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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.69€
Promptement, levez-vous, mon voisin (Neighbour, get up!)
Promptement, levez-vous, mon voisin (Neighbour, get up!)
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Chorale 3 parties
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FACILE
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Traditional Poitou, France
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Sylvia Miles
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Heaven has the victory
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Promptement, levez-vous, mon v
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Sylvia Miles
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1112802 By Traditional Poitou, France. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Early Music,Folk,Mult...
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Choral Choir (SAB) - Level 2 - SKU: A0.1112802 By Traditional Poitou, France. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Early Music,Folk,Multicultural,Praise & Worship,World. Octavo. 9 pages. Sylvia Miles #714767. Published by Sylvia Miles (A0.1112802). This ancient carol comes originally from the Poitou region of France, and it's not difficult to imagine it as a dance, like many early carols. The singer says: Get up, neighbour, get going, run, see the baby in the crib - God is born on earth. Choose the very best of your flock, neighbour, and give it with all your heart to Joseph and Mary. Hell is finished; Heaven has the victory. Neighbour, let's sing the praises of the long awaited Messiah. The harmonies are deceptively simple, and from time to time deliberately dissonant, in keeping with ancient modal music styles. (The scoring is SAB - I taught it to my French choir, and as for many 3 part choirs, it's actually S/A/ deep voices!).
$2.99 ≈
2.76€
Come, All Christians, Be Committed (for 12 handbells)
Come, All Christians, Be Committed (for 12 handbells)
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The Sacred Harp, 1844
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Linda Scholes
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Come, All Christians, Be Commi
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Linda Scholes Music
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.800956 Composed by The Sacred Harp, 1844. Arranged by Linda Scholes. Folk,Sacred. Score and parts. 4 pages. Linda Sch...
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Small Ensemble - Level 2 - SKU: A0.800956 Composed by The Sacred Harp, 1844. Arranged by Linda Scholes. Folk,Sacred. Score and parts. 4 pages. Linda Scholes Music #5856365. Published by Linda Scholes Music (A0.800956). The well-known hymn tune, BEACH SPRING, is arranged by Linda Scholes for a 12-handbell ensemble. The Appalachian feel will delight your audience and adds a bright, pleasing touch to the arrangement. It is a 3-octave piece, is rated early intermediate in difficulty level, and is approximately 2 minutes long, making it a perfect choice to put together easily with a fewer number of ringers. The piece will be able to fill many different portions within a church service, as a prelude, offertory, or special music and will also make a nice concert selection for a smaller ensemble. This is a reproducible arrangement. The purchaser is given permission to make up to a total of 7 copies for one bell choir only and may use the piece for livestream purposes.
$10.00 ≈
9.24€
Call to Glory
Call to Glory
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Trompette
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FACILE
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Kenneth Baird
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Call to Glory
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Kenneth Baird Music
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SheetMusicPlus
Trumpet Solo - Level 2 - SKU: A0.726375 Composed by Kenneth Baird. 20th Century,Standards. Individual part. 8 pages. Kenneth Baird Music #20311. Publish...
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Trumpet Solo - Level 2 - SKU: A0.726375 Composed by Kenneth Baird. 20th Century,Standards. Individual part. 8 pages. Kenneth Baird Music #20311. Published by Kenneth Baird Music (A0.726375). A bold opening, a gorgeous Andante, and an impressively supportive piano accompaniment highlight this solo for the young trumpet player. The contemporary harmonies in the piano accompaniment help give this solo a much more mature sound than most solos at this level. While musically substantial enough to be suitable for younger high school players, Call to Glory's modest technical demands make it suitable for middle school and junior high school trumpet players. Upper range is only up to concert D (4th space E for the Bb trumpet) with one optional concert Eb. Rhythms include eighth, quarter, half, and whole notes and rests (no 16th notes, dotted quarter or dotted eighth notes, or syncopation...yet, this is a very mature-sounding work). Trumpet solo with piano accompaniment. An excellent choice for contest or studio recital! (Grade 2).
$6.95 ≈
6.43€
Don't Give Up On Us
Don't Give Up On Us
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Piano seul
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FACILE
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Contemporain
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David Soul
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L
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it stayed four weeks at No
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Don't Give Up On Us
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Lodrino C Montealto
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.906205 By David Soul. By Tony MacAuley. Arranged by L. C. Montealto. Contemporary. Score. 5 pages. Lodrino C Montealto #6...
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Piano Solo - Level 2 - SKU: A0.906205 By David Soul. By Tony MacAuley. Arranged by L. C. Montealto. Contemporary. Score. 5 pages. Lodrino C Montealto #6264785. Published by Lodrino C Montealto (A0.906205). Don't Give Up On Us, was a Worldwide Smash Top Hit of the 70s; it stayed four weeks at No. 1 on the UK Singles Chart, No. 1 in US Billboard Chart for weeks as well; it has been covered by many Artists through the years and generations making it an all time favorite love song. A song brilliantly crafted by Tony Macaulay; as it captivates the heart and soul the first time you hear it. It's in easy to intermediate Piano in music sheet. David Soul was also known for the Hit TV Series Starsky & Hutch.
