Partitions Numériques de System Of A Down pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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System Of A Down
Non classifié 10

Piano & claviers
Piano seul 15
Orgue 2
Piano, Voix 1
1 Piano, 4 mains 1
Piano, Voix et Guitare 1

Guitares
Guitare notes et tablatures 1

Voix
Chorale SATB 6

Vents
Flûte traversière et Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Flûte traversière 1
Clarinette et Piano 1
2 Clarinettes (duo) 1

Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trompette 1

Cordes
Violon 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon et Piano 1

Percussions & orchestre
Batterie 4
Orchestre d'harmonie 3
Orchestre 2
Orchestre de chambre 2
Orchestre à Cordes 1

Ensemble de Percussions 1
Piano et Orchestre 1

+ 2 instrumentations

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System Of A Down

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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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2 partitions trouvées

Frolic of Forest Quartet for Woodwinds

Frolic of Forest Quartet for Woodwinds #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #AVANCÉ #Darian Thompkins #Frolic of Forest Quartet for W #Darian Thompkins #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1406769 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Ea...(+)

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1406769 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Easter,Festival,New Age. 15 pages. Darian Thompkins #989523. Published by Darian Thompkins (A0.1406769). Frolic of Forest Quartet for Woodwinds is a piece for musicians who wish to be challenged. The piece is written in compound time with a transition to common time and showcases a change from D major to F major. A tour of the woods you will go with delights of colorful trees and various bouquets of flowers. Chords pulled and clustered to create a bliss and peaceful sound for the listener. Feelings of flying or running through an emerald forest. A trip deep into the woods to see its wonders. The flute has a beautiful solo that represents the beauty and freedom of the wind as it moves through the trees. The bassoon represents the forest trees and creatures as they move, animals that gallop across the floor of the forest. Like fairies they are enchanted and whimsical as they thrive. An ecosystem of life vibrant as far as the eye can see. Frolic of Forest Quartet for Woodwinds is for Advanced Woodwind players for flute, oboe, clarinet, and bassoon. Prepare yourself for a beautiful journey your ears will never forget, and you will always remember.

$3.99 ≈ $5.49

Course of Empire

Course of Empire #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #AVANCÉ #Kyle Vanderburg #Course of Empire #NoteForge #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.

$25.00 ≈ $34.38

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