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472 partitions trouvées
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The False Lover Won Back (as played by the Gaelic Brass)
The False Lover Won Back (as played by the Gaelic Brass)
#
Scottish Ballad
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Liza Zumbrunnen
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The False Lover Won Back
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Liza Zumbrunnen
#
SheetMusicPlus
Brass Ensemble Baritone Horn TC,Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1087156 Composed by Scottish Ballad. Arranged by Liza Zumbrunnen. Celtic,...
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Brass Ensemble Baritone Horn TC,Euphonium,Trombone,Trumpet - Level 2 - SKU: A0.1087156 Composed by Scottish Ballad. Arranged by Liza Zumbrunnen. Celtic,Classical,Folk,Irish,Multicultural,Traditional,World. Score and parts. 6 pages. Liza Zumbrunnen #691357. Published by Liza Zumbrunnen (A0.1087156). The False Lover Won Back (Child ballad 218 and Roud 201) is my favorite folk ballad. This arrangement is the one performed by the Gaelic Brass with the instrumentation of two trumpets and a baritone. Both bass clef and treble clef of the baritone are provided with this purchase. The Trumpet 1 part has all the words for if you would like to sing the melody with the trumpet (or in place of the 1st trumpet).
$3.99 ≈
£3.03
The False Bride
The False Bride
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Jonathan Chapter
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The False Bride
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Jonathan Chapter
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.954475 Composed by Jonathan Chapter. 20th Century. Recorder Ensemble. 4 pages. Jonathan Chapter #3229663. Published by Jona...
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Recorder - Level 2 - SKU: A0.954475 Composed by Jonathan Chapter. 20th Century. Recorder Ensemble. 4 pages. Jonathan Chapter #3229663. Published by Jonathan Chapter (A0.954475). A traditional folk tune arranged for the recorder players of the U3A in Maidstone. For descant, treble (alto) and tenor recorders.
$5.00 ≈
£3.79
Shoot, False Love, I Care Not
Shoot, False Love, I Care Not
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Thomas Morley
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Roberto GarcÃa
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Shoot, False Love, I Care Not
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apt4guitar
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.789515 Composed by Thomas Morley. Arranged by Roberto GarcÃa. Instructional,Renaissance. Score and parts. ...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.789515 Composed by Thomas Morley. Arranged by Roberto GarcÃa. Instructional,Renaissance. Score and parts. 9 pages. Apt4guitar #4888707. Published by apt4guitar (A0.789515). from Balletts to Five Voyces, Book 1 (No.2)
$8.50 ≈
£6.45
Coventry Carol
Coventry Carol
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Chorale SATB
#
FACILE
#
Traditional
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Lloyd Buck
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Coventry Carol
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Lloyd Buck
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1304503 Composed by Traditional. Arranged by Lloyd Buck. Advent,Christmas,Holiday,Religious,Traditional. ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1304503 Composed by Traditional. Arranged by Lloyd Buck. Advent,Christmas,Holiday,Religious,Traditional. 2 pages. Lloyd Buck #893995. Published by Lloyd Buck (A0.1304503). There are two generally known versions of Coventry Carol, the often performed 4 part version arranged by Martin Shaw, and the original 1591 version, which is only in 3 parts.Musically, I always preferred the 1591 version, with it's false relations and irregular metre. Unfortunately, when you direct a SATB choir, this is not so easily performed, and directors by default perform the Shaw arrangement. I therefore arranged the 3 part harmonisation of 1591 into 4 parts, keeping the irregular metre and false relations of the original, whilst filling in some of the harmony. The result is a version which works in 4 parts, but keeps the feel of the original 1591 setting.
$1.99 ≈
£1.51
Away in a Manger
Away in a Manger
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Chorale TTBB
#
FACILE
#
Noël
#
Brad Meader
#
Away in a Manger
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Brad Meader
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.927224 Arranged by Brad Meader. A Cappella,Christian,Christmas,Praise & Worship,Sacred,Spiritual. Octavo. 6 page...
