Partitions Numériques de I Asked pour Quintette de Clarinettes: 5 clarinettes

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I Asked
Non classifié 232

Piano & claviers
Piano seul 62
Piano, Voix 27
Piano, Voix et Guitare 26
2 Pianos, 4 mains 21
Instruments en Do 9

Piano Facile 5
Orgue 4
Accompagnement Piano 2
1 Piano, 4 mains 1
Orgue, Trompette (duo) 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 6 instrumentations

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Guitares
Guitare 11
Guitare notes et tablatures 4
Basse electrique 3
Mandoline 1

Voix
Chorale SATB 41
Chorale 3 parties 11
Chorale 2 parties 9
Voix duo 6
Voix duo, Piano 6

Voix Soprano, Piano 3
Chorale TTBB 3
Chorale Unison 2
Chorale SSAA 2
Voix basse, Piano 1
Voix Tenor 1
Chorale SSAATTBB 1

+ 7 instrumentations

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Vents
Ensemble de saxophones 27
Quintette de Saxophone: 5 saxophones 13
Quatuor de Saxophones: 4 saxophones 10
Flûte traversière et Piano 7
Flûte, Hautbois, Clarinette, Basson 7

Ensemble de Clarinettes 6
Clarinette et Piano 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Saxophone Alto et Piano 4
Hautbois, Piano (duo) 3
Quatuor de Clarinettes: 4 clarinettes 3
Quatuor de Flûtes : 4 flûtes 2
Clarinette 2
Ensemble de Flûtes 2
Quintette de Flûte : 5 flûtes 2
Flûte traversière 2
Quintette de Clarinettes: 5 clarinettes 2

Clarinette, Violoncelle, Piano (trio) 1
Saxophone Tenor et Piano 1
Saxophone (partie séparée) 1
2 Saxophones (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
2 Flûtes traversières (duo) 1
Clarinette, Basson (duo) 1
Clarinette, Guitare (duo) 1
Clarinette, Violoncelle (duo) 1
3 Saxophones (trio) 1
2 Clarinettes (duo) 1
Saxophone et Orgue 1
Saxophone Alto 1
Cor Anglais 1
Ensemble De Flûte à bec 1

+ 27 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 20
Quatuor de Cuivres 10
Trombone 7
Ensemble de Trombones 6
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6

Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Ensemble de Trompettes 4
Cor 3
Trombone et Piano 3
Trompette, Piano 3
Ensemble de Cors 3
Cor et Piano 2
Trompette 2
Trompette (partie séparée) 1
Quatuor de cuivres: 4 trompettes 1
Trombone basse 1
Cor Anglais 1
Tuba et Piano 1
Quatuor de cuivres: 4 trombones 1

+ 14 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 17
Violon et Piano 7
Harpe 7
Alto, Piano 4
Violoncelle, Piano 4

Violon, Violoncelle (duo) 3
2 Violons (duo) 3
Ensemble de Violons 2
Violoncelle 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Ensemble d'Altos 2
4 Violoncelles 2
Violon 1
2 Harpes (duo) 1
Quatuor à cordes : 4 altos 1
Quatuor à cordes: 4 violons 1
2 Violoncelles (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto, Guitare (duo) 1
Violoncelle (partie séparée) 1

+ 15 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 29
Ensemble de cuivres 18
Orchestre 16
Orchestre à Cordes 15
Ensemble Jazz 6

Orchestre de chambre 2
Jazz combo 2
Cloches 1

+ 3 instrumentations

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I Asked

Quintette de Clarinettes: 5 clarinettes

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I Love Lucy

I Love Lucy #Quintette de Clarinettes: 5 clarinettes #INTERMÉDIAIRE/AVANCÉ #Contemporain #Eliot Daniel #Dennis Ruello #I Love Lucy #Chicory Music #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages....(+)

Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages. Chicory Music #6675325. Published by Chicory Music (A0.734619). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morrisâ€™ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde GrofÃ©â€™s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the showâ€™s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quintet includes a Bass Clarinet part (Bassoon sub.) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds

$12.99 ≈ $17.95

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Quintette de Clarinettes: 5 clarinettes #INTERMÉDIAIRE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamar�a released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamar�a released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamar�a, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamar�a's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamar�a at friend Donald Byrd's urging. Santamar�a started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamar�a later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamar�a recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamar�a included the track on his album Watermelon Man (1962). Santamar�a's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benz�l� Pygmies (1966), by Simha Arom and Genevi�ve Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99 ≈ $20.72

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