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I Am...i Said
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Vous avez sélectionné:
I Am...i Said
intermédiaire
Partitions à imprimer
80 partitions trouvées
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Neil Diamond : I Am... I Said (niveau intermédiaire)
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Violon
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INTERMÉDIAIRE
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Rock
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Pop musique
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Neil Diamond
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I Am... I Said
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Tomplay
Telechargez la partition Violon I Am... I Said (niveau intermediaire) de Neil Diamond. Partition pour Violon avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Violon I Am... I Said (niveau intermediaire) de Neil Diamond. Partition pour Violon avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.05
Neil Diamond : I Am... I Said - Version originale (niveau intermédiaire)
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Basse electrique
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INTERMÉDIAIRE
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Rock
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Pop musique
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Neil Diamond
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I Am... I Said
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Tomplay
Telechargez la tablature et la partition Basse I Am... I Said - Version originale (niveau intermediaire) de Neil Diamond. Tab pour Basse avec band -- Pop/rock...
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Telechargez la tablature et la partition Basse I Am... I Said - Version originale (niveau intermediaire) de Neil Diamond. Tab pour Basse avec band -- Pop/rock
5.99€ ≈
£5.05
Neil Diamond : I Am... I Said (niveau intermédiaire)
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Alto seul
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INTERMÉDIAIRE
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Rock
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Pop musique
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Neil Diamond
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I Am... I Said
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Tomplay
Telechargez la partition Alto I Am... I Said (niveau intermediaire) de Neil Diamond. Partition pour Alto avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Alto I Am... I Said (niveau intermediaire) de Neil Diamond. Partition pour Alto avec accomp. orchestre -- Pop/rock
5.99€ ≈
£5.05
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
£2.34
I Am The Way
I Am The Way
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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I Am The Way
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. Published by Kevin Longley (A0.1019362). I Am The Way, Church Anthem for Tenor Solo, SATB and Piano composed in March 2017. Inspiration Each of us, throughout our lives, are faced with choices where the path forward is unclear. Where the decision maybe a crossroad for our lives. Who can guide us? Who should we turn to? Jesus said I Am The Way? The Music A rousing church anthem that begins with the Tenor Soloist searching for answers. Presented with a difficult choice he asks Jesus what should I do now?, who will be my guide?. The choir responds with I Am The Way, offering the response in a polyphonic round, so to speak. Once completed, the opening melody returns sung by the choir followed by a repeat of the chorus. A C section is then introduced, in a minor key, reminding us to follow the Light as Darkness can deceive. The Tenor soloist returns with the opening melody, now with minimal accompaniment, giving a retrospective feeling to the music. The anthem closes with a repeat of the chorus followed by the Tenor soloist giving the piece a finality.
$1.99 ≈
£1.56
I Am
I Am
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Chorale SATB
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INTERMÉDIAIRE
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Stanley M
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I Am
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4784655. Published by stanleymhoffman.com (A0.924873). The poem sometimes called I Am due to its repetition of the phrase, hence the title of the present composition. Is the poem inspired? The tetragrammaton Hebrew name for God, which transliterates roughly to YHWH, means I am that I am. There is something almost mystical about this poem as it was poet’s first one. Mary Elizabeth Frye was an orphan who had never received a formal education. In 1932, she and her spouse offered shelter from the Holocaust to a young Jewish woman named Margaret Schwarzkopf. When Margaret received news that her mother had died in Germany, the distressed houseguest told Mary in all hopelessness that she had never had the chance to stand by my mother’s grave and shed a tear. Mary then wrote the poem on a torn-off section of a brown paper bag. She said the words just came to her..
$2.00 ≈
£1.56
How Am I To Know
How Am I To Know
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Piano, Voix
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INTERMÉDIAIRE
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Tommy Dorsey & His Orchestra
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Dave Gingras and John E
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How Am I To Know
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477702 By Tommy Dorsey & His Orchestra. By Dorothy Parker and Jack King. Arranged by Dave Gingras and John E. Dos...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477702 By Tommy Dorsey & His Orchestra. By Dorothy Parker and Jack King. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1055083. Published by DAVID LEE GINGRAS (A0.1477702). Aside from the fact that How Am I to Know? was once recored by Frank Sinatra recorded alongside Tommy Dorsey and his Orchestra, I wasn't able to find a lot of info about the history of this tune from 1929. That being said, this version features a root-based chord blocking that John and I have used in a number of our arrangements and we added a few left-hand fills for rhythm. We hope you like what we've done with this grand old tune!
