute parts, allowing you to tailor the performance to your ensemble's strengths. Perfectly suited for various settings, from formal concerts to educational environments, this arrangement enables musicians to explore the depth and brilliance of Handel's musical genius.ðŸŽµ Elevate your ensemble's performance with the enchanting Air from Rinaldo. Add this arrangement to your repertoire and experience the magic of Handel's operatic masterpiece.ðŸ“¢ Don't miss the chance to enhance your musical journey! Like and subscribe to stay updated on our latest arrangements and musical offerings. ðŸŽ¶.

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