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Little People
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Vous avez sélectionné:
Little People
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Christmas Joy Medley for Wind Quintet
Christmas Joy Medley for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn, J
#
Stephanie Daige
#
Audiences are sure to love it
#
Christmas Joy Medley for Wind
#
Stephanie Daige
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Baroque,Christian,Christmas,Classical,Concert. 25 pages. Stephanie Daige #3674631. Published by Stephanie Daige (A0.796888). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. This triumphant medley is in the key of concert G major. Christmas carols featured are: • Hark! The Herald Angels Sing • O Come, All Ye Faithful • O Little One Sweet • Bring A Torch, Jeannette, Isabella • It Came Upon the Midnight Clear • O Little Town of Bethlehem • We Wish You a Merry Christmas I hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles. 2018 Holiday Contest Entry
$17.99 ≈
¥130.73
Wind Quintet - One Rule
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Mike Lyons
#
Wind Quintet - One Rule
#
Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
¥254.34
NURSERY RHYMES FOR WOODWIND QUINTET 2
NURSERY RHYMES FOR WOODWIND QUINTET 2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Vince Corozine
#
3
#
NURSERY RHYMES FOR WOODWIND QU
#
Vince Corozine
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1008706 Arranged by Vince Corozine. Contemporary,Instructional,Standards. 49 pages. Vince Corozin...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1008706 Arranged by Vince Corozine. Contemporary,Instructional,Standards. 49 pages. Vince Corozine #5330293. Published by Vince Corozine (A0.1008706). This arrangement contains three well-known nursery rhymes. 1. London Bridge (key F major -Eb major) 2. Long, Long Ago (alla breve Key F to Ab major) 3. Twinkle Twinkle Little Star ( C major, 6/8, ending with a swing version in 4/4 time, mm=152). FDF score 22 pages, PDF Instrumental parts 5 pages. Digital download: Length 5:16., Listening 5:16. It was arranged to give each instrument a challenging and interesting part, where each instrument has a taste of the melody one time or another. The arrangement consists of moving contrapuntal lines, imitation, pedal-points, suspensions, modulations, fugato sections, augmentation and diminution. The composition is arrangee for flute, oboe, Bb clarinet, horn in F, and bassoon (a Bb bass clarinet part is included in the event that a bassoon is not available. It is at the intermediate level, although the parts have lots of contrapuntal lines and independent playing. Suggested use: When I was teaching at the high school level, I would take small ensembles, such as this, to all the elementary and middle schools in our district. :These ensemble presentations were used for recruitment purposes.This arrangement of three well-known nursery rhymes can also be used by concert bands and wind ensembles, orchestra winds as a change of pace for added variety in programming, or for Young People's Concerts. They will bring a smile to the young at heart..
$14.95 ≈
¥108.64
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