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Warm Up in D for CLARINET
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
Warm Up in D for CLARINET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
Top 5 Best Classic Marches for Woodwind Quintet
Top 5 Best Classic Marches for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Philip Sousa, Tchaikovski, C
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Top 5 Best Classic Marches for
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SheetMusicPlus
Composed by Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet. Romantic Period, European, Native American, Graduation, Patriotic. Score, Set of Par...
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Composed by Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet. Romantic Period, European, Native American, Graduation, Patriotic. Score, Set of Parts. 105 pages. Published by Woods Only
This collection brings together 5 of the best marches in classical music, moving between triumphal, symphonic, sad and Christmas. Containing all levels of music, from beginners to professionals, they can be performed at various musical or ceremonial occasions or events.
I. The Stars and Stripes Forever by J. Philip Sousa
This transcription was written preserving the essence and creativity of the original piece written for wind band, ideal for the 4th of July holiday and other patriotic celebrations, due to the fact that it is considered "the second national anthem of the United States". It can be played by intermediate students as well as teachers and music professionals on the occasions of recitals and concerts.
II. March from The Nutcracker by Pyotr Tchaikovsky, Op. 71
The exciting march of the Nutcracker that warms up the Christmas festivities in a version for wood quintet that preserves the essence of the original version. It can be played by experienced and professional students, not recommended for beginners, mentioned above, it can be played at Christmas or recitals and concerts.
III. The Funeral March from Piano Sonata No. 2 by Frédéric Chopin, Op. 35
Beautiful and haunting, memorable music by Chopin in an original and authentic version for wood quintet, ideal for funeral and memorial services for relatives, friends or near loved ones. It can be performed by music beginners or professionals in the area, where it can be used in recitals or professional or academic concerts.
IV. Military March No. 1 from 3 Marches Militaires by Franz Schubert, Op. 51
Schubert's fun march in this version for wood quintet where it preserves the original essence of the work, can be played by intermediate and professional students. It is fully recommended for public, famous and military performances; not only, but also in concert halls.
V. Marche des contrebandiers "Écoute, compagnon" from Carmen by Georges Bizet
The "Marche des Contrebandiers" or "Écoute, compagnon" (Smugglers' March) is the first movement of suite no. 2 of the opera Carmen. This version made for woodwind quintet preserves the essence of the original work, where it can be played by intermediate students and professional teachers. It is recommended for recitals and academic or professional concerts.
$42.99
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