$4.99 ≈
4.61€
I Won't Give Up
I Won't Give Up
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Rock
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Jason Mraz
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Marco Polo C
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I Won't Give Up
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MARCO POLO IGNACIO
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.880847 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake ...
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C Instrument - Level 2 - SKU: A0.880847 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6104735. Published by MARCO POLO IGNACIO (A0.880847). I Won't Give Up is a song by American singer-songwriter Jason Mraz. It was released as the first official single from his fourth studio album, Love Is a Four Letter Word on December 26, 2012 via iTunes.[1] It was written by Mraz and Michael Natter, and produced by Joe Chiccarelli.The acoustic folk blues and folk-pop ballad was written during his activist outings and discusses not giving up on loving someone, loving oneself, and not giving up on one's dreams. It received mostly positive reviews from music critics, who agreed that the song is straightforward, emotional and inspiring.
$4.99 ≈
4.61€
Never Gonna Give You Up
Never Gonna Give You Up
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Piano seul
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FACILE
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Rick Astley
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Ylan Chu
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Never Gonna Give You Up
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Ylan Chu
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1208959 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Ylan Chu. Classical,Comedy,Instruc...
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Piano Solo - Level 2 - SKU: A0.1208959 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Ylan Chu. Classical,Comedy,Instructional,Pop. Score. 1 pages. Ylan Chu #807066. Published by Ylan Chu (A0.1208959). Every April 1st, I try to create a small silly music-related thing for my students. Last year, it was an ear training quiz video (available on YouTube @ClassicalSqueak). This year, I wrote this little waltz with and arranged it with a hint of Rick Astley’s “Never Gonna Give You Up†in the melody as a sight reading exercise. Hope you enjoy! :)-For more information about the arranger, Dr. Ylan Chu, please visit her website: https://www.ylanchu.com/.More resource links can be found here: https://www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$4.99 ≈
4.61€
Never Gonna Give You Up
Never Gonna Give You Up
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Piano Facile
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FACILE
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Contemporain
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Rick Astley
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Daniel Rui
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Never Gonna Give You Up
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Daniel Rui
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.941251 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Daniel Rui. Contemporary. Score. 3 ...
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Easy Piano - Level 2 - SKU: A0.941251 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Daniel Rui. Contemporary. Score. 3 pages. Daniel Rui #4319887. Published by Daniel Rui (A0.941251). The major version of Chopin's nocturne in B flat minor opens it, with an original melody, and then of course the rick roll. Great little easy piece to troll people with, as it contains two jokes in one. After all, it is a scherzito -- a little joke! Not to mention it sounds nice with a nice arrangement of Rick Astley's classic. .
$4.99 ≈
4.61€
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Piano seul
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FACILE
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Methodes
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercis
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #651...
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Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99 ≈
5.54€
You Get What You Give
You Get What You Give
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Chorale 2 parties
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FACILE
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Rock
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New Radicals
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Joseph Hollings
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You Get What You Give
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Joseph Hollings Publishing
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1213886 By New Radicals. By Gregg Alexander and Rick Nowels. Arranged by Joseph Hollings. Pop,Rock. Octavo. 8 ...
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Choral Choir (2-Part) - Level 2 - SKU: A0.1213886 By New Radicals. By Gregg Alexander and Rick Nowels. Arranged by Joseph Hollings. Pop,Rock. Octavo. 8 pages. Joseph Hollings Publishing #811084. Published by Joseph Hollings Publishing (A0.1213886). Duration: 4:25This engaging and relatively easy two-part choir arrangement of the New Radicals' 1998 hit, You Get What You Give, is perfect for choral ensembles and music education programs eager to perform an unforgettable pop-rock classic from the late '90s. Originally arranged for and sung by a fifth grade boys choir, this piece will energize any middle or high school choir's performance. The piano part keeps driving the music forward throughout. Alternate lyrics to the original ending (which are somewhat dated and arguably unsuitable for young singers) have been included in addition to the original lyrics in the score. As U2's guitarist, The Edge, said he would really love to have written this song, how can you pass up including it in your next concert? Check out the YouTube sheet music preview.
$1.99 ≈
1.84€
On That Cross
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.77€
Look Up Child
Look Up Child
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Lauren Daigle
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Celestina Coulsting
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Look Up Child
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Celestina Coulsting
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1343077 By Lauren Daigle. By Jason Ingram, Lauren Daigle, and Paul Mabury. Arranged by Celestina Coulsting. Chri...
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Choral Choir,Choral - Level 2 - SKU: A0.1343077 By Lauren Daigle. By Jason Ingram, Lauren Daigle, and Paul Mabury. Arranged by Celestina Coulsting. Christian,Contemporary,Pop,Praise & Worship. 7 pages. Celestina Coulsting #928585. Published by Celestina Coulsting (A0.1343077). An SAAT arrangement of Look Up Child. This beautiful song is simple with powerful lyrics and suits this flexible arrangement which means it can cater for larger or smaller ensembles and gives opportunities for building in solo parts.
