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Hard Place
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Seven Steps To Heaven
Seven Steps To Heaven
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Jazz
#
Miles Davis
#
Gerhard Guter
#
Seven Steps To Heaven
#
Gerhard Guter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.844239 By Miles Davis. By Miles Davis and Victor Feldman. Arranged by Gerhard Guter. Jazz. 49 pag...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.844239 By Miles Davis. By Miles Davis and Victor Feldman. Arranged by Gerhard Guter. Jazz. 49 pages. Gerhard Guter #3618999. Published by Gerhard Guter (A0.844239). The beloved Miles Davis / Victor Feldman composition and title track for the 1963 Columbia recording featuring Miles, George Coleman (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). This saxophone quintet with bass (electric is preferred, but upright could work) and drums opens with a funky hook figure and settles into a swinging, harmonized treatment of the melody. Chord changes are provided for the tenor sax soloist, who is accompanied by background figures performed by the other saxes. A challenging, Supersax-style soli takes place over the chord progression. A fun and lighthearted straight eighth waltz treatment of the melody gives way to swing and, finally, a return to the funky, swinging shuffle. A demo of the full soli section only is available at  http://gutermusic.com/Site/Writer.htmlDemos produced and performed by Gerhard Guter, using the Roland Aerophone A-10 digital wind instrument. Backing tracks available here:http://tiny.cc/inosuz
$39.99 ≈
36.19€
C Jam Blues for Recorder Quintet
C Jam Blues for Recorder Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Recorder Quint
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Keith Terrett
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Stand...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99 ≈
13.57€
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Ludwig van Beethoven
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Ray Thompson
#
Beethoven: Symphony No.8 in F
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95 ≈
13.53€
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