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Vous avez sélectionné:
Bass Sax
avancé
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
59 partitions trouvées
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Saxophone Quartet (2016)
Saxophone Quartet (2016)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Saxophone Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Ro...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Funk Jazz, Bebop. Score. 25 pages. Published by Thomas Oboe Lee
andstrings.
1.Octet in D, opus 144 (2012) for clarinet, horn, bassoon, 2 violins, viola,cello and doublebass
2. LaSerenissima (2013) for 2 flutes, 2 oboes, 2 clarinets, 2 horns and 2 bassoons
3.Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons,2 trumpets, 2 trombones
4.Alice (2015) for mezzo-soprano, clarinet, violin, viola and cello
Eric is also a superb saxophonist! This quartet is dedicated to him, in gratitudeof his many efforts in the service of my music. Thanks, Eric!!!
Saxophone Quartet (2016) is in five movements.
1a. Moderato? Allegro
1b. Moderato- Allegro
2. Moltoallegro
3. Adagio
4a. Allegro
4b. Funkout!
5. Adagio
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/saxophone-quartet-2016
$9.99 ≈
¥72.12
BELLA ISLA ANTS - SAXOPHONE QUARTET (Barry Molinski)
BELLA ISLA ANTS - SAXOPHONE QUARTET (Barry Molinski)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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GREEN SMART SAX QUARTET
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BARRY MOLINSKI
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another solo for tenor sax
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BELLA ISLA ANTS - SAXOPHONE QU
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Barry Molinski
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294190 By GR...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294190 By GREEN SMART SAX QUARTET. By BARRY MOLINSKI. Arranged by BARRY MOLINSKI. Blues,Contemporary,Funk,Jazz,Latin. 19 pages. Barry Molinski #884614. Published by Barry Molinski (A0.1294190). Original composition for saxophone quartet by BARRY MOLINSKIFunky Groove, straight eights with dbl time feel,composed in 2015, after the visit of GRAN CANARIA, Islas Baleares.Repertoire of the GREEN SMART SAXOPHONE QUARTET!Not so Easy to play, but fun. Enjoyable music.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Improvised solos one for alto sax & another solo for tenor sax.Background parts included.Available part for opt. Bass Saxophone (Bariton) on request.Hip rhythm, arranged to give a good solo spot.History of the tune name:The beautiful island of ants. At night, the dead cockroaches break up into portable pieces and then transport them to their hole in the ground. The next morning there is no sign of it anymore, as if it had been cleaned. Phenomenal!Right from the rehearsal room, straight onto stage.Broadway, Film/TV, Musical/Show, Pop, Classics , Holiday, Jazz & Blues, 19 pages.
$29.99 ≈
¥216.49
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Raymond Fenech
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Alto
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Polonaise in G Minor - Saxopho
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Phil...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Holiday,Wedding. 12 pages. Raymond Fenech #3426593. Published by Raymond Fenech (A0.759894). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Saxophone Quartet, i.e. Soprano; Alto; Tenor and Bass Saxophones . The level is Advanced Intermediate and the duration is 1.49 minutes.
$6.95 ≈
¥50.17
CLOWN TANGO - SAXOPHONE QUARTET (Barry Molinski)
CLOWN TANGO - SAXOPHONE QUARTET (Barry Molinski)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Tango
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GREEN SMART SAX QUARTET
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BARRY MOLINSKI
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Blues, 18 pages.
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CLOWN TANGO - SAXOPHONE QUARTE
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Barry Molinski
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1302549 By GR...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1302549 By GREEN SMART SAX QUARTET. By BARRY MOLINSKI. Arranged by BARRY MOLINSKI. Blues,Broadway,Contemporary,Jazz,Latin,Musical/Show. 15 pages. Barry Molinski #892171. Published by Barry Molinski (A0.1302549). Original composition for saxophone quartet by BARRY MOLINSKI.Tango, straight eights, Tango Nuevo is music to listen, composed in 1999 !Repertoire of the GREEN SMART SAXOPHONE QUARTET! Tango feeling, not that easy to play, double time passage is challenging, but fun. Pleasant concert music.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Available part for opt. Bass Saxophone (Bariton) on request.Hip rhythm, arranged from original tango to jazz dbl time.This original goes right from the rehearsal room onto stage!Tango Nuevo, Salsa, Latin, Pop, Broadway, Film/TV, Musical/Show, Pop, Classics, Holiday, Jazz & Blues, 18 pages.
