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Vous avez sélectionné:
Office
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
11 partitions trouvées
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1
The Office - Theme
The Office - Theme
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
#
Jay Ferguson
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Liam McBride
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The Office - Theme
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Liam McBride
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1346250 Composed by Jay Ferguson. Arranged by Liam McBride. 21st...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1346250 Composed by Jay Ferguson. Arranged by Liam McBride. 21st Century,Chamber,Comedy,Film/TV,Pop. 8 pages. Liam McBride #931072. Published by Liam McBride (A0.1346250). Short arrangement of the theme song from the US Office. Optional Trombone part included as a possible substitution for the French Horn part.
$12.99 ≈
11.72€
The General’s & Flag Officer’s Marches (for Woodwind Quintet)
The General’s & Flag Officer’s Marches (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Anonymous
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Kenneth Abeling
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The General’s & Flag
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.514209 Composed by Anonymous. Arranged by Kenneth Abeling. March...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.514209 Composed by Anonymous. Arranged by Kenneth Abeling. March. 8 pages. LINCOLN MUSIC PUBLICATIONS #3057381. Published by LINCOLN MUSIC PUBLICATIONS (A0.514209). Ruffles & Flourishes and the “The General’s & Flag Officer’s Marchesâ€, transcribed here for Woodwind Quintet. Those in need of these pieces will know their purpose. To view and listen to this selection in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing time: 0:45
$9.99 ≈
9.01€
The Office - Theme
The Office - Theme
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Film/TV
#
Jay Ferguson
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Scott Grimaldi
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The Office - Theme
#
SheetMusicPlus
Composed by Jay Ferguson. Arranged by Scott Grimaldi. Contemporary. 18 pages. Scott Grimaldi #5852263. Published by Scott Grimaldi...
(+)
Composed by Jay Ferguson. Arranged by Scott Grimaldi. Contemporary. 18 pages. Scott Grimaldi #5852263. Published by Scott Grimaldi
$20.00 ≈
18.04€
TCHAIKOVSKY:RUSSIAN WINTER for wind quintet -1.Troika 2.Christmas 3.By the Hearth 4.Carnival-
TCHAIKOVSKY:RUSSIAN WINTER for wind quintet -1.Troika 2.Christmas 3.By the Hearth 4.Carnival-
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Ryuichi Horikoshi
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TCHAIKOVSKY:RUSSIAN WIN
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R1 Music Planning Office
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SheetMusicPlus
Arranged by Ryuichi Horikoshi. Romantic Period. Score and parts. 85 pages. R1 Music Planning Office #6710863. Published by R1 Music Planning Office...
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Arranged by Ryuichi Horikoshi. Romantic Period. Score and parts. 85 pages. R1 Music Planning Office #6710863. Published by R1 Music Planning Office
$32.00 ≈
28.86€
I Had Much Grief
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94 ≈
7.16€
From A Distance
From A Distance
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Bette Midler
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James Haynor
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From A Distance
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782281 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782281 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score and parts. 17 pages. James Haynor #4569515. Published by James Haynor (A0.782281). From a Distance is a song written in 1985 by American singer-songwriter Julie Gold. Gold was working as a secretary at the time for Home Box Office and writing songs in her free time. Scored here for woodwind quintet, it is a nice change of pace to your concert, recital or program. Duration: 4:28
$12.99 ≈
11.72€
Holst: Masters in this Hall (3 Carols H.133) - wind quintet
Holst: Masters in this Hall (3 Carols H.133) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Noël
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: Masters in this Hall
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1209582 Composed by Gustav Holst. Arranged by Ray Thompson. Chri...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1209582 Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582). This is my arrangement of Gustav Holst's arrangement.It is arranged for wind quintetThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols H133 (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.You can check out my arrangemet of this and other Marin Marais compositions here.
$14.95 ≈
13.48€
5 Classical Wedding Music for Woodwind Quintet
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99 ≈
54.10€
'allo 'allo
'allo 'allo
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Roy Moore
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Hugh Levey
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'allo 'allo
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937307 Composed by Roy Moore. Arranged by Hugh Levey. Contemporary,Film/TV. 17 pages. Woodwindly....
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937307 Composed by Roy Moore. Arranged by Hugh Levey. Contemporary,Film/TV. 17 pages. Woodwindly.com #6698025. Published by woodwindly.com (A0.937307). WIND QUINTET (Flute, Oboe, Clarinet, Horn, Bassoon) This charming and witty waltz was originally scored for accordion, bass and percussion, in the style of French café music. It was written by David Croft and Roy Moore as the theme tune for the BBC’s hit comedy series ‘Allo ‘Allo! Not only did Croft write the theme tune, but he was also the scriptwriter with writing partner Jeremy Lloyd. The original theme is a Fast Waltz, but this delicate and intricate wind quintet arrangement is best performed a little slower. This allows the detail and quirky harmonies to be savoured and enjoyed.The TV series ‘Allo ‘Allo with its iconic theme tune will be fondly remembered by anyone from the UK of a ‘certain age’, and by those who know it from the many repeats on cable and streaming channels. It was also broadcast in other parts of the world and ran for 9 series between 1984 and1992. The show was set in occupied France during the second world war and featured the café of René Artois. René had to contend with serving food and drink to the German officers in his café, while supporting members of the French resistance and concealing British spies. He also did his best to conceal his love affairs from his wife. The comedy was very much of its time but the music is especially delightful.Duration: 1 minutes 47 seconds
$13.50 ≈
12.18€
Downton Abbey Theme arranged for Woodwind Quintet
Downton Abbey Theme - Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film/TV
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John Lunn
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Andrew Middleton
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Downton Abbey Theme - Woodwind
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - By John Lunn. Arranged by Andrew Middleton. Score, Set of Parts. 20 pag...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - By John Lunn. Arranged by Andrew Middleton. Score, Set of Parts. 20 pages. Published by Andrew Middleton
First an award winning UK TV series and now set to be a smash hit at the box office, the Theme from Downton Abbey arranged for Woodwind Quintet. This arrangement is ideal for any intermediate wind ensemble and a perfect show stopper for any concerts!
For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/
$14.99 ≈
13.52€
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