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Vous avez sélectionné:
In Silence
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
5 partitions trouvées
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1
The Sound Of Silence
The Sound Of Silence
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Simon And Garfunkel
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Benoit BARRAIL
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The Sound Of Silence
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Benoît Barrail
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BAR...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 17 pages. Benoît Barrail #966217. Published by Benoît Barrail (A0.1381506). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon) of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor à vent (flûte traversière, hautbois, clarinette et basson) de cette chanson indémodable.
$14.99 ≈
£11.37
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
£18.97
Schumann: Kinderscenen (Scenes from Childhood) (Complete) - wind quintet
Schumann: Kinderscenen (Scenes from Childhood) (Complete) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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Ray Thompson
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Schumann: Kinderscenen
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553922 Composed by Robert Schumann. Arranged by Ray Thompson. A ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553922 Composed by Robert Schumann. Arranged by Ray Thompson. A Cappella,Instructional,Romantic Period. 51 pages. RayThompsonMusic #6139535. Published by RayThompsonMusic (A0.553922). Kinderscenen /Kinderszenen Scenes from Childhood), Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.In Russia, a hummed choral a cappella version became known as mourning music, being played annually during the Minute of Silence on Victory Day.This is the complete work of 13 short pieces - Arranged for standard wind quintetClarinet parts in A/Bb provided.
$19.95 ≈
£15.14
Silent Durations IIa (a Zen experience)
Silent Durations IIa (a Zen experience)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Drake Mabry
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Silent Durations IIa
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Published by Drake ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Published by Drake Mabry (A0.799520). Silent Durations IIa (a Zen experience) is a version of Silent Durations II for woodwind quintet. The first movement is primarily monadic in nature with a few instances of duos and one trio passage. The second movement is a scherzo alternating between chordal passages and melodic fragments stretched over time. The third movement is an essay on the varying colors and moods of a single Eb. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The duration is 24'40. The work also exists as a quintet for mixed ensemble (Silent Durations II)
$7.99 ≈
£6.06
There You Go Then...
There You Go Then...
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Holland
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There You Go Then...
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John Holland
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.986931 Composed by John Holland. Contemporary. 45 pages. John Holland #2024649. Published by John...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.986931 Composed by John Holland. Contemporary. 45 pages. John Holland #2024649. Published by John Holland (A0.986931). As its title suggests, this quirky little piece gives everyone a chance to have their little 'moment', all the while playing 'catch the quavers' with each other; passing and throwing sounds like a childish playground game. A relentless pulse of notes trips through the texture and brief melodies and phrases introduce then excuse themselves, but occasional silences threaten to punch holes in the rhythm - who's turn is it to catch next, and will they succeed?
$20.00 ≈
£15.17
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