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A Poem Of Thought No. 1
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Vous avez sélectionné:
A Poem Of Thought No. 1
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Partitions à imprimer
4 partitions trouvées
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Barnby - O Perfect Love in E Flat Major - Easy
Barnby - O Perfect Love in E Flat Major - Easy
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Chorale SATB
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DÉBUTANT
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Sir Joseph Barnby
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Piacere Music Sheets
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Modern, No
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Barnby - O Perfect Love in E F
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Piacere Music Sheets
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1178491 Composed by Sir Joseph Barnby. Arranged by Piacere Music Sheets. A Cappella,Instructional,Romantic Perio...
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Choral Choir (SATB) - Level 1 - SKU: A0.1178491 Composed by Sir Joseph Barnby. Arranged by Piacere Music Sheets. A Cappella,Instructional,Romantic Period,Standards,Wedding. Octavo. 10 pages. Piacere Music Sheets #778456. Published by Piacere Music Sheets (A0.1178491). Opus/Catalog Number: From Hymn TunesKey/Tone: E-Flat MajorYear/Date of Composition: 1897Â Difficulty: Grade 3/12 (Easy)Obs.: This piece is also know as All Human Thought Transcending - Hymn for Holy Matrimony. The poem was written by Dorothy Frances Gurney in 1883. It is a hymn for Holy Matrimony, written by Gurney for her sister's marriage in 1883.At that moment, it was intended to be sung to Strength and Stay, in Hymns Ancient & Modern, No. 12.In 1889, Gurney's hymn was set to an anthem by Sir Joseph Barnby for the marriage of the Duke of Fife with the Princess Louise of Wales, on July 27, 1889.This arrangement is made for Choir SATB: Soprano, Alto, Tenor and Bass.Included:Â Full score and individual parts.
$1.99
O Come All Ye Faithful for Piano Quartet
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Come All Ye Faithful for Piano Trio
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
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Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Monster Music Journal by Pearl and Eddie Lewis
Monster Music Journal by Pearl and Eddie Lewis
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Enfant
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl
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Tiger Music
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by ...
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Small Ensemble - Level 1 - SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
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