Partitions Numériques de C Bartok pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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C Bartok
Non classifié 10

Piano & claviers
Piano seul 7
Piano Facile 3

Guitares
Guitare 1
2 Guitares (duo) 1

Voix

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Quatuor de Flûtes : 4 flûtes 1
3 Saxophones (trio) 1

Cuivres
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Trompettes (duo) 1
2 Tubas (duo) 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon 3
Alto seul 2
Contrebasse, Piano (duo) 1
Violoncelle (partie séparée) 1

Contre Basse 1
4 Contrebasses 1
Violoncelle, Piano 1
Trio à Cordes: violon, alto, violoncelle 1
Violon et Piano 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre de chambre 1
Orchestre 1

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C Bartok

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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2 partitions trouvées

Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet

Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
#Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #AVANCÉ #Contemporain #Bela Bartok #Ray Thompson #Bartók: Rumanian Folk Dances #SheetMusicPlus

Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Fol...(+)

Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by B�la Bart�k in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.

It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.

The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bart�k when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bart�k rarely ever used key signatures.

This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):

Bot t�nc / Jocul cu b�tand#259; (Stick Dance)The melody of the first movement, according to Bart�k, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;cs�v�s (present-day Ceuaand#537;u de C�mpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Br�ul (Sash Dance)The second movement is a typical dance from Romania called Br�ul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topog� / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsum� t�nc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Als�-Feh�r County (today Bucium, Alba county in Romania)
Rom�n polka / Poarga Rom�neascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Bel�nyes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Apr�z� / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Bel�nyes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.

$15.99 ≈ $21.99

Geometria

Geometria #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Kent Piper #a mirror image in sound #Geometria #RKPiper #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...(+)

Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.

$5.99 ≈ $8.24

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