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Choral Choir (TTBB) - Level 2 - SKU: A0.927224 Arranged by Brad Meader. A Cappella,Christian,Christmas,Praise & Worship,Sacred,Spiritual. Octavo. 6 pages. Brad Meader #3636251. Published by Brad Meader (A0.927224). This is an all-male a cappella arrangement of the Christmas song The First Noel. This piece will be easy to learn for any experienced musicians while still incorporating creative and exciting elements, making it a perfect piece for any quartet or larger group. It is characterized by enchanting dissonances and soothing rhythms. This piece is TTBB (without divisi or a separate solo). It features solo lines by the top tenor and bass. The performance time is approx. 2:20. Tenor 1 range: F4-G5 (with C6 in falsetto). Tenor 2 range: (F4-F5 (with A5 in falsetto). Baritone range: C4-D5 (with F4 in falsetto). Bass range: F3-C5.
$4.51 ≈
£3.42
Blue Moon
Blue Moon
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Chorale TTBB
#
FACILE
#
Elvis Presley
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Thomas J
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Blue Moon
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Thomas J. West
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.928359 By Elvis Presley. By Richard Rodgers. Arranged by Thomas J. West. A Cappella,Rock. Octavo. 7 pages. Thoma...
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Choral Choir (TTBB) - Level 2 - SKU: A0.928359 By Elvis Presley. By Richard Rodgers. Arranged by Thomas J. West. A Cappella,Rock. Octavo. 7 pages. Thomas J. West #5828197. Published by Thomas J. West (A0.928359). This TTBB a cappella arrangement with a tenor lead vocal is written as an homage to the beloved recording by The Marcels. It's the perfect song to introduce a high school tenor-bass ensemble to doo wop style and begs for finger snaps on beats 2 and 4. There's an optional upper harmony to go with the lead during the outro. This arrangement was originally performed by The Dreamers of Phi Mu Alpha a cappella group at Penn State University and taught completely by rote. Bass range is G2 to G3. Tenor 1 sits comfortably in falsetto on G4, F#4, and one A4. The lead and optional harmony have some Frankie Valli style melismas in the outro that range up to falsetto D5 and E5. www.thomasjwestmusic.com .
$1.99 ≈
£1.51
False God by Taylor Swift - Easy Piano
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Piano Facile
#
FACILE
#
Taylor Swift
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False God
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Musicnotes
Performed by: Taylor Swift: False God Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: P...
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Performed by: Taylor Swift: False God Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 4 pages -- Pop~~Synth-pop~~Electronica
$4.99 ≈
£3.79
Amazing Grace
Amazing Grace
#
Fanfare
#
FACILE
#
Miles Marashi
#
Miles Marashi
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Amazing Grace
#
Miles Marashi
#
SheetMusicPlus
Marching Band - Level 2 - SKU: A0.1475379 Composed by Miles Marashi. Arranged by Miles Marashi. Christian,Classical,Historic. 17 pages. Miles Marashi #1...
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Marching Band - Level 2 - SKU: A0.1475379 Composed by Miles Marashi. Arranged by Miles Marashi. Christian,Classical,Historic. 17 pages. Miles Marashi #1052951. Published by Miles Marashi (A0.1475379). Amazing Grace is a well known American Christian song that shows the grace of Christians to let down barriers that may seem to be in the way. We learn from Grace to persevere and not let false ideas about gender and race stop our dreams. This example, arranged by Marashi, brings out melody to the whole ensemble, brings out beautiful harmonic melodies, and brings the music angelically to your ears. This song is written as a MARCHING BAND ENSEMBLE PIECE, not including percussion. I hope that you think about this piece and show it to your ensemble with joy!
$34.99 ≈
£26.55
Maggie After The Ball
Maggie After The Ball
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Piano, Voix
#
FACILE
#
A Popular Parody of Charles K
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Jamie H
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Maggie After The Ball
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Jamie H. Whittier
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1478300 By A Popular Parody of Charles K. Harris' After the Ball. By Unknown. Arranged by Jamie H. Whittier. 19th ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1478300 By A Popular Parody of Charles K. Harris' After the Ball. By Unknown. Arranged by Jamie H. Whittier. 19th Century,Comedy,Historic. Score. 1 pages. Jamie H. Whittier #1055677. Published by Jamie H. Whittier (A0.1478300). Maggie After the Ball is a humorous parody of the popular 1891 song After the Ball, which was composed by Charles K. Harris. The parody version you mentioned, which includes lyrics about Maggie's false teeth and glass eye, is an example of how popular songs are often transformed into comedic versions by various artists and performers over time. The original song by Charles K. Harris was a huge hit in its time and became one of the best-selling sheet music of the 19th century. This version is the version my grandmother remembers!
