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Vous avez sélectionné:
Ver de terre
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
8 partitions trouvées
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Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.86€
Ain't No Mountain High Enough
Ain't No Mountain High Enough
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Marvin Gaye & Tammi Terrell
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Sean Sullivan
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Ain't No Mountain High Enough
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Sean Sullivan
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1371750 By Marvin Gaye & Tammi Terrell. By Nickolas Ashford and Val...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1371750 By Marvin Gaye & Tammi Terrell. By Nickolas Ashford and Valerie Simpson. Arranged by Sean Sullivan. 20th Century,Pop,R & B,Soul,Wedding. 24 pages. Sean Sullivan #955981. Published by Sean Sullivan (A0.1371750). Introducing Ain't No Mountain High Enough for Clarinet Quintet—a unique musical journey that combines the soulful voices of Marvin Gaye and Tammi Terrell with the harmonious sounds of the clarinet. This arrangement offers an optional twist with the captivating alto clarinet, creating a fresh and unforgettable rendition. Feel the passion and soul of this beloved classic as it takes you on an emotional rollercoaster. The clarinet quintet arrangement intricately weaves together the quintessential melodies, showcasing the versatility of the clarinet and the depth of Marvin Gaye and Tammi Terrell's timeless masterpiece. This captivating instrument grants your ensemble a diverse range and tonal palette, lifting your performance to new heights. The soul of the original is merged with the intimacy of a small ensemble, making it perfect for concerts, weddings, parties, and other events that deserve an unforgettable musical touch. Take your audience on an emotional journey, giving them chills and allowing them to fall in love with the timeless beauty of this arrangement. Don't miss out on embracing the soul, passion, and power of Ain't No Mountain High Enough in this phenomenal clarinet quintet arrangement. Stand out from the crowd, captivate your audience, and experience the magic of the soulful clarinet quintet like never before.
$14.99 ≈
13.86€
Pennsylvania 6-5000
Pennsylvania 6-5000
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jerry Gray, Carl Sigma
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Carl Sigman and Jerry Gray
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Keith Terrett
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Pennsylvania 6-5000
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Keith Terrett
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith T...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99 ≈
13.86€
A Night In Tunisia
A Night In Tunisia
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Ter...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.86€
C Jam Blues for Clarinet Quintet
C Jam Blues for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quint
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Keith Terrett
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney B...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99 ≈
11.09€
Ukrainian National Anthem for Clarinet Quintet MFAO World National Anthem Series
Ukrainian National Anthem for Clarinet Quintet MFAO World National Anthem Series
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Ukrainian National Anthem for
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Music for all Occasions
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SheetMusicPlus
Composed by Composed by Mykhailo Verbytsky (1815- 1870). Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 11 pages...
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Composed by Composed by Mykhailo Verbytsky (1815- 1870). Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 11 pages. Published by Music for all Occasions
$10.00 ≈
9.25€
King Of The Road
King Of The Road
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Contemporain
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Randy Travis
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Keith Terrett
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.747088 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 14 pag...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.747088 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 14 pages. Keith Terrett #6427245. Published by Keith Terrett (A0.747088). C Jam Blues arranged for Clarinet Quintet.C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.
$15.99 ≈
14.79€
Moon River for Clarinet Quintet & Drum kit
Moon River for Clarinet Quintet & Drum kit
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Andy Williams
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Keith Terrett
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Drum kit
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Moon River for Clarinet Quinte
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Casio
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SheetMusicPlus
By Andy Williams. Arranged by Keith Terrett. For Clarinet Quintet & Drum kit. Intermediate. Score,Set of Parts. 12 pages. Published by Casio ...
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By Andy Williams. Arranged by Keith Terrett. For Clarinet Quintet & Drum kit. Intermediate. Score,Set of Parts. 12 pages. Published by Casio
$14.99 ≈
13.86€
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