$4.99 ≈
£3.90
I Am A Rock
I Am A Rock
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Piano seul
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INTERMÉDIAIRE
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Rock
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Simon And Garfunkel
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Rimskyfarby
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I Am A Rock
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Rimskyfarb
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.878478 By Simon And Garfunkel. By Paul Simon. Arranged by Rimskyfarby. Pop,Rock. Score. 4 pages. Rimskyfarb #4835015. Pub...
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Piano Solo - Level 3 - SKU: A0.878478 By Simon And Garfunkel. By Paul Simon. Arranged by Rimskyfarby. Pop,Rock. Score. 4 pages. Rimskyfarb #4835015. Published by Rimskyfarb (A0.878478). I Am a Rock deals with isolation and emotional detachment. That said, it still is a stella work to perform.In this intermediate arrangement by Rimskyfarby, those special-sounding 'wintery' trills have been carefully thought out so that they are easy to perform. Enjoy:).
$4.99 ≈
£3.90
So Good I'm Leaving
So Good I'm Leaving
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Jazz combo
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INTERMÉDIAIRE
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Holiyo
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So Good I'm Leaving
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1435112 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Pop,Soul. 58 pages. Holyone Tombari Dodoh #1015217. ...
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Jazz Combo - Level 3 - SKU: A0.1435112 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Pop,Soul. 58 pages. Holyone Tombari Dodoh #1015217. Published by Holyone Tombari Dodoh (A0.1435112). Lyrics:Everyone thinks that I'm nothing, Everyone thinks that I'm a burden Everyone thinks I'm unlucky None believes in my struggles No one thinks I'm unhappy None believes that I've something. It's go'n be alright It's go'n be okay It's go'n be so good; I'm leaving Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing youIt's go'n be happy It's go'n be loving It's go'n be savour There after It's go'n be alright It's go'n be okay It's go'n be so good I'm leaving And you'd smile all day You'd see no more The trouble of mind Plaguing you. Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before No one would believe me That I'm doing all I can And I say sorry I'm go'ng to a new path Never, never a burden You all be so happy Everyone thinks I'm the problem No one sees above the ocean Everyone thinks I'm the sickness No one sees me swimming the ocean No matter my impart All you see is wretched Want me unhappy Said I am unlucky, I'm a huge burden Taking vantage of you. I assure you that You'd never see me For I'll be so gone Deep in the wild Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing you. It's go'n be happy It's go'n be loving It's go'n be savour There after It's gonna be alright.
$6.20 ≈
£4.85
When I'm Gone
When I'm Gone
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Ensemble Jazz
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INTERMÉDIAIRE
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Wayne H
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When I'm Gone
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Wayne Howard Christensen III
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,Christian,Jazz,S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,Christian,Jazz,Spiritual. Score and parts. 8 pages. Wayne Howard Christensen III #2033059. Published by Wayne Howard Christensen III (A0.987118). My mom wrote this poem in 2007 when she was going through chemotherapy to treat her breast cancer. She was reminiscing about a day when her grandsons Ian (7) and Zachary (4) had accompanied her with bongo drums, maracas and tambourines as she played her Yamaha Clavinova to a latin beat. She said it was so much fun and they had such a good time! From her poem I have created a song that tries to capture the essence of their experience. I incorporated little variations of When the Saints go Marching in to portray their jam session while also alluding to my mom as a Saint who will always be with us in spirit no matter what. When she marches into Heaven I am sure she will be asking Jesus what he wants for dinner. :) For every purchase of this song I will donate $1 to Breast Cancer Charities of America.
$2.19 ≈
£1.71
I Am Free
I Am Free
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Piano, Voix
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INTERMÉDIAIRE
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Melody Mills
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Judith Nilsen
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I Am Free
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Melody Mills
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1468047 Composed by Melody Mills. Arranged by Judith Nilsen. Christian,Religious,Sacred. Score. 5 pages. Melody Mi...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1468047 Composed by Melody Mills. Arranged by Judith Nilsen. Christian,Religious,Sacred. Score. 5 pages. Melody Mills #1046357. Published by Melody Mills (A0.1468047). Sacred Solo for church service where healing is emphasized. God is love, and this love lifts us up and sustains us, freeing us from any kind of trouble we can imagine for ourselves, including sin, sickness, and death. Jesus said that the kingdom of heaven is within you, taking this promise as true, we are already living in the kingdom of God if the kingdom of God is living within us. We can be free right now!