$2.99 ≈
£2.27
Sappho's Hymn to Venus
Sappho's Hymn to Venus
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Piano, Voix
#
FACILE
#
John Sheeles
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Konrad Harley (1986-)
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Sappho's Hymn to Venus
#
Konrad Harley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1454233 Composed by John Sheeles (1688-1761). Arranged by Konrad Harley (1986-). Baroque. Score. 3 pages. Konrad H...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1454233 Composed by John Sheeles (1688-1761). Arranged by Konrad Harley (1986-). Baroque. Score. 3 pages. Konrad Harley #1033365. Published by Konrad Harley (A0.1454233). Based on the melody by John Sheeles (1688-1761) in The Musical Miscellany, Vol. IV (London: John Watts, 1730), p. 88. Arranged by Konrad Harley (1986-), 2024. Words by Sappho (c.630 – c.570 BCE), tr. Ambrose Philips (1674–1749).Text: O Venus! Beauty of the Skies,To whom a thousand Temples rise;Gaily false in gentle Smiles,Full of Love-perplexing Wiles;O Goddess! from my Heart removeThe wasting Cares and Pains of Love;The wasting Cares and Pains of Love.Thou once didst leave Almighty Jove,And all the Golden Roofs above:The Car thy wanton Sparrows drew,Hov'ring in Air they lightly flew;As to my Bow'r they wing'd their way,I saw their quiv'ring Pinions play,I saw their quiv'ring Pinions play.Celestial Visitant, once moreThy needful Presence I implore!In Pity, come and ease my Grief,Bring my distemper'd Soul Relief;Favour thy Suppliant's hidden Fires,And give me all my Heart desires,And give me all my Heart desires.
$3.00 ≈
£2.28
A Babe is Born (Flexible Version - Score Only)
A Babe is Born (Flexible Version - Score Only)
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Piano, Voix
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FACILE
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Robert A
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A Babe is Born
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Robert A. Howard
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1404787 Composed by Robert A. Howard. 21st Century,Advent,Chamber,Christmas,Praise & Worship. Score. 3 pages. Robe...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1404787 Composed by Robert A. Howard. 21st Century,Advent,Chamber,Christmas,Praise & Worship. Score. 3 pages. Robert A. Howard #987851. Published by Robert A. Howard (A0.1404787). This Carol deliberately references early music in its style and character. A catchy, rocking, folk-like melody in compound time is harmonised with alternating minor/major tonality, false relations, and a striding bass line. The anonymous text is from the 15th century. This flexible version is for solo or unison voices, with piano/organ/keyboard and 4 instrumental parts. This document is the score only.Duration: 2 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49 ≈
£1.89
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
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Cloches
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FACILE
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Musique Sacrée
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Frank M
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G
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Ar...
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Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00 ≈
£3.03
Start Over Soca
Start Over Soca
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Ensemble de Percussions
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FACILE
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Adam Grim
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Start Over Soca
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam...
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Percussion Ensemble - Level 2 - SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam B. Grim (A0.939357). Start Over Soca is a soca that features the quick hands of the lead players. Many notes are repeated to create a falling or rising effect. The moving bass line will surely sound solid and the cellos and double seconds will have a fun time with the short features they get in the transition sections of the piece. In the middle, there is a false ending, which starts the beginning over again and plays a modified finale (Hence the Start Over Soca).
$35.00 ≈
£26.56
Never Gonna Give You Up
Never Gonna Give You Up
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Pop musique
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Rick Astley
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Ellen Harle
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Never Gonna Give You Up
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Fireworks Music
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.802879 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterm...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.802879 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Ellen Harle. Pop. Score and parts. 21 pages. Fireworks Music #409853. Published by Fireworks Music (A0.802879). Made popular in the past decade, the rickroll is a classic bait and switch prank, whereby someone is tricked into listening to Rick Astley's Never Gonna Give You Up when expecting something different. Your students will love to Rickroll their audience! This arrangement starts with a snippet of Pachelbel's timeless Canon in D, to lull the audience into a false sense of seriousness - the bass plays the usual cello part here, with the cello leading the canon. After a few bars, we pause on a dominant chord, before launching into the upbeat strains of this classic 80's pop anthem. To leave out the prank, just omit the first two lines, and commence from rehearsal mark A. Arranged into D major for ease of playing. Cello, bass and viola parts include limited position work. The melody is passed between parts with the exception of the double bass, who opens the Pachelbel's Canon in D snippet. Included in purchase is the score and all parts, including Violin 3 (Viola part in treble clef). A great piece for school age students.
