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St. Thomas
Sheetmusicplus
Non classifié
65
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--INSTRUMENTS--
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Vous avez sélectionné:
St. Thomas
SheetMusicPlus
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
6 partitions trouvées
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1
St. Louis Blues - Wind Quintet
St. Louis Blues - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Blues
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W
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Thomas Graf
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St. Louis Blues - Wind Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.569033 Composed by W.C. Handy. Arranged by Thomas Graf. Blues,Ja...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.569033 Composed by W.C. Handy. Arranged by Thomas Graf. Blues,Jazz. 17 pages. Thomas Graf - the-hit-factory.com #3558705. Published by Thomas Graf - the-hit-factory.com (A0.569033). The first blues ever sucessfully published - a real must for your band book. Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N....
$14.99
Have yourself a merry little Christmas from MEET ME IN ST. LOUIS - Wind Quintet
Have yourself a merry little Christmas from MEET ME IN ST. LOUIS - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Noël
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Frank Sinatra
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Thomas Graf
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Have yourself a merry little C
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
By Frank Sinatra. Arranged by Thomas Graf. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com (H0.144769-313201). - Score,Set of Part...
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By Frank Sinatra. Arranged by Thomas Graf. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com (H0.144769-313201). - Score,Set of Parts - - Thomas Graf - the-hit-factory.com
$18.49
Fest Fanfare - Classical Festive Fanfare - Opener - Wind Quintet
Fest Fanfare - Classical Festive Fanfare - Opener - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Graf
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Thomas Graf
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Fest Fanfare - Classical Festi
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by Thomas Graf. Arranged by Thomas Graf. Classical Period, Christmas, St. Patrick's Day, Birthday, Wedding. Score, Set of Parts. 17 pages. Published by...
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Composed by Thomas Graf. Arranged by Thomas Graf. Classical Period, Christmas, St. Patrick's Day, Birthday, Wedding. Score, Set of Parts. 17 pages. Published by Thomas Graf - the-hit-factory.com (S0.113315). - Score,Set of Parts - Classical Period,Christmas,St. Patrick's Day,Birthday,Wedding - Thomas Graf - the-hit-factory.com
$16.99
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Wind Quintet
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Blues
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Traditional
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Thomas Graf
#
Muss i denn, muss i denn, zum
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.568475 Composed by Traditional. Arranged by Thomas Graf. Folk,Mu...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.568475 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Pop,World. 15 pages. Thomas Graf - the-hit-factory.com #2961063. Published by Thomas Graf - the-hit-factory.com (A0.568475). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too!   Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon             Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                               Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic  New catalogue includedVideo: https://www.youtu.be/n-PT_8PwCmo
$14.99
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Wind Quintet
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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Muss i denn, muss i denn, zum
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by Traditional. Arranged by Thomas Graf. For Flute,Oboe,Clarinet,Bassoon,Woodwind Quintet,Horn in F. World,Folk,Pop,Anniversary,Birthday. Intermediate....
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Composed by Traditional. Arranged by Thomas Graf. For Flute,Oboe,Clarinet,Bassoon,Woodwind Quintet,Horn in F. World,Folk,Pop,Anniversary,Birthday. Intermediate. Score,Set of Parts. 15 pages. Published by Thomas Graf - the-hit-factory.com
$14.99
I Had Much Grief
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
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