Partitions Numériques de Off Beat pour Quintette de Clarinettes: 5 clarinettes

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Off Beat
Non classifié 364

Piano & claviers
Piano seul 417
Piano, Voix et Guitare 412
Piano Facile 202
Piano, Voix 202
Piano grosses notes 104

1 Piano, 4 mains 31
Instruments en Do 30
Accordéon, Voix 9
Accordéon 6
Orgue 6
Accompagnement Piano 5
Piano Trio: piano, violon, violoncelle 3
Ligne De Mélodie, Piano 3
Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 4 mains 2
Piano (partie séparée) 2
Instrument seul et Orgue 1
1 Piano, 6 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 14 instrumentations

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Guitares
Guitare notes et tablatures 303
Ligne De Mélodie, (Paroles) et Accords 230
Ukulele 137
Basse electrique 72
Guitare 34

Piano, Guitare (duo) 11
Guitare (partie séparée) 5
Dulcimer 4
Paroles et Accords 2
2 Guitares (duo) 2
Mandoline 1
3 Guitares (trio) 1

+ 7 instrumentations

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Voix
Chorale SATB 99
Chorale 3 parties 71
Chorale 2 parties 40
Chorale SSAA 16
Chorale TTBB 15

Chorale Unison 10
Voix duo 4
Chorale SAATB A Cappella 2
Chorale SATTBB, Clavier 2
Voix et basse continue 1
Chorale SSATBB 1
Voix Soprano, Piano 1
Voix duo, Piano 1

+ 8 instrumentations

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Vents
Saxophone Alto 117
Clarinette 115
Saxophone Tenor 105
Flûte traversière 94
Flûte traversière et Piano 24

Saxophone (partie séparée) 24
Hautbois, Piano (duo) 19
2 Saxophones (duo) 18
Saxophone Alto et Piano 18
Clarinette et Piano 17
2 Flûtes traversières (duo) 14
Flûte, Hautbois, Clarinette, Basson 14
Saxophone, Clarinette (duo) 12
2 Flûte à bec (duo) 10
Quatuor de Clarinettes: 4 clarinettes 10
Hautbois (partie séparée) 9
Saxophone Tenor et Piano 9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8
2 Clarinettes (duo) 8
Clarinette, Violon (duo) 8
Quatuor de Saxophones: 4 saxophones 7
Ensemble de Flûtes 6
Saxophone Soprano et Piano 6
Instruments en Mib 5
Flûte, Trompette (duo) 4
Flûte, Clarinette (duo) 4
Clarinette et Alto 4
Clarinette, Trompette (duo) 4
Flûte, Saxophone (duo) 4
Hautbois, Clarinette (duo) 4
2 Hautbois (duo) 4
Hautbois, Flûte 4
Ensemble de Clarinettes 4
Hautbois, Basson (duo) 4
Flûte, Violon 4
Quintette de Saxophone: 5 saxophones 3
Hautbois 3
Saxophone Soprano 3
2 Flûtes traversières, Piano 2
Flûte, Violon et Violoncelle 2
Flûte, Alto (duo) 2
Saxophone Baryton 2
Quatuor de Flûtes : 4 flûtes 2
Flute (partie séparée) 1
Clarinette, Tuba 1
Flûte à bec Soprano 1
Trio de Flûtes: 3 flûtes 1
Flûte, Clarinette, Piano (trio) 1
Clarinette, Contrebasse (duo) 1
Quintette de Flûte : 5 flûtes 1
3 Saxophones (trio) 1
Flûte, Trombone (duo) 1
Clarinette, Orgue 1
Flûte et Trio à cordes 1
Flûte, Clarinette et Basson 1
Flûte à bec Tenor 1
Clarinette, Violoncelle, Piano (trio) 1
3 Clarinettes (trio) 1
Quintette de Clarinettes: 5 clarinettes 1

Flûte, Violon, Piano 1

+ 55 instrumentations

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Cuivres
Trompette 123
Trombone 111
Cor 108
2 Trombones (duo) 23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 21

Trombone et Piano 17
Tuba 11
Cor et Piano 10
Trompette, Piano 10
Trombone (partie séparée) 10
Trompette, Saxophone (duo) 9
Tuba et Piano 9
2 Trompettes (duo) 7
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Bass Clef Instruments 6
Trompette (partie séparée) 6
Instruments en Sib 5
Trompette, Trombone (duo) 5
Instruments en Fa 3
Quatuor de Cuivres 3
Tuba (partie séparée) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trio de Cuivres 1
Cor (partie séparée) 1
Trombone, Violon (duo) 1
Quatuor de cuivres: 4 cors 1
4 Tubas 1

+ 22 instrumentations

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Cordes
Violon 129
Alto seul 114
Violoncelle 105
Quatuor à cordes: 2 violons, alto, violoncelle 69
2 Violons (duo) 34

Violon et Piano 33
Violoncelle, Piano 29
2 Violoncelles (duo) 25
Alto, Piano 18
Violon, Violoncelle (duo) 18
Violoncelle (partie séparée) 12
Trio à Cordes: violon, alto, violoncelle 12
2 Harpes (duo) 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Contre Basse 9
Contrebasse, Piano (duo) 9
Violon, Alto (duo) 7
Violon (partie séparée) 6
Alto (partie séparée) 5
Contrebasse (partie séparée) 5
2 Altos (duo) 4
Trio à Cordes: 2 violons, violoncelle 3
Harpe 3
Trio à cordes 1
Violoncelle , Guitare (duo) 1
Flûte, Contrebasse (duo) 1
Violon, Trompette et Piano 1
Ensemble de Violoncelles 1

+ 23 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 87
Orchestre à Cordes 25
Fanfare 17
Ensemble Jazz 14
Orchestre 13

Batterie 10
Ensemble de cuivres 8
Cloches 8
Ensemble de Percussions 7
Jazz combo 5
Vibraphone 3
Xylophone 2
Batterie (partie séparée) 1
Percussion (partie séparée) 1
Orchestre de chambre 1
Marimba 1
Xylophone, Piano 1

+ 12 instrumentations

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Off Beat

Quintette de Clarinettes: 5 clarinettes

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Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Quintette de Clarinettes: 5 clarinettes #INTERMÉDIAIRE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamar�a released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamar�a released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamar�a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamar�a, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamar�a's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamar�a at friend Donald Byrd's urging. Santamar�a started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamar�a later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamar�a recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamar�a included the track on his album Watermelon Man (1962). Santamar�a's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benz�l� Pygmies (1966), by Simha Arom and Genevi�ve Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

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