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The Return
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Vous avez sélectionné:
The Return
expert
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
9 partitions trouvées
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1
Niobe and the Weeping Rock for Woodwind Quintet
Niobe and the Weeping Rock for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Joe Boboige
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Niobe and the Weeping Rock for
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Joseph Boboige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1028375 Composed by Joe Boboige. Contemporary. 31 pages. Joseph Boboige #3502567. Published by Jo...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1028375 Composed by Joe Boboige. Contemporary. 31 pages. Joseph Boboige #3502567. Published by Joseph Boboige (A0.1028375). In Greek mythology, Niobe was the wife of King Amphion of Thebes. She boasted the superiority of her six sons and six daughters to the gods. The deities Apollo and Artemis killed all of her children in response. After burying her children, she returned home and weeping, turned into a rock on Mount Sipylus.This one movement programmatic work features the oboe as the weeping mother using glissando produced by moving the reed out of the mouth, rather than slowly depressing the keys. Standard woodwind quintet instrumentation.
$24.99
A Trick Of The Tail
A Trick Of The Tail
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Rock
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Genesis
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Paul Burnell
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A Trick Of The Tail
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Paul Burnell
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.835899 By Genesis. By Tony Banks. Arranged by Paul Burnell. Rock. 23 pages. Paul Burnell #6656425...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.835899 By Genesis. By Tony Banks. Arranged by Paul Burnell. Rock. 23 pages. Paul Burnell #6656425. Published by Paul Burnell (A0.835899). A Trick of the Tail, Tony Banks, arranged by Paul Burnell for wind quintetDownload comprises both score and parts (including the alternative instruments)Duration 4:30FluteOboe or Clarinet in BbClarinet in BbHorn in F or Alto Saxophone or Tenor Horn in EbBassoon or Bass ClarinetProgramme note'A Trick of the Tail' is the title track on the 1976 album by English progressive rock group Genesis. The group’s keyboard player Tony Banks wrote the song. The lyrics of the song were inspired by the 1955 novel 'The Inheritors' by William Golding and focuses on a character named the Beast who leaves his own kingdom and enters the realm of humans by whom he is captured. His captors release him in return for leading them to his world. However, just as they see what appears to be a spire of gold, they find that the Beast has disappeared, though they do hear his voice.
$12.99
Wind Quintet - One Rule
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Course of Empire
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
AEROS
AEROS
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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West Coast Wind Quintet
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AEROS
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. Thinkling Music #746220. Published by Thinkling Music (A0.1145980).      AEROS is a one-movement piece about flying.      The composition begins with Latin dance rhythms and a clearly defined melodic motif. The threads gradually build to a tumble of ecstatic exuberance, engaging but short-lived. The remainder of the piece is a return to the mundane, ultimately settling on a plateau of stability which the listener senses to be merely a steppingstone, a pause before resuming the journey into an uncertain future …      Structurally, the work is a single movement built around an Afro-Cuban montuno pattern, with ostinati divided among the instruments. Stylistically it could be considered as “moody minimalist with a melodyâ€. Or if that is too long and unwieldy, then perhaps just “MMMMUSIC!â€Â      First performance in Laguna Beach, California on September 21st, 2021, by West Coast Wind Quintet, as part of the Sunset Serenades series. The outdoor venue, a small amphitheater in beautiful Heisler Park, high on a bluff overlooking the Pacific Ocean, was the perfect aerie from which to bring this piece into the world.
$15.00
Iris Rag (E. Ephraim) - woodwind quintet
Iris Rag (E. Ephraim) - woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Ellis Ephraim
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C
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Iris Rag
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Carrie Burdzinski
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892010 Composed by Ellis Ephraim. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditiona...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892010 Composed by Ellis Ephraim. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditional. 10 pages. Carrie Burdzinski #3478647. Published by Carrie Burdzinski (A0.892010). This is a fun, march-style rag written by Ellis R. Ephraim in 1900. This woodwind quintet arrangement features all five instruments with special emphasis on the French horn and bassoon, which are all too often neglected. The French horn takes the main theme, followed by bassoon, oboe, and then a return to French horn. All instruments have a chance to play the upbeats and downbeats in the background. Due to the high range for the horn part, this piece is recommended for advanced players. Run time is approximately 2:20. Sheet music includes conductor's score plus individual parts for flute, oboe, Bb clarinet, French horn, and bassoon.2018 Chamber Music Contest Entry
$6.99
Hyacinth Rag (G. Botsford) - woodwind quintet
Hyacinth Rag (G. Botsford) - woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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George Botsford
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C
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Hyacinth Rag
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Carrie Burdzinski
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892009 Composed by George Botsford. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditio...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892009 Composed by George Botsford. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditional. 17 pages. Carrie Burdzinski #3478645. Published by Carrie Burdzinski (A0.892009). George Botsford wrote Hyacinth Rag in 1911. This woodwind quintet arrangement opens with oboe in a minor key followed by the melody, requiring some fast keywork on the part of the oboist. A pretty flute accompaniment adds an airy feel to the oboe line. In the second section the flute performs a series of runs, and is answered by the clarinet and horn. A trio section pairs flute with horn and clarinet with bassoon. The piece concludes with a return to the second section. Run time is approximately 2:30.Sheet music includes conductor's score plus individual parts for flute, oboe, Bb clarinet, French horn, and bassoon.2018 Chamber Music Contest Entry
$6.99
Wind Quintet
Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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David F Wainwright
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https://soundcloud
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Wind Quintet
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D F Wainwright
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1145769 Composed by David F Wainwright. 20th Century,Classical,Contemporary. Score a...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1145769 Composed by David F Wainwright. 20th Century,Classical,Contemporary. Score and parts. 56 pages. D F Wainwright #745970. Published by D F Wainwright (A0.1145769). Having spent the last 25 years arranging music for the Spring Quartet, I finally returned to original composition with this Wind Quintet in 3 movements. It's not a combination that I have written for before but I really enjoyed what I thought would be a challenge. Once I got going I found it more or less wrote itself to the extent that I kept checking that I wasn't compromising on my style. I needn't have worried. The quintet is the standard flute, oboe, clarinet, horn and bassoon and the three pieces last a total of eight minutes. You can hear an electronic recording at ; https://soundcloud.com/user-288245202/wind-quintet-in-3-movements?
$25.00
Emoticons III for Wind Quintet
Emoticons III for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
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