$1.99 ≈
1.84€
Up to the Lord. A new tune to a wonderful Isaac Watts hymn.
Up to the Lord. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Up to the Lord. A new tune to
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994667 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360929. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994667 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360929. Published by Harry Hicks (A0.994667). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.84€
Stand up, my soul. A new tune to a wonderful Isaac Watts hymn.
Stand up, my soul. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Stand up, my soul. A new tune
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994614 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360165. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994614 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360165. Published by Harry Hicks (A0.994614). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.84€
Stand up! A new tune to a wonderful old hymn.
Stand up! A new tune to a wonderful old hymn.
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Chorale Unison
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FACILE
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Musique Sacrée
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Harry Hicks
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Stand up! A new tune to a wond
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994615 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360171. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994615 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360171. Published by Harry Hicks (A0.994615). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.84€
May faith looks up to Thee. A new tune to a wonderful old hymn.
May faith looks up to Thee. A new tune to a wonderful old hymn.
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Chorale Unison
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FACILE
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Musique Sacrée
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Harry Hicks
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May faith looks up to Thee. A
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994533 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359255. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994533 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359255. Published by Harry Hicks (A0.994533). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.84€
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trompettes (duo)
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FACILE
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99 ≈
4.61€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.84€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.79€
Growing Into Me
Growing Into Me
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Chorale 2 parties
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FACILE
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Contemporain
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whi...
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Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99 ≈
1.84€
Variations on a Theme in D Flat
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00 ≈
9.24€
It Never Runs Dry
It Never Runs Dry
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Piano, Voix
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FACILE
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Naomi Whitaker
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It Never Runs Dry
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Ecclesia Song
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1421225 By Naomi Whitaker. By Naomi Whitaker. Christian,Praise & Worship,Religious. Score. 3 pages. Ecclesia Song ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1421225 By Naomi Whitaker. By Naomi Whitaker. Christian,Praise & Worship,Religious. Score. 3 pages. Ecclesia Song #1002616. Published by Ecclesia Song (A0.1421225). This song declares the joy of knowing Christ's fullness. He perfectly supplies our needs!For he satisfieth the longing soul, and filleth the hungry soul with goodness. (Psalms 107:9)Jesus answered and said unto her, Whosoever drinketh of this water shall thirst again: But whosoever drinketh of the water that I shall give him shall never thirst; but the water that I shall give him shall be in him a well of water springing up into everlasting life. (John 4:13-14).
$1.99 ≈
1.84€
Stella Nova
Stella Nova
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Orchestre d'harmonie
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FACILE
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Helmut Kogler
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Stella Nova
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1237526 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,World. 81 pages. Pentharmonics #833041. Publ...
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Concert Band - Level 2 - SKU: A0.1237526 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,World. 81 pages. Pentharmonics #833041. Published by Pentharmonics (A0.1237526). Stella Nova - Grade 2 - Duration 4:20 min.... a new star. In the beginning there is darkness, filled with dust in nothingness. It takes some time for massive clouds to form from this deep cold nebula. But gradually they grow and then attract each other. They are therefore getting bigger and unite with huge momentum resulting in a large whole thing. Now the cold diminishes until it even disappears. It's getting warm, then hot and hotter, finally a spark ignites and a new fresh light is kindled. From now on it brightens up the dark and gives the warmth, which is indispensable for new life to arise.With a duration of approx. 4 1/2 minutes and grade 2, the piece is suitable for a relaxing rest point in the concert programme for the audience and the musicians as well.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$69.99 ≈
64.70€
Hark! The Herald Angels Sing! for Cello Quartet
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Classique
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95 ≈
4.58€
Never Gonna Give You Up / Rick Roll Meme (Early Intermediate Piano with Lyrics)
Never Gonna Give You Up / Rick Roll Meme (Early Intermediate Piano with Lyrics)
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Piano seul
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FACILE
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Rock
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Rick Astley
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Chelsey Joy
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Never Gonna Give You Up / Rick
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Chelsey Joy
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SheetMusicPlus
Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download By Rick Astley. Arranged by Chelsey Joy. Individual Part, Piano R...
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Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download By Rick Astley. Arranged by Chelsey Joy. Individual Part, Piano Reduction, Sheet Music Single. 5 pages. Published by Chelsey Joy
An early intermediate to intermediate piano arrangement of Never Gonna Give You Up by Rick Astley, also known as the "Rick Roll" meme. This arrangement includes the lyrics for easier follow along, one flat throughout, and all sections of the original song. It is five pages long with several repeats.
Duration: 3-5 min
Pages: 5
Key: F/Dm
Level: Early Intermediate - Intermediate
Arranged by Chelsey Joy: New Age Pianist, Composer, and Educator
www.youtube.com/chelseyjoymusic
$4.99 ≈
4.61€
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Give It All Up