$24.99 ≈
¥180.40
Air On The G String (J.S. Bach) for Saxophone Quartet
Air On The G String (J.S. Bach) for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Fabio Britto
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Air On The G String
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Minhas Partituras
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.686930 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.686930 Composed by Johann Sebastian Bach. Arranged by Fabio Britto. Baroque,Wedding. 6 pages. Minhas Partituras #6492951. Published by Minhas Partituras (A0.686930). Arrangement of the song Air On The G String (J.S. Bach) for Saxophone Quartet (Soprano Saxophone, Alto Saxophone, Tenor Saxophone Bass Saxophone).
$12.99 ≈
¥93.77
La Waltz Triste (Saxophone Quartet version)
La Waltz Triste (Saxophone Quartet version)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pyb...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pybus. Contemporary,Contest,Festival. 27 pages. James Pybus #34115. Published by James Pybus (A0.764635). La Waltz Triste is an original composition playable by either SATB or AATB Saxophone Quartet, both with an optional Bass Saxophone part which doubles the Baritone part. Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00 ≈
¥108.28
The Liberty Bell arranged for Saxophone Quartet
The Liberty Bell - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Hugh Levey
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Hugh Levey
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The Liberty Bell - Saxophone Q
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holida...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1465390 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holiday,March,Patriotic. 48 pages. Woodwindly.com #1044090. Published by woodwindly.com (A0.1465390). The Liberty Bell for Saxophone Quartet (SATB or AATB)The Liberty Bell is ideal for any concert programmes that have an American, patriotic, or military focus. In the UK it will be a popular addition to Film & TV based programmes because of the march's use as the theme for Monty Python's Flying Circus.Sousa’s The Liberty Bell (March) for Military Band was published in 1893 and became an immediate hit. It was originally scored for: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, and strings. However, it is often performed today by a standard Military Band, consisting of woodwind, brass, and percussion sections. An abbreviated version of Liberty Bell was used as the theme tune for the British television comedy sketch show, Monty Python’s Flying Circus, which ran from 1969 to 1974.This arrangement for Sax Quartet consists of the whole March with its Trio section. The dynamic shaping is based on that used by The President’s Own Band, but these are mostly editorial so can be changed by the performers. The full length is 3 minutes 35 seconds, but there is an optional ending at 2 minutes 35 seconds.
$13.50 ≈
¥97.45
In the Bleak Midwinter arranged for Saxophone Quartet by Hugh Levey
In the Bleak Midwinter - Saxophone Quartet by Hugh Levey
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Saxop
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Chri...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901978. Published by woodwindly.com (A0.1313145). Saxophone Quartet (SATB or AATB)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This sax quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with soprano saxophone playing the melodic line. In verse 2, the tenor sax presents the tune in a lower register while the baritone plays a Baroque style ‘walking bass’. The sopranoe and alto weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50 ≈
¥90.23
Mug's Game - Saxophone Quartet
Mug's Game - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Phil Rawle
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Mug's Game - Saxophone Quartet
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Phillip Rawle
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1451858 Composed by Phil Raw...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1451858 Composed by Phil Rawle. Contemporary,Jazz. 22 pages. Phillip Rawle #1031168. Published by Phillip Rawle (A0.1451858). A fast-paced jazz number for saxophone quartet.Arranged for - Soprano, Alto, Tenor and Baritone Saxophones.The melody swops and changes between the instruments. The whole thing is driven along by the walking bass line in the Baritone Sax.Quite difficult to play at speed.
$5.00 ≈
¥36.09
Farandole from "L'Arlesienne" for sax quartet
Farandole from "L'Arlesienne" for sax quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georges Bizet, Ernest Guiraud
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C
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Farandole from "L'Arlesie
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Chase Hampton
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SheetMusicPlus
Saxophone quartet Saxophone Solo - Level 4 - SKU: A0.918787 Composed by Georges Bizet, Ernest Guiraud. Arranged by C. Hampton. Romantic Period. Individu...
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Saxophone quartet Saxophone Solo - Level 4 - SKU: A0.918787 Composed by Georges Bizet, Ernest Guiraud. Arranged by C. Hampton. Romantic Period. Individual part. 23 pages. Chase Hampton #26797. Published by Chase Hampton (A0.918787). This arrangement adheres closely to the original Farandole from L'Arlesienne Suite No. 2. The tambourine is optional, as is the kick bass that can be operated by the tambourine player.