$12.99 ≈
£9.86
Corn Maze
Corn Maze
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Miriam Troxler
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Corn Maze
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Miriam Troxler
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1294207 Composed by Miriam Troxler. Chamber,Children,Halloween,Instructional. 2 pages. Miriam Troxler...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1294207 Composed by Miriam Troxler. Chamber,Children,Halloween,Instructional. 2 pages. Miriam Troxler #884631. Published by Miriam Troxler (A0.1294207). A spooky waltz, Corn Maze celebrates fall. It is a round in F Minor. A false harmonic is used in the upper string parts. The violin and the viola parts double for smaller ensembles. An optional piano part is included for rehearsal convenience.
$3.99 ≈
£3.03
Phrases Warmup (Chords Around One Note)
Phrases Warmup (Chords Around One Note)
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Piano, Voix
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FACILE
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Cody Weinmann
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Phrases Warmup
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Cody Weinmann
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.835107 Composed by Cody Weinmann. Instructional. Score. 7 pages. Cody Weinmann #3895817. Published by Cody Weinman...
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Piano,Vocal,Voice - Level 2 - SKU: A0.835107 Composed by Cody Weinmann. Instructional. Score. 7 pages. Cody Weinmann #3895817. Published by Cody Weinmann (A0.835107). This warm-up is for all singers who need some help with singing one note amidst harmonies or chords. The goal of this warmup is to: 1) Help distinguish different notes in each chord. 2) Learn the Chromatic scale. The warmup goes up by half steps. 3) To increase airflow and control while singing and to exercise the diaphragm. Hints: Sing easy or in falsetto at the start of practicing. Then, as practice gets more involved, sing more strongly with more presence in the chest and head voice.This is perfect for beginning and intermediate singers mostly. Advanced singers could use it for its chromatic nature. Get this if you need help with melody or harmony and finding parts of harmony in music.
$3.99 ≈
£3.03
Ol' Man River
Ol' Man River
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Chorale TTBB
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FACILE
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Jerome Kern and Oscar Hammerst
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Ol' Man River
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Dominic Caudill
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.518711 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Brian Wilson and Dominic Caudill. A Cappella,B...
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Choral Choir (TTBB) - Level 2 - SKU: A0.518711 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Brian Wilson and Dominic Caudill. A Cappella,Broadway,Folk,Musical/Show,Spiritual,Traditional. Octavo. 1 pages. Dominic Caudill #129423. Published by Dominic Caudill (A0.518711). Recorded in 1968 and released as a bonus track to the Friends and 20/20 albums, the Beach Boys' rendition of the classic Ol' Man River is serene and simple, yet deeply emotional and beautiful. Trademark soft soaring falsetto with flexible bass and a singular perfectly placed non-diatonic chord insertion, this arrangement is suited best for barbershop quartets or men's ensembles.
$2.00 ≈
£1.52
Farther Along
Farther Along
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Chorale TTBB
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FACILE
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J
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Paul A
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Farther Along
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522451 Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522451 Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6184003. Published by Paul A. Jorg (A0.522451). William B. Stevens was born in 1862 in the Lawnridge community of Scotland County, Missouri. All through his life, he suffered many hardships including his father being falsely arrested and serving some prison time during his teens. He became a minister of the gospel until death, dying a year after his wife in the early 1940s. All of their babies died before them, some as small children, one Waldo at 19, and a daughter who may have lived a little longer. This may have shaped the feelings expressed in this song. This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59 ≈
£3.48
Zombie Jamboree (back To Back)
Zombie Jamboree (back To Back)
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Chorale TTBB
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FACILE
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Conrad Eugene Mauge, Jr
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Thomas J
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Zombie Jamboree
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Thomas J. West
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.928369 Composed by Conrad Eugene Mauge, Jr. Arranged by Thomas J. West. A Cappella. Octavo. 11 pages. Thomas J. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.928369 Composed by Conrad Eugene Mauge, Jr. Arranged by Thomas J. West. A Cappella. Octavo. 11 pages. Thomas J. West #5896807. Published by Thomas J. West (A0.928369). This arrangement is based on a version of the song performed by The Dreamers of Phi Mu Alpha at Penn State University, originally inspired by the Rockapella recording. It has a tenor lead vocal with TTBB voicing and optional vocal percussion. It's a song known by many in the world of contemporary a cappella, and this version has a fun Reggae feel section during the third verse. Easily performable by a high school all-male vocal group. The bass part range is Eb2 to Ab3. The Tenor 1 range is Eb4 to Bb5 (falsetto). www.thomasjwestmusic.com.