$4.27 ≈
£3.34
Neil Diamond: I Am...I Said - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Neil Diamond
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Virtualsheetmusic
Instantly printable sheet music by Neil Diamond for voice, piano or guitar of MEDIUM skill level. / country,pop,standards
Instantly printable sheet music by Neil Diamond for voice, piano or guitar of MEDIUM skill level. / country,pop,standards
$6.97 ≈
£5.45
Neil Diamond: I Am...I Said for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Neil Diamond
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Virtualsheetmusic
Instantly printable sheet music by Neil Diamond for voice, piano or guitar of MEDIUM skill level. / rock
Instantly printable sheet music by Neil Diamond for voice, piano or guitar of MEDIUM skill level. / rock
$8.97 ≈
£7.01
Neil Diamond: I Am...I Said for guitar (ukulele)
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Ukulele
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INTERMÉDIAIRE
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Rock
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Neil Diamond
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Virtualsheetmusic
Instantly printable sheet music by Neil Diamond for ukulele of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Neil Diamond for ukulele of MEDIUM skill level. / pop,rock
$4.97 ≈
£3.88
Neil Diamond: I Am...I Said for voice & other instruments
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Rock
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Neil Diamond
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Virtualsheetmusic
Instantly printable sheet music by Neil Diamond for voice & other instruments (fake book) of MEDIUM skill level. / country,pop,rock
Instantly printable sheet music by Neil Diamond for voice & other instruments (fake book) of MEDIUM skill level. / country,pop,rock
$4.97 ≈
£3.88
Neil Diamond: I Am...I Said for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Rock
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Neil Diamond
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Virtualsheetmusic
Instantly printable sheet music by Neil Diamond for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Neil Diamond for guitar (chords) of MEDIUM skill level. / pop,rock
$3.97 ≈
£3.10
When We Walk With The Lord (Woodwind Quartet)
When We Walk With The Lord (Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Daniel B
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Joseph Pugh
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When We Walk With The Lord
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Joseph Pugh
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.855077 Composed by Daniel B. Towner(1850-1919). Arranged by Joseph Pugh. Christian,Classical,Conc...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.855077 Composed by Daniel B. Towner(1850-1919). Arranged by Joseph Pugh. Christian,Classical,Concert,Standards. 8 pages. Joseph Pugh #6129409. Published by Joseph Pugh (A0.855077). Trust and Obey was written by John H. Sammis in 1887, listed in The United Methodist Hymnal, No. 467. .The composer of the tune, Daniel B. Towner (1850–1919), provided the story behind this hymn for Ira Sankey’s book, My Life and the Story of the Gospel Hymns (1906):Some years ago, Mr. Moody was conducting a series of meetings in Brockton, Massachusetts, and I had the pleasure of singing for him there. One night a young man rose in a testimony meeting and said, I am not quite sure-but I am going to trust, and I am going to obey. I just jotted that sentence down, and sent it with the little story to the Rev. J.H. Sammis, a Presbyterian minister. He wrote the hymn, and the tune was born.(hymnology.com)This is Joseph Pugh's woodwind arrangement of that Hymn.
$9.99 ≈
£7.81
First Of May
First Of May
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Bee Gees
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Peet du Toit
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First Of May
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Pee...
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 12 pages. Peet du Toit #6200345. Published by Peet du Toit (A0.802654). First of May is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. The song was first recorded in Atlantic Studios in New York and was continued in IBC Studios, London. Barry said in the booklet with Tales from the Brothers Gibb that the title of the song came from the birthday of his dog, Barnaby. Maurice recalled the session in which that song came about. Barry and I were sitting at the piano, he said, And I started playing the chords, and Barry started singing, 'When I was small and Christmas trees were tall' and I started singing along with it. We put a demo down with a vocal and we kept the piano track. Went back to England, and went into IBC Studios in London, added onto that piano track and Barry's vocal stayed on as well. We had a choir and an orchestra all on this one piano. This song was initially taped in demo form in New York City on 16 August 1968.The orchestral arrangement from maestro Bill Shepherd was featured on the second chorus. The song starts with a piano on the first verse and chorus. Shepherd's orchestra was featured in second verse and second chorus. After singing the second chorus, the singer repeated the first verse. The music was stopped when he sings don't ask me why, but time has passed us by, Someone else moved in from far away.It was quite a challenge to arrange such subtle music for a brass quintet. I am very pleased with the result though. Enjoy!
$19.00 ≈
£14.85
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00 ≈
£11.72
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00 ≈
£11.72
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I Am...i Said
