Partitions Numériques de Counting Music pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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Counting Music
Non classifié 58

Piano & claviers
Piano, Voix et Guitare 158
Piano seul 77
Piano Facile 36
Piano, Voix 31
Instruments en Do 5

Piano grosses notes 3
Piano (partie séparée) 2
Piano Trio: piano, violon, violoncelle 1
Orgue 1
1 Piano, 4 mains 1
2 Pianos, 4 mains 1
Accompagnement Piano 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 82
Guitare 21
Paroles et Accords 17
Ligne De Mélodie, (Paroles) et Accords 17
Ukulele 14

Basse electrique 10
Mandoline 2
Basse électrique (partie séparée) 2
Guitare (partie séparée) 1
4 Guitares (Quatuor) 1

+ 5 instrumentations

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Voix
Chorale SATB 22
Chorale Unison 11
Chorale 2 parties 8
Chorale 3 parties 6
Voix seule 5

Chorale 5
Chorale SSAA 3
Voix Tenor 2
Chorale TTBB 2
Voix Soprano, Piano 1
Voix duo 1

+ 6 instrumentations

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Vents
Saxophone (partie séparée) 15
Clarinette (partie séparée) 12
Saxophone Tenor 10
Flûte traversière 9
Saxophone Alto 8

Clarinette 8
Saxophone Soprano 7
Flute (partie séparée) 4
Flûte, Hautbois, Clarinette, Basson 3
Quatuor de Saxophones: 4 saxophones 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Ensemble de Clarinettes 2
2 Clarinettes (duo) 2
Instruments en Mib 2
2 Flûtes traversières (duo) 2
Hautbois (partie séparée) 1
Trio de Flûtes: 3 flûtes 1
Flute, harpe et violon 1
Saxophone Soprano et Piano 1
Ensemble de Flûtes 1
Saxophone Alto et Piano 1
Saxophone Tenor et Piano 1
Flûte traversière et Piano 1
Hautbois 1

+ 19 instrumentations

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Cuivres
Trompette (partie séparée) 16
Trompette 11
Trombone 8
Trombone (partie séparée) 7
Cor 6

Cor (partie séparée) 4
2 Trompettes (duo) 3
Tuba (partie séparée) 3
Instruments en Sib 2
Tuba ou Euphonium ou Saxhorn 2
Bass Clef Instruments 2
Tuba et Piano 1
Quatuor de Cuivres 1
Instruments en Fa 1
Euphonium 1
Tuba 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 15
Violon 7
Harpe 6
Violon (partie séparée) 6
2 Violons (duo) 5

Alto seul 4
Violoncelle 4
Contrebasse (partie séparée) 3
2 Violoncelles (duo) 3
Trio à Cordes: violon, alto, violoncelle 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violoncelle, Piano 2
Alto (partie séparée) 2
Violon, Violoncelle (duo) 2
Violon et Piano 2
Alto, Piano 2
Trio à cordes 1
4 Violoncelles 1
2 Altos (duo) 1

+ 14 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 131
Orchestre à Cordes 23
Batterie 18
Percussion 6
Fanfare 6

Batterie (partie séparée) 5
Ensemble Jazz 4
Ensemble de cuivres 4
Cloches 3
Percussion (partie séparée) 2
Orchestre 2
Xylophone 2
Jazz combo 1
Bodhran 1

+ 9 instrumentations

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Autres
Théorie de la musique 3

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Counting Music

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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2 partitions trouvées

Ommateum for woodwind quintet

Ommateum for woodwind quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #Contemporain #Burton Goldstein #Ommateum for woodwind quintet #Burton Goldstein Music #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by...(+)

Woodwind Ensemble,Woodwind Quintet - SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by Burton Goldstein Music (A0.1035270). Tempo Changes in This PieceIf you are familiar with metric modulation, you probably can skip this note.Elliot Carter started using metric modulations in the 1940s, so what I have done is nothing new.Once you get the hang of it, it should be easier to get to the new tempo than having to just know what a metronome marking is supposed to sound like. Also you can get the true feel of the tempo changes.The tempi in this piece are related to each other so that in a sense, the tempo never changes.For ex., in m.22, count 8th notes and switch to 6/8. The tempo does not change in the sense that a quarter still equals 120, even if you are counting 8ths (at 240 bpm)If you were going to stay in 6/8 for a while, you could start to count 1 (2 3) 4 (5 6) thus counting dotted 8ths. If the 'beat' you are counting is dotted 8ths, you are therefore counting dotted quarter notes at 80 bpm.In that case you could also say the tempo is 'the same' as quarter note = 120 because 8th notes are the same speed.I confess m 64 is not so easy. After counting two bars in 3/8, count the next bar in 16th notes. While this is uncomfortably fast, it will make it possible to go into the 7/16 section at the perfect tempo. After counting to 7 a few bars, you may find it possible and convenient to count 4 + 3, emphasizing 1 (2 3 4 ) 5 (6 7).When you get to the next metric modulation, you can just emphasize the 1 and divide the bar into 7 equal parts.m 79 is different from the previous meter changes because the previous bar of 7/16 equals the duration of the new bar. So if you can count the 7/16 bars, after a while, in 1, you can count the new bars in 1 for a while. Then count it as indicated. So if the piece is too fast to play as is, just pick a different starting tempo. All the tempi in the piece should therefore automatically scale down. If there's any changes in notation I can make which will help you perform the piece, please let me know!

$14.99 ≈ 13.81€

Haunted Spot - Schumann - Woodwind Quintet

Haunted Spot - Schumann - Woodwind Quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE/AVANCÉ #Robert Schumann #Phil Beaman #Haunted Spot - Schumann - Wood #Phil Beaman #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 4 - SKU: A0.844501 Composed by Robert Schumann. Arranged by Phil Beaman. Rom...(+)

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 4 - SKU: A0.844501 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. 11 pages. Phil Beaman #3485501. Published by Phil Beaman (A0.844501). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Haunted Spot, which I have arranged for Instrumental Quintet. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Requires careful counting and close attention to rhythms, but sounds quite advanced and dramatic when all details are observed. A fun piece to show your technique and musicianship as a group in any concert. To be played with passion, excitement, and mystery...perfect for that Halloween program!2018 Chamber Music Contest Entry2 1/2 minutes, 6 pages score, 1 page @ parttemporary MIDI score for a general idea

$10.99 ≈ 10.12€

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