$8.95 ≈
¥64.61
Go Tell It on the Mountain (Saxophone Quartet)
Go Tell It on the Mountain (Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Go Tell It on the Mountain
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Roger Wallace
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1178541 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1178541 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Spiritual. 39 pages. Roger Wallace #778499. Published by Roger Wallace (A0.1178541). Christmas Quartet with Multiple Part Options. The gospel classic is performed in chorale and swing styles by various parts. The second verse features the bass voice.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Sax Quartet (Soprano, Alto, Tenor, Baritone).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
¥72.12
Railway Song (Auf de schwäb'sche Eisebahne) for saxophone quartet
Railway Song (Auf de schwäb'sche Eisebahne) for saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.575773 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pag...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.575773 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pages. David Warin Solomons #2028001. Published by David Warin Solomons (A0.575773). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
¥86.63
Bass Soonest - Saxophone Quartet
Bass Soonest - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Bass Soonest - Saxophone Quart
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Lyons Music Services
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.767306 Composed by Mike Lyons. Contemporary. 1...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.767306 Composed by Mike Lyons. Contemporary. 16 pages. Lyons Music Services #3448535. Published by Lyons Music Services (A0.767306). This little ditty came to me one morning at about 6.00am and I finished it at 9.15am. It’s a jolly little tune for bassoon quartet in a calypso style - ish. I seem to be doing a few of those at the moment. This version is for low saxophone quartet - 2 tenors, and either 2 baritones or a baritone and a bass/contrabass. It is dedicated to Jill Elliott for her help.
$15.00 ≈
¥108.28
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
¥122.36
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
¥122.36
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
¥122.36
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
¥122.36
Canon - Johann Pachebel (Saxophone Choir Quartet)
Canon - Johann Pachebel (Saxophone Choir Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Johann Pachebel
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Raymond Fenech
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Canon - Johann Pachebel
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Raymond Fenech
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759953 Composed by Johann Pa...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759953 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Contemporary,Easter,Holiday,Wedding. 26 pages. Raymond Fenech #3467732. Published by Raymond Fenech (A0.759953). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.The duration is 6.05 minutes and the level is Advanced Intermediate This Canon is arranged for Saxophone Choir Quartet, i.e. Soprano Saxophone, Alto Saxophone; Tenor Saxophone and Baritone Saxophone. In the middle of this piece you will hear a part which is in a more modern style.
$9.95 ≈
¥71.83
Excursion No. 6-Turnaround for Saxophone Quartet
Excursion No. 6-Turnaround for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Diana Mascari
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Diana Mascari
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Excursion No. 6-Turnaround for
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Diana Mascari Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1478062 By Diana Mascari. By...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1478062 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. 29 pages. Diana Mascari Music #1055441. Published by Diana Mascari Music (A0.1478062). As with my other Excursions, No. 6 was composed during the second half of 2023. In addition, even though the core of this piece began on the piano, it quickly became clear to me that a saxophone quartet would be the perfect ensemble to express my musical ideas. The duration of this pieces is just under four minutes and moves rather quickly. The reason for the title Turnaround is because the bass line (shared by tenor and baritone saxophones) is the jazz version of the I-vi-ii-V chord progression. The jazz version of this includes several chromatic passing tones and the saxophones do this very well.For additional information: www.dianamascari.com.
$7.95 ≈
¥57.39
Eine Kleine Nachtmusik (Mozart) - Saxophone Quartet (SATB)
Eine Kleine Nachtmusik (Mozart) - Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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James A
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Eine Kleine Nachtmusik
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946272 Composed by Wolfgang ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946272 Composed by Wolfgang Amadeus Mozart. Arranged by James A. C. Glass. Classical. 17 pages. James A. C. Glass #6303201. Published by James A. C. Glass (A0.946272). All arrangements are in the same key as the original composition. Arranged for SATB Saxophone Quartet. Runtime 4:27.This beautiful chamber piece has been a mainstay at formal and familiar engagements ever since it's composition in 1787. The melody trades between the soprano and alto saxophone with the tenor filling in the chord tones. The baritone saxophone often maintains a unique bass line, grounding the moving chord of the arrangement throughout the arrangement. This is a wonderful choice that will impress any audience.