$4.99 ≈
£3.79
The Chipmunk Song
The Chipmunk Song
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Chorale 2 parties
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FACILE
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Alvin And The Chipmunks
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Robert Strauss
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The Chipmunk Song
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Robert Strauss
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1088443 By Alvin And The Chipmunks. By Ross Bagdasarian Jr. Arranged by Robert Strauss. Christmas,Pop. Octavo. 4 p...
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Choral Choir (TB) - Level 2 - SKU: A0.1088443 By Alvin And The Chipmunks. By Ross Bagdasarian Jr. Arranged by Robert Strauss. Christmas,Pop. Octavo. 4 pages. Robert Strauss #692714. Published by Robert Strauss (A0.1088443). A humorous arrangement for TBB chorus, allowing them to explore their falsettos. The main song starts in m.24, which would work in performance as well.
$1.99 ≈
£1.51
Lost Stars
Lost Stars
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Rock
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Maroon 5
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Marco Polo C
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Lost Stars
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881019 By Maroon 5. By Danielle Brisebois, Gregg Alexander, Nick Lashley, and Nick Southwood. A...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881019 By Maroon 5. By Danielle Brisebois, Gregg Alexander, Nick Lashley, and Nick Southwood. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6518939. Published by MARCO POLO IGNACIO (A0.881019). Lost Stars is an original song performed by Maroon 5 frontman Adam Levine for the romantic comedy-drama film Begin Again. It was released on June 23, 2014, through ALXNDR, 222 Records, Polydor, and Interscope in the United States.The song was written and produced by Gregg Alexander, Danielle Brisebois, Nick Lashley and Nick Southwood. It was recorded in New York City at Electric Lady Studios in mid-2012. Lost Stars also includes two versions, one for actress Keira Knightley and the other by Levine titled Into the Night Mix, which are included on the film's soundtrack, with the original version appearing on the deluxe edition of Maroon 5's fifth studio album V (2014). Levine is also noted for his falsetto usage in the chorus.
$4.99 ≈
£3.79
Git Along Little Dogies [SA(T)B]
Git Along Little Dogies [SA(T)B]
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Chorale SATB
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FACILE
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
£1.59
Patios de Córdoba
Patios de Córdoba
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Guitare
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FACILE
#
Traditional
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Richard Hirsch
#
Patios de Córdoba
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Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
£3.03
Perfect
Perfect
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Chorale TTBB
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FACILE
#
Pop musique
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Ed Sheeran
#
Timorell
#
Perfect
#
Timorell
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.501984 By Ed Sheeran. By Ed Sheeran. Arranged by Timorell. A Cappella,Contemporary,Pop,Wedding. 10 pages....
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.501984 By Ed Sheeran. By Ed Sheeran. Arranged by Timorell. A Cappella,Contemporary,Pop,Wedding. 10 pages. Timorell #3585509. Published by Timorell (A0.501984). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An intermediate level cover very similar to the original pop song though featuring a male duet with gender appropriate words. Ready for use in a gay male-identifying wedding. Vocal Percussion is highly encouraged, though not notated, for a fully developed production. Range: low - (tessitura) – highSolo 1: D3 - (E4) - G4 (opt. B4 falsetto riff)Solo 2: D3 - (B3) - E4T1: Bb3 - (E4) - G4 T2: G3 - (B3) - E4 Bari: E3 - (G3) - B3Bass: E2 - (D3) - G3
$2.00 ≈
£1.52
Ave Maria De Caccini
Ave Maria De Caccini
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Voix haute
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FACILE
#
Carl Prentice Marsh and Joseli
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Stephen DeCesare
#
Ave Maria De Caccini
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Exultet Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical...
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High Voice,Vocal Solo - Level 2 - SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical,Contemporary,Sacred,Wedding. 3 pages. Exultet Music #4286325. Published by Exultet Music (A0.623091). This piece which was falsely attributed to the Renaissance composer - Guilio Caccini is based on the original Vladimir Vavilov composition who is the actual composer of this piece. This piece has been recorded by singers such as Andrea Bocelli and Charlotte Church. This arrangement is for High Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at various occasions throughout the liturgical year (such as funerals or weddings) but especially when the theme is about the Blessed Virgin Mary.
$4.99 ≈
£3.79
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