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Come Again G Major
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Come Again G Major
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Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
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Instruments en Do
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INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
¥28.45
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
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Instruments en Do
#
INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
#
Anastace
#
SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
¥28.45
Come, Josephine in My Flying Machine
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99 ≈
¥49.72
Sonata In G For Organ-Scherzo
Sonata In G For Organ-Scherzo
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Orgue
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INTERMÉDIAIRE
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published...
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Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99 ≈
¥56.83
Lord of All Our Days (Funeral Hymn) - C Major
Lord of All Our Days (Funeral Hymn) - C Major
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Piano, Voix
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INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053778. Published by Anastace (A0.1477115). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in C major, a better key both for playing and for most singers' vocal ranges than the original version in B flat major.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Lead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
¥35.57
Dowland-Come Again, Sweet Love Doth Now Invite in G flat Major, for Voice and Piano
Dowland-Come Again, Sweet Love Doth Now Invite in G flat Major, for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Leo Delibes
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MSM
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Dowland-Come Again, Sweet Love
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.660406 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914419. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.660406 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914419. Published by Open Cloud (A0.660406). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Dowland (Dowland John), 1563-1626,for Voice and Piano, published by More Sheet Music Press.
$2.99 ≈
¥21.27
Dowland-Come Again, Sweet Love Doth Now Invite in G Major, for Voice and Piano
Dowland-Come Again, Sweet Love Doth Now Invite in G Major, for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Leo Delibes
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MSM
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Dowland-Come Again, Sweet Love
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.660407 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914421. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.660407 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914421. Published by Open Cloud (A0.660407). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Dowland (Dowland John), 1563-1626,for Voice and Piano, published by More Sheet Music Press.
$2.99 ≈
¥21.27
Interludes for Organ
Interludes for Organ
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Dale Wood
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Interludes for Organ
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys. Composed by Dale Wood. Sacred. Sacred Music Press #70/1320S. Publ...
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Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys. Composed by Dale Wood. Sacred. Sacred Music Press #70/1320S. Published by Sacred Music Press (LO.70-1320S). UPC: 000308048834.These little interludes are designed for moments in the worship service when the organist is obliged to play short improvisations, yet feels improvisationally challenged. Whether the need is to cover the sound of shuffling feet as latecomers are seated or simply to establish a contemplative ambience, organists will find many uses for these short interludes in all keys. While some organ registrations and dynamic levels are suggested, the organist is advised to select stops that best suit the immediate moment of use. The majority of interludes in the service call for Flute or string celestas and other soft stops. A few of these pieces also present possibilities for using fuller or brighter combinations. It is hoped that this collection will serve well when there is a sudden need for the organist to provide (as a colleague so apply puts it)ecclesiastical traveling music.
Song List
: Interludes For Organ E Interludes For Organ F Interludes For Organ Gb (F#) Interludes For Organ G Interludes For Organ Ab (G#) Interludes For Organ A Interludes For Organ Bb Interludes For Organ B (Cb) Have Thine Own Way Lord (Eb) Sweet Hour Of Prayer (D) Pass Me Not O Gentle Savior (G) Softly And Tenderly Jesus Is Calling )Eb) Just As I Am Without One Plea (C) Spirit Of God Descend Upon My Heart (C) God Be With You Till We Meet Again (C) Interludes For Organ C Interludes For Organ Db (C#) Interludes For Organ D Interludes For Organ Eb
$25.00 ≈
¥177.83
Invention No. 1 BWV 772
Invention No. 1 BWV 772
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Classique
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Johann Sebastian Bach
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Justin M
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Invention No. 1 BWV 772
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3015403. Published by Justin M. Ryan (A0.886890). Invention No. 1 BWV 772. The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy this wonderful classic.
$2.99 ≈
¥21.27
Allegro Maestoso(From Water Music)
Allegro Maestoso(From Water Music)
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Justin M
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Allegro Maestoso(From Water Mu
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886883 Composed by George Frideric Handel. Arranged by Justin M. Ryan. Baroque,Contemporar...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886883 Composed by George Frideric Handel. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3009935. Published by Justin M. Ryan (A0.886883). The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frederick Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames. Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(D Major and G Major). Enjoy this wonderful classic.
$4.99 ≈
¥35.49
Lord of All Our Days (Funeral Hymn)
Lord of All Our Days (Funeral Hymn)
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Piano, Voix
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INTERMÉDIAIRE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053767. Published by Anastace (A0.1477114). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in the original key of B flat major, and has a vocal range of A3-Bb4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
¥35.57
Now Thank We All Our God (Nun Danket), for Brass Quintet
Now Thank We All Our God (Nun Danket), for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Johann Cruger
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Nigel Williams
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Now Thank We All Our God
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Nigel Williams
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.763332 Composed by Johann Cruger. Arranged by Nigel Williams. Holiday,Multicultural,Sacred,World. 11 page...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.763332 Composed by Johann Cruger. Arranged by Nigel Williams. Holiday,Multicultural,Sacred,World. 11 pages. Nigel Williams #4800764. Published by Nigel Williams (A0.763332). This great Chorale melody Nun Danket Alle Gott is arranged for Brass Quintet in the key of E flat major in the Renaissance style of Monteverdi. After an eight bar introduction with rising trumpet eighth notes, the chorale is stated in block chords by the horn, trombone and tuba with the two trumpets repeating the phrases. The five instruments come together at the point where the chorale modulates to B flat Major/G minor, and again at the conclusion with the two trumpets repeating their eighth note running passages. This festive style arrangement is ideal for both church and college at any time during the year, and especially during Thanksgiving. The performance duration is over two minutes and the full score has five individual parts attached.
$11.99 ≈
¥85.28
A Prayer and a Prelude
A Prayer and a Prelude
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published...
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Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99 ≈
¥35.49
S. Foster-Come with Thy Sweet Voice Again,in G Major
S. Foster-Come with Thy Sweet Voice Again,in G Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Stephen Collins Foster
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OSM Press
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S. Foster-Come with Thy Sweet
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1420707 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002144....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1420707 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002144. Published by Open Cloud (A0.1420707).
$2.99 ≈
¥21.27
S. Foster-Hard Times Come Again No More,in G Major
S. Foster-Hard Times Come Again No More,in G Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Stephen Collins Foster
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OSM Press
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S. Foster-Hard Times Come Agai
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1421449 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002852....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1421449 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002852. Published by Open Cloud (A0.1421449).
$2.99 ≈
¥21.27
S. Foster-Hard Times Come Again No More,in G flat Major
S. Foster-Hard Times Come Again No More,in G flat Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Stephen Collins Foster
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OSM Press
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S. Foster-Hard Times Come Agai
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1421450 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002853....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1421450 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002853. Published by Open Cloud (A0.1421450).
$2.99 ≈
¥21.27
S. Foster-Come with Thy Sweet Voice Again,in G flat Major
S. Foster-Come with Thy Sweet Voice Again,in G flat Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Stephen Collins Foster
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OSM Press
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S. Foster-Come with Thy Sweet
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1420708 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002145....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1420708 Composed by Stephen Collins Foster. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #1002145. Published by Open Cloud (A0.1420708).
$2.99 ≈
¥21.27
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Come Again G Major