$9.99 ≈
¥72.12
Becoming Clear - Saxophone Quartet (SATB)
Becoming Clear - Saxophone Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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James A
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James A
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Becoming Clear - Saxophone Qua
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946308 Composed by James A. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.946308 Composed by James A. C. Glass. Arranged by James A. C. Glass. Jazz. 24 pages. James A. C. Glass #6325597. Published by James A. C. Glass (A0.946308). Arranged for SATB Saxophone Quartet. Runtime 3:30.This swift swing chart shares the melody across the three highest saxophone of the quartet. With a walking bass line for the baritone saxophone the song features a solo section in the key of concert F minor (D minor for Bb instruments, G minor for Eb instruments). This is a fun and fascinating song for any setting.
$4.99 ≈
¥36.02
Luc's Gigue (Saxophone Quartet version)
Luc's Gigue (Saxophone Quartet version)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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Luc's Gigue
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764639 Composed by James Pyb...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764639 Composed by James Pybus. Contemporary,Contest,Festival,Instructional. 23 pages. James Pybus #34249. Published by James Pybus (A0.764639). Luc’s Gigue is an original composition for either Saxophone Quartet (SATB), Clarinet Quartet (3 Bb Clarinets plus Bass Clarinet) or any combination of mixed single reeds. I wrote it in 2012 for my student ensemble known as the Single Reed Society at Heart Lake Secondary School, in Brampton, Ontario, Canada. The title simply refers to one of my cats who was keeping me company as I worked on it. It should be performed with lots of feline swagger in mind. Duration 2:25 Contact me at james.pybus56@gmail.com.
$15.00 ≈
¥108.28
Lo! How a Rose E'er Blooming (Saxophone Quartet)
Lo! How a Rose E'er Blooming (Saxophone Quartet)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1202539 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1202539 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 40 pages. Roger Wallace #801279. Published by Roger Wallace (A0.1202539). Christmas Quartet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the third voice. The third verse features antiphonal lines accompanying the melody played by the bass voice.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Saxophone Quartet (Soprano, Alto, Tenor, Baritone).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
¥72.12
Somewhere, My Love (Lara’s Theme from Dr. Zhivago)
Somewhere, My Love (Lara’s Theme from Dr. Zhivago)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Paul Francis Webster, Mauric
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James Pybus
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Somewhere, My Love
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James Pybus
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SheetMusicPlus
SATB or AATB Saxophone Quartet with optional Bass Saxophone - Advanced Intermediate - Digital Download By Paul Francis Webster, Maurice Jarre. Arrang...
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SATB or AATB Saxophone Quartet with optional Bass Saxophone - Advanced Intermediate - Digital Download By Paul Francis Webster, Maurice Jarre. Arranged by James Pybus. Score, Set of Parts. 11 pages. Published by James Pybus
Somewhere, My Love, also know as Lara's Theme is the name given to aleitmotif written for the film Doctor Zhivago (1965) by composer MauriceJarre. By special request of Connie Francis, Paul Francis Webster later tookthe theme and added lyrics to it to create Somewhere,My Love. In 1967, Somewhere, MyLove was nominated for the Grammy Award for Song of the Year. It lost to Michelle by The Beatles. Francis also had her version released as a single, and although itfailed to chart in the US, it became one of her biggest successesinternationally. This arrangement, suitable for concerts and many other occasions, is playable by either SATB or AATB Saxophone Quartet, with optional Bass Saxophone doubling the Baritone. Duration is 2:40. Contact me at james.pybus@rogers.com.
$19.95 ≈
¥144.01
It Don't Mean A Thing (if It Ain't Got That Swing)
It Don't Mean A Thing (if It Ain't Got That Swing)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Duke Ellington
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BARRY MOLINSKI
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It Don't Mean A Thing
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Barry Molinski
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294176 By Du...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294176 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by BARRY MOLINSKI. Barbershop,Blues,Broadway,Jazz,Musical/Show,Standards. 23 pages. Barry Molinski #884601. Published by Barry Molinski (A0.1294176). Duke Ellington's classic IT DON'T MEAN A THING for Saxophone Quartet (SS/AS) AS TS BSMedium uptime tempo, not so easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Broadway Musicals.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Music by Duke Ellington.This swinging arrangement comes with an original introduction in slower tempo, followed by the theme and written lines for all saxes.Two improvised solos, on tenor part and alto part with backing fills.This bluesy tune gives you the right atmosphere to be in a smokin' 'n' drinkin' bar in the United States, where jazz & blues growd up.Good arrangement to play this on stage as a set opener.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 23 pages.
$24.99 ≈
¥180.40
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